The Avengers 2012 Full Movie
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| Joss Whedon |
Writing Credits(WGA)
| Joss Whedon | .. | (screenplay) |
| Zak Penn | .. | (story) and |
| Joss Whedon | .. | (story) |
Cast (in credits order) verified as complete
| Robert Downey Jr. | .. | Tony Stark / Iron Man | |
| Chris Evans | .. | Steve Rogers / Captain America | |
| Mark Ruffalo | .. | Bruce Banner / The Hulk | |
| Chris Hemsworth | .. | Thor | |
| Scarlett Johansson | .. | Natasha Romanoff / Black Widow | |
| Jeremy Renner | .. | Clint Barton / Hawkeye | |
| Tom Hiddleston | .. | Loki | |
| Clark Gregg | .. | Agent Phil Coulson | |
| Cobie Smulders | .. | Agent Maria Hill | |
| Stellan Skarsgård | .. | Selvig | |
| Samuel L. Jackson | .. | Nick Fury | |
| Gwyneth Paltrow | .. | Pepper Potts | |
| Paul Bettany | .. | Jarvis (voice) | |
| Alexis Denisof | .. | The Other | |
| Tina Benko | .. | NASA Scientist | |
| Jerzy Skolimowski | .. | Georgi Luchkov | |
| Kirill Nikiforov | .. | Weaselly Thug | |
| Jeff Wolfe | .. | Tall Thug | |
| M'laah Kaur Singh | .. | Young Girl (as M'laah Singh) | |
| Rashmi Rustagi | .. | Calcutta Woman | |
| Powers Boothe | .. | World Security Council | |
| Jenny Agutter | .. | World Security Council | |
| Arthur Darbinyan | .. | World Security Council | |
| Donald Li | .. | World Security Council | |
| Warren Kole | .. | Carrier Bridge Tech | |
| Alicia Sixtos | .. | Carrier Bridge Tech | |
| Jesse Garcia | .. | Carrier Bridge Tech | |
| Maximiliano Hernández | .. | Agent Jasper Sitwell | |
| Dieter Riesle | .. | Gala Scientist | |
| Kenneth Tigar | .. | German Old Man | |
| Walter Perez | .. | Young Shield Pilot | |
| Harry Dean Stanton | .. | Security Guard | |
| Josh Cowdery | .. | Maintenance Guy | |
| Ashley Johnson | .. | Waitress | |
| Katsumi Komatsu | .. | Japanese Family | |
| Yumiko Komatsu | .. | Japanese Family | |
| Momoko Komatsu | .. | Japanese Family | |
| Robert Clohessy | .. | Police Sergeant | |
| Enver Gjokaj | .. | Young Cop | |
| Fernanda Toker | .. | Office Woman | |
| Andrea Vecchio | .. | News Reporter | |
| Robin Swoboda | .. | News Reporter | |
| Brent McGee | .. | Faceless Pilot | |
| Jamie McShane | .. | Celebration Montage Interviewee | |
| Michael Zhang | .. | Celebration Montage Interviewee | |
| William Christopher Stephens | .. | Celebration Montage Interviewee (as Wiliams Christopher Stevens) | |
| Kelley Robins | .. | Celebration Montage Interviewee (as Kelley Robins Hicks) | |
| Romy Rosemont | .. | Shawna Lynde | |
| James Eckhouse | .. | Senator Boynton | |
| Stan Lee | .. | Stan Lee | |
| Pat Kiernan | .. | Pat Kiernan | |
| Thomas Roberts | .. | Thomas Roberts | |
| Damion Poitier | .. | Man #1 | |
| Rest of cast listed alphabetically: | |||
| Catherine Anderson | .. | German Pedestrian (uncredited) | |
| Ricardo Andres | .. | Lentil Merchant (uncredited) | |
| Logan Bennett | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Mayank Bhatter | .. | Celebration Montage Man Shaving Beard (uncredited) | |
| Sharita Bone | .. | Gala Guest (uncredited) | |
| Jason Botsford | .. | Museum Gala Patron (uncredited) | |
| Stephen Bullard | .. | Scared Spectator (uncredited) | |
| Mary Kate Campbell | .. | Stuttgart Biergarten patron (uncredited) | |
| Max Cavenham | .. | Mercenary (uncredited) | |
| Gene N. Chavez | .. | S.H.I.E.L.D. Guard (uncredited) | |
| Suzie Coker | .. | Museum Patron (uncredited) | |
| Layla Cushman | .. | Gala Guest (uncredited) | |
| Robert Dean | .. | Soldier (uncredited) | |
| Alex DeCourville | .. | Tourist (uncredited) | |
| Rick Dremann | .. | Museum Gala Guest (uncredited) | |
| Mark Falvo | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Keith Fausnaught | .. | Pedestrian (uncredited) | |
| John Fecek | .. | Reluctant Loki Worshipper (uncredited) | |
| Lou Ferrigno | .. | The Hulk (voice) (uncredited) | |
| Rod Fielder | .. | Pedestrian (uncredited) | |
| Eric Frank | .. | Stuttgart Citizen (uncredited) | |
| Richard Garcia | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Jorge J. González | .. | Stuttgart Driver (uncredited) | |
| Tina Grimm | .. | NYC Pedestrian (uncredited) | |
| Israel Hall | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Carmen Dee Harris | .. | Museum Gala Patron (uncredited) | |
| Josh Heileman | .. | Mercenary (uncredited) | |
| Dominique Henderson | .. | Gala Party Goer (uncredited) | |
| Hannah Henriques | .. | Screaming Pedestrian (uncredited) | |
| Moe Hindi | .. | NYC Detective (uncredited) | |
| Michael Huante | .. | Cab Driver (uncredited) | |
| Alexander Christopher Jones | .. | Mercenary (uncredited) | |
| Mike Karban | .. | Pedestrian (uncredited) | |
| Carrie Kelley | .. | Stuttgart Beer Garden Waitress (uncredited) | |
| Patrick Kellums | .. | Mercenary (uncredited) | |
| Great Kim | .. | News Boy (uncredited) | |
| Demoine Kinney | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Sean Kleefeld | .. | German Pedestrian (uncredited) | |
| Evan Kole | .. | Principal (uncredited) | |
| Annette Lawless | .. | Hostage (uncredited) | |
| Brandon Matthew Layne | .. | Road Worker (uncredited) | |
| Scott Ligon | .. | Civilian (uncredited) | |
| Kimberly J. Mahoney | .. | Limo Driver (uncredited) | |
| Todd Manes | .. | Helicarrier Medical Team Leader (uncredited) | |
| David L. Marston | .. | New York City Pedestrian (uncredited) | |
| Tiffany Sander McKenzie | .. | Civilian (uncredited) | |
| David Michael McMillan | .. | Cafe Patron (uncredited) | |
| Sean Meehan | .. | Guard (uncredited) | |
| Jillian Morgese | .. | Woman in Restaurant (uncredited) | |
| Alexandria Morrow | .. | Hannah Rippenger (uncredited) | |
| Joti Nagra | .. | Waitress (uncredited) | |
| Holly Neelie | .. | Gala Museum Patron (uncredited) | |
| Caleb Daniel Noal | .. | Extra (uncredited) | |
| Joseph O'Brien | .. | New York City Pedestrian (uncredited) | |
| Andrea-Nichole Olivas | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Jeremy Orr | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Nate Paige | .. | New York Pedestrian (uncredited) | |
| Martin Palmer | .. | Shiel Employee (uncredited) | |
| Maria Perossa | .. | Museum Gala Guest (uncredited) | |
| Roger Petan | .. | Beer Garden Patron (uncredited) | |
| Caleb Pieplow | .. | Extra (uncredited) | |
| Daniel Pimentel | .. | Helicarrier Shield Agent (uncredited) | |
| Frank Powers | .. | S.H.I.E.L.D. Agent - Loki Escort (uncredited) | |
| Jaime Powers | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Brent Reichert | .. | Stuttgart Gala Patron (uncredited) | |
| Darwin Reina | .. | Gala Guest (uncredited) | |
| Kelly Ruble | .. | S.H.E.I.L.D. Agent (uncredited) | |
| Gina Sarno | .. | Restaurant Patron (uncredited) | |
| Debbie Scaletta | .. | Gala Guest (uncredited) | |
| Robert B. Schneider IV | .. | New York City Police Officer (uncredited) | |
| Shaun V. Scott | .. | Agent Scott Kelly (uncredited) | |
| Jeff Seich | .. | New York Police Officer in Firefight (uncredited) | |
| Christina Shaffer | .. | Stuttgart Beer Garden Patron (uncredited) | |
| Alonda Shevette | .. | Lab Tech (uncredited) | |
| Douglas Slygh | .. | Museum Gala Patron (uncredited) | |
| Jimmy Star | .. | Pedestrian (uncredited) | |
| Colin Strause | .. | S.H.I.E.L.D. Agent #4 (uncredited) | |
| Robert P. Thitoff | .. | Gala Patron (uncredited) | |
| George Thomas | .. | S.H.I.E.L.D. Agent (uncredited) | |
| Shane Thompson | .. | Pedestrian (uncredited) | |
| Jerry Lee Tucker | .. | Mercenary (uncredited) | |
| Tai Urban | .. | Child on News #1 (uncredited) | |
| Chris Vaina | .. | Running Pedestrian (uncredited) | |
| Sandra Weston | .. | Sweeper (uncredited) | |
| Jasmine With | .. | Gala Patron (uncredited) | |
| Seth Zielicke | .. | Barbershop (uncredited) | |
Produced by
| Victoria Alonso | .. | executive producer |
| Louis D'Esposito | .. | executive producer |
| Jon Favreau | .. | executive producer |
| Kevin Feige | .. | producer |
| Alan Fine | .. | executive producer |
| Jeremy Latcham | .. | executive producer |
| Stan Lee | .. | executive producer |
| Patricia Whitcher | .. | executive producer |
Music by
| Alan Silvestri |
Cinematography by
| Seamus McGarvey | .. | director of photography |
Film Editing by
| Jeffrey Ford |
| Lisa Lassek |
Casting By
| Sarah Finn | .. | (as Sarah Halley Finn) |
| Randi Hiller |
Production Design by
| James Chinlund |
Art Direction by
| Benjamin Edelberg | ||
| Jann K. Engel | ||
| Gregory S. Hooper | ||
| William O. Hunter | ||
| Richard L. Johnson | .. | supervising art director |
| Randy Moore |
Set Decoration by
| Victor J. Zolfo |
Costume Design by
| Alexandra Byrne |
Makeup Department
| Jacquelyn Adamson | .. | makeup artist |
| Georgia Allen | .. | makeup artist |
| Merribelle Anderson | .. | assistant department head hair |
| Allan A. Apone | .. | assistant department head makeup |
| Jennifer Bell | .. | department head hair stylist |
| David Beneke | .. | dental prosthetics |
| Stephen Bettles | .. | prosthetic make up artist |
| John Blake | .. | makeup department head |
| Roland Blancaflor | .. | special makeup effects technician |
| Jodi Byrne | .. | makeup artist |
| Megan Daum | .. | assistant hair stylist |
| Doug Fairall | .. | makeup artist |
| Thomas Floutz | .. | key prosthetic makeup artist |
| Katrina Francis | .. | makeup artist |
| Patricia Greer | .. | additional makeup artist |
| Monique Hahn | .. | makeup artist |
| Jennifer Jane | .. | hair stylist |
| Tonya Johnson | .. | hair stylist |
| Paula Kelly | .. | additional makeup artist |
| Kevin Kirkpatrick | .. | prosthetic makeup artist: Ironhead Studio |
| Leslie Shayne Kohn | .. | makeup artist |
| Nuria Mbomio | .. | make up/ hair artist: crowd |
| Cass McClure | .. | foam technician: specialty costumes / prosthetics technician |
| Yvette Meely | .. | hair stylist |
| Pat Moore-Theis | .. | makeup artist |
| Douglas Noe | .. | makeup artist |
| Barbara Olvera | .. | personal hair stylist: Scarlett Johansson |
| Tijen Osman | .. | department head hair stylist: second unit |
| Yesim 'Shimmy' Osman | .. | personal hair stylist: Tom Hiddleston |
| Ashlynne Padilla | .. | assistant makeup artist |
| Christopher Patrick | .. | makeup artist |
| Rosemary Redlin | .. | co-makeup department head: New York |
| Viola Rock | .. | makeup artist |
| Sara Roybal | .. | additional makeup artist |
| Keith Sayer | .. | makeup artist |
| Vanessa Sharp | .. | hair stylist |
| Nicole Sortillon Amos | .. | makeup artist (as Nicole Sortillon) |
| Heba Thorisdottir | .. | personal makeup artist: Scarlett Johansson |
| Christopher Trujillo | .. | makeup artist |
| Sheila Trujillo-Gomez | .. | makeup artist (as Sheila Trujillo) |
| Teri Ann Uccan | .. | assistant hair stylist |
| Corey Welk | .. | makeup artist |
| Beka Wilson | .. | hair stylist |
| Louise Young | .. | dailies makeup artist: crowd |
| Erwin H. Kupitz | .. | wig designer (uncredited) |
| Geri Mataya | .. | assistant hair stylist (uncredited) |
Production Management
| Paddy Cullen | .. | production manager: second unit |
| Steve Demko | .. | post-production supervisor |
| Don J. Hug | .. | production supervisor |
| Bruce Markoe | .. | post-production executive |
| Markie Der Miner | .. | production assistant |
| Nadia Paine | .. | production supervisor: New Mexico |
| Cheryl Quarantiello | .. | unit production manager |
| Leeann Stonebreaker | .. | unit production manager |
| Anne Taunga | .. | production manager |
Second Unit Director or Assistant Director
| Julian Brain | .. | second assistant director: reshoots / second second assistant director |
| Greg Hale | .. | second assistant director |
| Conor Kelly | .. | second second assistant director: New York |
| Sarah Lemon | .. | second second assistant director |
| John Mahaffie | .. | second unit director |
| Maileen Williams Matheny | .. | first assistant director: additional photography (as Maileen Williams) |
| Jayson Merrill | .. | second assistant director: second unit |
| Murphy Occhino | .. | second assistant director: New York |
| Katie Pruitt | .. | staff additional second assistant director |
| Brian Relyea | .. | first assistant director: second unit |
| Nick Satriano | .. | first assistant director: second unit |
| Brian Taylor | .. | assistant director |
| Adam T. Weisinger | .. | second assistant director: New York |
| Lars P. Winther | .. | first assistant director |
| Chad Wright | .. | second second assistant director |
Art Department
| Rich Andrade | .. | set dresser |
| Brett Andrews | .. | second unit property master |
| Bryan Andrews | .. | storyboard artist |
| Arthur Arndt | .. | carpenter |
| Steve Auernhammer | .. | set dresser |
| Isidoro Avila | .. | set dresser |
| Philip Babbage | .. | supervising plasterer |
| Mark Bankins | .. | on-set dresser: second unit / set decoration buyer |
| Pierre Barrera | .. | swing gang |
| David D. Baumann | .. | second unit assistant prop master |
| Jason Bedig | .. | leadman |
| Luis G. Benavides | .. | construction purchaser |
| Richard Bennett | .. | storyboard artist |
| Maria Bentfield | .. | assistant property master |
| Tony Bohorquez | .. | concept model maker |
| Chris Bonura | .. | art department: production assistant |
| Erik Boring | .. | set dressing gangboss |
| Damon Bowden | .. | painter |
| Marcella Brennan | .. | art department coordinator: Cleveland |
| Elizabeth Brown | .. | sculptor |
| Mark W. Brown | .. | assistant property master |
| Bryan Buckler | .. | welding foreman |
| John Bugarcic | .. | paint foreman |
| Richard K. Buoen | .. | conceptual designer |
| Daragh Byrne | .. | set dresser |
| Tom Callinicos | .. | gang boss/set dressing |
| Christopher Carcich | .. | set dresser |
| Isaiah Carpenter | .. | utility technician |
| Martin Charles | .. | graphic designer |
| Rick Chavez | .. | assistant property master |
| Lance Cheatham | .. | set dresser |
| Aric Cheng | .. | set designer |
| Charles Chesser | .. | propmaker |
| Temple Clark | .. | storyboard artist |
| David Cohen | .. | mold shop supervisor |
| Sage Emmett Connell | .. | on-set dresser |
| Richard Crain | .. | gangboss |
| Travis Craven | .. | sculptor gang boss |
| Duncan Crawford | .. | sculptor |
| Tim Croshaw | .. | set designer |
| Nick S. Cross | .. | assistant art director |
| Jonathan Curotola | .. | props |
| Federico D'Alessandro | .. | animatics supervisor / storyboard artist |
| Jolene Dames | .. | painter |
| Trinity Tad Davis | .. | art department assistant |
| Rocky De la Vega | .. | painter |
| Brian Demski | .. | assistant property master |
| Darrin Denlinger | .. | storyboard/animatics artist |
| Yann Denoual | .. | sculptor |
| Fred Deyoe | .. | general foreman |
| Ralph Diaz | .. | utility technician |
| Eugene Doyle | .. | set dresser |
| Josh Drylie | .. | set dresser |
| James Duddy | .. | set dresser |
| Patrick Dunn-Baker | .. | digital set designer: New Deal Studios |
| Patrick T. Eagan | .. | set dresser |
| T. Scott Elliott | .. | set dresser |
| Robert Elliott-Barry | .. | props |
| Scott Ellsworth | .. | propmaker gang boss |
| Kendall Embrescia | .. | props |
| Zachary Fannin | .. | graphic designer |
| Francesco Ferrara | .. | painter |
| Lisa Fiorito | .. | art department researcher |
| Megg Fleck | .. | art department assistant |
| Sven Fodale | .. | propmaker gangboss |
| Lonam Fogleman | .. | set dresser |
| Marisa Frantz | .. | set designer |
| Jeff Frost | .. | conceptual model maker |
| Rodney Fuentebella | .. | concept illustrator |
| Neil Garland | .. | propmaker gangboss |
| Amy Giedraitis | .. | props |
| Rusty Gilligan | .. | production artist |
| Gone Girl | .. | painter |
| John Giuliano | .. | propmaker and mill foreman |
| Brent Godek | .. | assistant property master |
| Ram Goradia | .. | set dresser |
| Donnie Grant | .. | paint foreman |
| Megan Greydanus | .. | graphic designer |
| Graham Griswold | .. | set dresser |
| Christopher Hayes | .. | set dresser |
| Chris Herrington | .. | painter |
| Jim Hewitt | .. | set designer |
| Hannah M. Hinkel | .. | assistant property master |
| Joshua Hogan | .. | second unit lead painter / standby painter: second unit |
| Chris Hopkins | .. | sculptor gang boss |
| John Hoskins | .. | construction coordinator |
| Amanda Hunter | .. | lead graphic designer |
| Sean D. Jackson | .. | set dresser |
| Lynn A. Johanson | .. | paint gang boss |
| Henry Stuart John | .. | special projects construction foreman (as Stuart John) |
| Eric Johns | .. | carpenter / prop/set maker |
| Jason Johns | .. | propmaker |
| David Johnson | .. | props |
| Timothy Johnson | .. | set dresser: Ohio unit / swing gang: Ohio |
| Jacob Johnston | .. | visual development |
| Kent Jones | .. | paint supervisor |
| Steve Jung | .. | concept designer |
| Kenneth J. Kellers | .. | set dresser |
| Clark Kelly | .. | sculptor |
| Thomas F. Kelly | .. | set dresser |
| Dave Kilby | .. | plaster foreman |
| Joel Klaff | .. | draper |
| Mark Knapton | .. | foreman |
| Tani Kunitake | .. | illustrator |
| Emily Kwong | .. | digital set designer: New Deal Studios |
| Fabian Lacey | .. | concept illustrator |
| Ellen Lampl | .. | additional graphic designer |
| Chris Larsen | .. | set dresser |
| Tammy S. Lee | .. | set designer |
| Gary Lock | .. | props |
| Aleksandr Lokensgard | .. | on set dresser: New York |
| Colette Longo | .. | construction medic |
| Kevin Loo | .. | digital set designer |
| Dale Lotreck | .. | set dresser |
| Eric Luling | .. | on-set dresser |
| Jeff Markwith | .. | set designer |
| Christopher Martin | .. | greensman foreman |
| Heidi Mayfield | .. | set decoration buyer |
| Richard F. Mays | .. | digital set designer |
| Iain McCaig | .. | concept artist |
| Christopher McCain | .. | construction gang boss |
| Ryan Meinerding | .. | visual development supervisor |
| Ramona Messina | .. | props |
| Michael Mestas | .. | set dresser |
| Michael Meyers | .. | concept artist |
| John Millard | .. | leadman |
| James Miller | .. | lead sculptor (as Jamie Miller) |
| Kelleigh Miller | .. | assistant props |
| Robert Misetich | .. | paint foreman |
| Larry Misselhorn | .. | greensman foreman |
| Jim Mitchell | .. | storyboard artist |
| Suzanne Mjartan | .. | set dresser |
| Adam Montoya | .. | on-set dresser |
| Orlando R. Montoya | .. | set dresser |
| Stephen Morahan | .. | assistant art director |
| Victor Morales | .. | scenic artist |
| Casey Morgan | .. | construction gang boss |
| Josh Morris | .. | location foreman |
| Candice Muriedas | .. | art department coordinator |
| Carol Ann Napier | .. | set dresser |
| Frazer Newton | .. | on set dresser: New York |
| Josh Nizzi | .. | senior illustrator |
| Joe Northrop | .. | gangboss painter |
| Dan Ondrejko | .. | greens coordinator |
| Paul Ozzimo | .. | concept illustrator |
| Samuel Pactol | .. | painter |
| Sam Page | .. | set designer |
| Greg Papalia | .. | set designer |
| Andy Park | .. | concept illustrator |
| Missy Parker | .. | assistant set decorator |
| Ron D. Peake | .. | welder gangboss |
| Cory Pearson | .. | production assistant: New Mexico |
| Justin Pelissero | .. | gangboss / set dresser |
| Andrew Petrotta | .. | property master |
| William H. Phen Jr. | .. | construction foreman |
| Brandon A. Plonka | .. | set dresser |
| Anne Porter | .. | set designer |
| William Proctor | .. | assistant property master |
| Kira Qwan | .. | art department assistant |
| Eric Ramirez | .. | set dresser: Ohio unit |
| Richard Reynolds | .. | computer set designer |
| Kurtis Richmond | .. | concept designer |
| Bruce Richter | .. | set construction foreman |
| Raj Rihal | .. | concept artist |
| Bert Rodriguez | .. | propmaker |
| Siobhan Roome | .. | set designer |
| Raul Rosario | .. | construction foreman |
| Christopher S. Ross | .. | illustrator |
| Steve Salazar | .. | welding foreman |
| Billy Salsberg | .. | carpenter / foreman |
| Ernest M. Sanchez | .. | set dressing gangboss |
| James Sapienz | .. | set dresser |
| Phil Saunders | .. | concept artist |
| Scott Schneider | .. | set designer |
| Sally Schnellinger | .. | set decoration production assistant |
| Nathan Schroeder | .. | illustrator |
| Ian Scroggins | .. | set dresser |
| Fred Seibly | .. | signwriter |
| Edward Skade | .. | sculptor |
| Lamont Snipes | .. | gangboss painter |
| Kelley Snyder | .. | prop assistant: second unit |
| Daniel Soltis | .. | sculptor |
| Piero Spadaro | .. | set dresser |
| Mamie Stein | .. | on-set dresser: second unit, Ohio & Pennsylvania |
| Aaron Streiner | .. | set dresser |
| Jackson Sze | .. | concept illustrator |
| Jodi Lynn Thomas | .. | background |
| Lawrence Tolle | .. | on-set dresser: second unit / prop assistant: second unit |
| Robert P. Trujillo | .. | set dresser |
| Omar Vaid | .. | assistant property master: New York |
| Lance R. Walters | .. | leadman: Pennsylvania |
| Jim Warren | .. | set decoration buyer: Ohio |
| Dominic Weisz | .. | modeller |
| Charlie Wen | .. | visual development supervisor |
| Robert Wilbanks | .. | supervising plaster foreman |
| Dale Wilmarth | .. | mold shop foreman |
| Lyndell Wolff | .. | carpenter |
| Ted Wolff | .. | painter |
| Ryan Jeremy Woodward | .. | storyboard artist |
| Ben Woodworth | .. | painter |
| Peter Wright | .. | Leadman |
| Jane Wu | .. | storyboard artist |
| Eric Yamamoto | .. | art assistant |
| Shaun Young | .. | set decorating coordinator |
| Walter Zieska | .. | propmaker gangboss |
| Zachary Zirlin | .. | graphic designer |
| Patrick Beals | .. | prop modeler (uncredited) |
| Charisse Cardenas | .. | set designer (uncredited) |
| Veloz Gomez | .. | carpenter (uncredited) / construction: Cleveland (uncredited) |
| Vanessa O'Kelley | .. | set dresser (uncredited) |
Sound Department
| Eric Bautista | .. | sound utility |
| Courtney Bishop | .. | adr recordist |
| Steve Boeddeker | .. | sound effects editor |
| Christopher Boyes | .. | re-recording sound mixer / sound designer / supervising sound editor |
| Scott Brewer | .. | engineering services |
| David Brownlow | .. | sound mixer: second unit |
| Danny Caccavo | .. | digital editorial services |
| David Chrastka | .. | assistant sound design editor |
| Bil Clement | .. | boom operator |
| Jason Patrick Collins | .. | utility sound technician |
| Martim Crawford | .. | additional dialogue editor |
| Jesse Dill | .. | utility sound |
| Chad Djubek | .. | boom operator: second unit |
| Justin Doyle | .. | additional sound design editor |
| Romain Drouillon | .. | french dubbing mixer |
| Luke Dunn Gielmuda | .. | foley editor |
| Teresa Eckton | .. | sound effects editor |
| Jim Emswiller | .. | sound mixer: second unit |
| Sean England | .. | foley artist |
| Frank E. Eulner | .. | supervising sound editor (as Frank Eulner) |
| Julie Feiner | .. | adr editor |
| Doug Ford | .. | engineering services |
| Jonathan Fuh | .. | boom operator |
| José Antonio García | .. | sound mixer |
| J.R. Grubbs | .. | sound effects editor |
| Scott Guitteau | .. | sound effects editor |
| Clifford 'Kip' Gynn | .. | utility sound |
| Matthew Hartman | .. | dialogue editor |
| Rob Hidalgo | .. | boom operator |
| Lora Hirschberg | .. | re-recording mixer |
| Bobby Johanson | .. | adr mixer |
| Noah Katz | .. | digital editorial services |
| Kyle D. Krajewski | .. | adr recordist |
| Michael Levine | .. | digital audio transfer |
| Mark Lindauer | .. | re-recording stage engineer |
| Dmitri Makarov | .. | digital editorial services |
| Kyrsten Mate | .. | sound effects editor |
| Nigel Maxwell | .. | sound utility: second unit |
| Max Medenwald | .. | adr recordist |
| Michael Miller | .. | adr mixer |
| Nathan Nance | .. | assistant rerecording mixer |
| Jordan O'Neill | .. | datasat sound mastering engineer |
| David Parker | .. | additional rerecording mixer |
| Mark Petty | .. | additional dialogue recording engineer |
| Alex Raguini | .. | utility sound |
| Michael Rivera | .. | adr recordist |
| Robert A. Sacchetti | .. | boom operator: new york |
| Sanjay | .. | adr artist |
| Steve Schatz | .. | re-recording mix technician |
| Lyndsey Schenk | .. | post-production sound: movie trailer |
| Robert Shoup | .. | foley editor |
| Gary L.G. Simpson | .. | stage engineer |
| Brian Slack | .. | stage engineer |
| James Spencer | .. | assistant rerecording mixer |
| Greg Steele | .. | adr mixer |
| Becky Sullivan | .. | supervising adr editor |
| Billy Theriot | .. | adr mixer |
| Corey Tyler | .. | foley recordist |
| Gayle Wesley | .. | adr assistant sound editor |
| Dan Wesson | .. | boom operator |
| Steven Willer | .. | utility sound technician |
| Marshall Winn | .. | dialogue editor |
| Greg Zimmerman | .. | adr recordist |
| Phil Benson | .. | executive in charge of production: Skywalker Sound (uncredited) |
| Vikram Biswas | .. | sound technician (uncredited) |
| Steve Boeddeker | .. | foley editor (uncredited) |
| Steve Guercio | .. | epk sound mixer (uncredited) |
| Scott Guitteau | .. | foley editor (uncredited) |
| James Likowski | .. | foley editor (uncredited) |
| Kyrsten Mate | .. | foley editor (uncredited) |
| Edgar Meza | .. | engineering services (uncredited) |
| Drew Oliveras | .. | recordist (uncredited) |
| Jana Vance | .. | foley artist (uncredited) |
| Stephen Wisebaker | .. | post-production audio (uncredited) |
Special Effects by
| Chad Ball | .. | special effects assistant |
| Marc Banich | .. | special effects foreman |
| Roland Blancaflor | .. | special effects technician: specialty costumes |
| Joel P. Blanchard | .. | special effects technician |
| David Boucher | .. | special effects technician |
| Chris Brenczewski | .. | special effects supervisor |
| Conrad V. Brink Jr. | .. | special effects: New York |
| Roy K. Cancino | .. | special effects technician |
| John P. Cazin | .. | special effects foreman |
| Michael Clarke | .. | special effects technician |
| Brian Claus | .. | model maker |
| Eric Cook | .. | special effects foreman |
| Ken Cornett | .. | special effects: Legacy Effects |
| William H. De Silva III | .. | special effects plasterer |
| Levon Shant Demirjian | .. | special effects |
| Mike Derry | .. | special effects technician |
| Michelle Deville | .. | fabrication department: Legacy Effects |
| Jake Dimmer | .. | special effects trainee |
| Christopher Dooly | .. | specialty costumes |
| Roderic 'Mick' Duff | .. | special effects technician |
| Amanda Dyar | .. | special effects |
| Mike Edmonson | .. | special effects foreman |
| Clinton Fegley | .. | special effects technician |
| Damian Fisher | .. | mold shop supervisor |
| Maria Friesen | .. | special effects production assistant |
| Allison Gainza | .. | special effects administrator |
| Jesse Gee | .. | model maker: Legacy FX |
| Roy Goode | .. | special effects |
| Damon Green | .. | special effects technician |
| Jared Guenther | .. | mold maker: Legacy FX |
| Werner Hahnlein | .. | special effects |
| Leo Henry | .. | special effects assistant |
| David Heron | .. | special effects foreman |
| Geoff Heron | .. | special effects technician |
| Timothy Hodson | .. | model maker |
| John D. Jay | .. | pyrotechnician |
| Todd Jensen | .. | special effects foreman |
| Anthony Julio | .. | special effects |
| Pete Kelley | .. | special effects technician |
| Yoonkwan Kim | .. | pipeline developer |
| Don Lanning | .. | sculptor: Ironhead Studio |
| Joseph Livolsi | .. | pyrotechnician |
| Kristen Lobstein | .. | special effects technician |
| Aimee Macabeo | .. | special effects artist |
| Michael MacFarlane | .. | special effects technician |
| Lindsay MacGowan | .. | co-supervisor: Legacy Effects |
| Shane Mahan | .. | physical suit effects supervisor |
| Jacqueline Makkee | .. | paint department: Ironhead Studio |
| David Marten | .. | special effects technician |
| Geoffrey C. Martin | .. | special effects technician |
| Clayton Martinez | .. | special effects technician |
| Paul Mejias | .. | set effects |
| David Merritt | .. | model shop supervisor: Legacy Effects |
| Joel Mitchell | .. | special effects foreman |
| Steven Munson | .. | special effects technician |
| Bob Myers | .. | special effects crew |
| David Nicholson | .. | mechanical effects: New Deal Studios |
| Angela Novak | .. | model maker: Legacy Effects |
| Michael O'Brien | .. | key sculptor: Legacy Effects |
| Darin O'Neill | .. | special effects technician |
| Ed Parrish Jr. | .. | special effects technician |
| Ken Pearce | .. | facial motion capture |
| Joe Perez | .. | special effects technician |
| Tim Phoenix | .. | special effects |
| Mike Prawitz | .. | special effects technician |
| Jacob Roanhaus | .. | lab technician: Legacy Effects |
| Carl Robarge | .. | special effects plasterer |
| John Rosengrant | .. | studio coordinator: Legacy Effects |
| Alan Scott | .. | studio coordinator: Legacy Effects |
| Gregory L. Smith | .. | digital modeler: Legacy Effects |
| James Springham | .. | model department: Legacy Effects |
| Christopher A. Suarez | .. | special effects technician |
| Daniel Sudick | .. | special effects supervisor |
| James G. Thomas | .. | special effects foreman |
| Michael A. Tice | .. | special effects assistant |
| Tim Turner | .. | digital protoyping |
| Thomas Zell | .. | special effects technician |
| Chris Grondin | .. | mold maker: Legacy Effects (uncredited) |
| Kimberly Scott | .. | Legacy Effects Admin (uncredited) |
| Cole Taylor | .. | legacy effects assistant (uncredited) |
| Phil Weisgerber | .. | vehicle designer (uncredited) |
Visual Effects by
| Shaun Friedberg 'Pyrokinesis' | .. | animation technical director: Weta Digital (as Shaun Friedberg) |
| Seb Abante | .. | reference photographer: Weta Digital |
| David Abbott | .. | shader writer: Weta Digital |
| Nada Abdou | .. | stereo compositor: StereoD |
| Rehan Abdulovski | .. | paint artist: fx3x |
| John Aberdein | .. | motion capture pipeline manager: Weta Digital |
| Paolo Acri | .. | digital compositor: ILM |
| Holly Acton | .. | compositor: Weta Digital |
| Lindsay Adams | .. | lead compositor: ILM |
| Glen Adlam | .. | camera technical director: Weta Digital |
| Hunny Agarwal | .. | stereo roto artist |
| Gus R. Aguilera | .. | rotoscope artist: Scanline VFX |
| Christa Albrecht | .. | team assistant: ScanlineVFX |
| Anjel Alcaraz | .. | depth artist: Stereo D |
| Steve Alegria | .. | digital compositor |
| Andreas Alesik | .. | effects artist: Trixter Film |
| Mark Edward Allen | .. | fur groomer: Weta Digital |
| Stan Alley | .. | senior onset vfx td: Weta digital / senior onset visual effects technical director: WETA Digital |
| Stephen Allison | .. | render wrangler: Weta Digital |
| Yoav Allon | .. | depth artist / digital compositor |
| Patrick L. Almanza | .. | stereoscopic painter |
| Holli Alvarado | .. | Flame artist / matte painter |
| Catherine Ames | .. | visual effects production assistant |
| Jaroslaw Ancuta | .. | paint & roto artist: Pixomondo |
| Katarzyna Ancuta | .. | paint supervisor |
| Glenn Anderson | .. | supporting services: Weta Digital |
| Fatima Anes | .. | stereo paint artist: StereoD |
| Beverley Joy Ang | .. | technical assistant |
| Siau Yene Ang | .. | lighting technical director |
| Dwight Angelito | .. | senior stereoscopic compositor |
| Jonathan Angelo | .. | lead pipeline developer: Stereo D |
| Chris Antonini | .. | visual effects plate coordinator |
| Lucy Appleby | .. | vfx production assistant |
| Doug Appleton | .. | designer/animator: PerceptionNYC |
| Erick Aragon | .. | rotoscope artist |
| Christine Arboit | .. | lighting techical director: Weta Digital |
| Nathan Arbuckle | .. | effects technical director: Evil Eye Pictures |
| Georgy Arevshatov | .. | senior texture artist: Weta Digital |
| Robin Aristorenas | .. | visual effects artist |
| Spencer Armajo | .. | flame artist |
| Yalda Armian | .. | models production manager: Weta Digital |
| Taylor Armstrong | .. | stereo paint artist: Stereo D |
| Austen Armus | .. | production services supervisor |
| Nicole Arnell | .. | rotoscope artist: Digital Domain |
| Creighton Ashton | .. | stereoscopic compositor: Stereo D |
| Jeff Atherton | .. | visual effects producer: Hydraulx |
| Hunter Athey | .. | previsualization artist: The Third Floor |
| Andrew Atkinson | .. | visual effects systems tools manager |
| Kate Auld | .. | digital compositor: Fuel VFX |
| Mark Anthony Austin | .. | previsualization lead: The Third Floor (as Mark Austin) |
| Marie-Ève Authier | .. | digital compositor: Modus FX |
| Derrick Auyoung | .. | animation technical director: Weta Digital |
| Nicholas Avallone | .. | visual effects |
| Jarrod Avalos | .. | matchmove supervisor |
| Carl Ayala | .. | camera technical director |
| Dan Ayling | .. | camera technical director |
| Paul A. Baccam | .. | stereoscopic artist |
| Zahida Bacchus | .. | stereoscopic producer |
| Sindharmawan Bachtiar | .. | creature pipeline technical director: Weta Digital |
| Marcus Bain | .. | matchmove artist |
| Mike Bain | .. | cg supervisor: Fuel VFX |
| James Baker | .. | previsualization artist: The Third Floor |
| Simon Baker | .. | effects technical director: WETA Digital |
| Rv Balaji | .. | visual effects artist |
| Santhoshi Balasubramanian | .. | digital artist: ILM |
| Jon Baldwin | .. | stereo depth artist: stereoscopic conversion (as Jonathan Robert Baldwin) |
| Scott Balkcom | .. | flame artist |
| Jarret Ballard | .. | stereoscopic depth artist |
| Christopher Balog | .. | lead artist: Industrial Light & Magic |
| Marco Barbati | .. | creature facial technical director: Weta Digital |
| K.C. Barnes | .. | stereoscopic lead: Stereo D |
| Shawn Barnett | .. | senior visual effects compositor |
| Sonia Bass | .. | camera technical director: Weta Digital |
| Jason Bath | .. | visual effects executive producer: Fuel VFX |
| Mark Battle | .. | compositor: Stereo D |
| Matt Bauer | .. | previsualization artist: The Third Floor |
| Michael Bauer | .. | digital production supervisor |
| Michael Baula | .. | stereoscopic compositor: Stereo D |
| Geoffrey Baumann | .. | computer graphics supervisor: Digital Domain (as Geoffrey E. Baumann) |
| Joel Bautista | .. | compositor: ILM |
| Bryn Bayliss | .. | digital artist |
| Lyse Beck | .. | compositor |
| Vicki Beck | .. | executive staff: ILM |
| Jo Ann Cordero Belen | .. | compositor: ILM |
| Brittany Bell | .. | visual effects |
| Gregory Bellis | .. | camera td: Weta Digital |
| Danielle Bemis | .. | visual effects coordinator: Luma Pictures |
| Jeannie Ben-Hain | .. | stereoscopic compositor |
| Laurent Ben-Mimoun | .. | concept artist |
| Karina Benesh | .. | visual effects coordinator |
| Steven Benjamin | .. | roto/paint artist: Luma Pictures |
| Krista Benson | .. | digital compositor |
| Brian N. Bentley | .. | stereoscopic compositor / stereoscopic paint artist |
| Scott Benza | .. | animator |
| Frank Berbert | .. | digital compositor: ILM |
| Sylvain Berger | .. | lead pipeline technical director: Modus FX |
| Mathew Berglund | .. | digital artist |
| Niki Bern | .. | digital compositor: fuelvfx |
| Magda Bernal | .. | visual effects digital coordinator |
| Alex Berson | .. | digital paint artist: Weta Digital |
| Maxime Besner | .. | stereoscopic artist |
| Aaron D. Beyer | .. | visual effects artist |
| Ashley Beyer-Whitaker | .. | visual effects (as Ashley Whitaker) |
| Himanshu Bhatia | .. | r&d programmer: hydraulx |
| Sourajit Bhattacharya | .. | stereo compositor |
| Wayne Billheimer | .. | visual effects executive producer: ILM |
| Patrick Bissonnette | .. | visual effects financial controller: Modus FX |
| Aevar Bjarnason | .. | visual effects artist: Fuel VFX |
| Edward Blackford | .. | stereoscopic artist |
| Duncan Blackman | .. | photographer: Digimatte |
| Sarah Blank | .. | visual effects artist |
| Sven Bliedung | .. | fx artist: Trixter Film |
| Vincent Blin | .. | flame artist |
| Jeremy Bloch | .. | technical director: ILM |
| Stephen A. Bloch | .. | previsualization artist: The Third Floor |
| Robert Bloom | .. | lighting technical director |
| Rufus Blow | .. | creature technical director: Weta Digital |
| Richard Bluff | .. | digital matte supervisor: ILM |
| Marten Blumen | .. | digital compositor |
| Mike Bodkin | .. | stereo executive producer: Stereo D |
| David Bohorquez | .. | previsualization artist: The Third Floor |
| Florin Boieriu | .. | senior compositor: ILM |
| Philip Boltt | .. | motion capture pipeline supervisor: Weta Digital |
| Jason Bomstein | .. | stereoscopic artist |
| Alessandro Bonora | .. | digital artist |
| Rob Bonstin | .. | production support |
| Siksit Boonyodom | .. | compositor |
| Mark Boorer | .. | pipeline programmer |
| Markus Boos | .. | cg lead: Scanline VFX |
| Nick Booth | .. | digital imaging supervisor |
| Rachel Borkow | .. | previsualization production coordinator: The Third Floor |
| James Robert Bosley | .. | stereoscopic artist |
| Jonathan Bot | .. | digital compositor: Weta Digital |
| Guy Botham | .. | visual effects executive producer |
| Tess Boughton | .. | visual effects artist |
| Marc Bourbonnais | .. | visual effects executive producer: Modus FX |
| Sam Bourne | .. | technical coordinator |
| Xavier Bourque | .. | digital compositor: Fuel VFX |
| Shane Bouthillier | .. | stereoscopic artist |
| Michael Bovberg | .. | digital compositor: Scanline VFX |
| Jason Bowers | .. | stereoscopic compositor |
| Stephen D. Bowline | .. | research & development |
| Gavin Boyle | .. | layout: ILM |
| Kirstin Bradfield | .. | digital compositor |
| Adam Bradley | .. | digital paint artist: Weta Digital Ltd |
| Derek Bradley | .. | creature effects |
| Jeremy Bradley | .. | visual effects editor |
| Neal Bradshaw | .. | scan technician: Gentle Giant Studios |
| Mat Brady | .. | digital artist |
| Steve Braggs | .. | cg sequence supervisor: ILM |
| Timothy Brakensiek | .. | creature technical director |
| Michael Brako | .. | stereoscopic artist |
| Lee Bramwell | .. | camera department hod weta digital |
| Franz Brandstaetter | .. | digital compositor |
| Erik Bratlien | .. | depth artist: Stereo D |
| Stefan Braun | .. | cg artist: Trixter Film |
| Kristie Breslin | .. | models department manager: Weta Digital |
| Michael Breymann | .. | fx technical director: Industrial Light & Magic |
| Milady Bridges | .. | visual effects artist |
| Adam Briggs | .. | visual effects artist: Luma Pictures |
| Lee Briggs | .. | visual effects coordinator: ILM |
| Daniel Brimer | .. | visual effects producer: Digital Domain |
| Wayne Brinton | .. | visual effects supervisor: Modus FX |
| Ryan Brooks | .. | rotoscope artist |
| Austin Brown | .. | rotoscope artist: Scanline VFX |
| Chantell Brown | .. | visual effects |
| Christopher E. Brown | .. | digital effects artist |
| Kyle Patrick Brown | .. | lead compositor (stereoscopic conversion) |
| Rochelle Brown | .. | stereoscopic compositor |
| Dan Browne | .. | systems admistrator: Evil Eye Pictures |
| Edward Brugge | .. | roto lead: The Base Studio |
| Erik Bruhwiler | .. | digital compositor: Hydraulx |
| Amy Brunolli | .. | digital coordinator: Luma Pictures |
| Cody Brunty | .. | visual effects artist |
| Julian Bryant | .. | digital compositor |
| Sabrina Bucci | .. | data wrangler: Modus FX |
| Jared Buford | .. | stereoscopic artist: Stereo D |
| Joerg W. Bungert | .. | digital colourist: Weta Digital |
| Charles Bunnag | .. | DI associate colorist |
| Matthew Burek | .. | stereoscopic artist |
| Christian Burggraf | .. | system administration: ScanlineVFX |
| Darrell Burke | .. | visual effects |
| T.J. Burke | .. | lighting technical director: Hydraulx |
| Andy Burmeister | .. | camera technical director: Weta Digital |
| Jess Burnheim | .. | digital compositor |
| Astrid Busser-Casas | .. | digital compositor |
| Jeremy F. Butler | .. | character rigging supervisor |
| Ria-Bella Buys | .. | rotoscope artist: Weta Digital (as Ria-Bella Chua) |
| Sam Buys | .. | digital asset manager: Weta Digital |
| Brendan Byrd | .. | visual effects production assistant |
| Robert Byrne | .. | shots technical director |
| Nathaniel Caauwe | .. | rotoscope artist: The Base Studio |
| Goncalo Cabaca | .. | visual effects artist |
| Howard Cabalfin | .. | roto/paint lead: Digital Domain |
| Regina Cachuela | .. | animation technical director |
| David Caeiro Cebrián | .. | senior effects technical director: Weta Digital |
| Daniela Calafatello | .. | creature technical director |
| Luis Calero | .. | digital artist |
| Owen Calouro | .. | layout artist: ILM |
| Caitlin Campbell | .. | stereoscopic compositor |
| Alexandre Cancado | .. | lead digital compositor: Luma Pictures |
| Cedric Enriquez Canlas | .. | digital modeler: weta digital (as Cedric Canlas) |
| Patrick Canning | .. | rotoscope artist: Hydraulx VFX |
| Andre Cantarel | .. | post-visualization artist: The Third Floor |
| Robin Stuart Cape | .. | rotoscope artist: Weta Digital |
| Derrick Carlin | .. | animator: Industrial Light & Magic |
| Tasha Carlson | .. | depth artist |
| Kathy Carlston | .. | matchmove artist |
| Jimmy Caron | .. | pipeline technical director: Modus FX |
| Caleb Carr | .. | rotoscope artist |
| Rodrigo Carrasco | .. | 3d scan technician: Gentle Giant Studios |
| Taylor Carrasco | .. | animator |
| Jeremy P. Carroll | .. | junior lead stereoscopic compositor: Stereo D |
| John Cassella | .. | senior fx technical director: Luma Pictures |
| Shoghi Castel De Oro | .. | previsualization artist: The Third Floor |
| Monica L. Castro | .. | stereoscopic artist |
| Norman Cates | .. | lead compositor |
| Nick Cattell | .. | matte painter |
| Daniel Cavey | .. | associate production manager: ILM |
| Joe Censoplano | .. | digital compositor: Luma Pictures |
| Gabriel D. Cervantes | .. | stereoscopic artist: Stereo D (as Gabe Cervantes) |
| Charles-Felix Chabert | .. | effects technical director |
| Snata Chakraborty | .. | stereo roto artist |
| Arthur Chan | .. | rotoscope artist: Weta Digital |
| Johnny Chan | .. | rotoscope artist: Weta Digital |
| Karhoe Chan | .. | layout artist: Industrial Light & Magic |
| Kien Geay Chan | .. | digital artist |
| Can Chang | .. | compositor: ILM |
| Hui Ling Chang | .. | production manager: ILM |
| Matthieu Chardonnet | .. | senior effects technical director: Weta Digital |
| Mark Chataway | .. | technical director: ILM |
| Chin Chee Cheah | .. | digital matte artist |
| Georgie Chen | .. | digital artist |
| Peter Chen | .. | animator |
| Nick Cherry | .. | compositor |
| Peter Chesloff | .. | digital compositor |
| Jason K.S. Cheung | .. | production engineer: Weta Digital |
| Simon Cheung | .. | senior modeller |
| Anthony Chiang | .. | layout technical director |
| Mihaela Chifor | .. | visual effects producer: Trixter Film |
| Eun-Jung Cho | .. | digital compositor |
| Jong Jin Choi | .. | technical director |
| Raymond Chou | .. | digital matte artist |
| Sanchari Chowdhury-Kesler | .. | textures coordinator (as Sanchari Chowdhury) |
| Bradley Chowning | .. | stereoscopic depth artist |
| Glen Christie | .. | lighting/rendering technical director |
| Ian Christie | .. | visual effects artist |
| Francesca Christopher | .. | production assistant: ILM |
| Kristy Chrobak | .. | stereo production coordinator |
| Marc Chu | .. | animation supervisor: ILM |
| Douglas Chubb | .. | digital paint artist: Weta Digital |
| Jasper Chung | .. | rotoscope artist: Weta Digital |
| David Cimaglia | .. | roto artist: stereoscopic conversion |
| Alessandro Cioffi | .. | visual effects supervisor: Trixter Film |
| Suzanne Cipolletti | .. | post-visualization artist: The Third Floor |
| Vincent Cirelli | .. | visual effects producer: Luma Pictures / visual effects supervisor: Luma Pictures |
| Mike Cisneros | .. | visual effects artist |
| Genevieve Claire | .. | production coordinator: Pixomondo |
| Patrick Clancey | .. | digital opticals |
| Graham D. Clark | .. | stereographer |
| Jimi Clark | .. | stereoscopic artist |
| Michael L. Clarke | .. | visual effects artist |
| Trent Claus | .. | flame artist |
| Ryan Cleveland | .. | stereoscopic compositor |
| Nicolas Cloutier | .. | lead concept & matte painting: Modus FX |
| Valérie Clément | .. | head of sales & marketing: Modus FX |
| Adam Coggin | .. | post-visualization artist: The Third Floor |
| Michael Colburn | .. | stereoscopic compositor / stereoscopic paint artist |
| Michael Coldewey | .. | executive producer: Trixter Film |
| Jeff Cole | .. | visual effects artist |
| Luke Cole | .. | software engineer: Fuel VFX |
| Sam Cole | .. | compositing technical director: Fuel VFX |
| Aurelien Collard | .. | software engineer |
| Janice Barlow Collier | .. | technical administrator: Method Studios |
| Meagan Condito | .. | digital production manager (as Meagan Rotman) |
| Mary-Margaret Conley | .. | data i/o administrator |
| Benjamin Conner | .. | roto/paint artist: Luma Pictures |
| Ben Conrad | .. | creative lead: celebration montage |
| Jochen Conradt | .. | effects artist: ScanlineVFX |
| Elliot Contreras | .. | visual effects artist |
| Sonia Contreras | .. | layout artist: ILM |
| Matt Conway | .. | concept artist / matte painter: Scanline VFX |
| Chase Cooper | .. | creature technical director: ILM |
| Gemma Cooper | .. | digital compositor: Weta Digital |
| Jay Cooper | .. | cg sequence supervisor |
| Karin Cooper | .. | creature technical director |
| Shane Cooper | .. | senior software developer |
| Michael Corcoran | .. | lead creature technical director |
| Matt Cordero | .. | stereoscopic compositor |
| Joshua Cordes | .. | visual effects: Hydraulx |
| Danielle Costa | .. | visual effects production manager |
| Krishnamurti Costa | .. | senior creature modeler: ILM |
| Glenn Cotter | .. | digital artist: ILM |
| Andrew Cottingham | .. | previsualization production coordinator: The Third Floor |
| Brenton Cottman | .. | lead digital matte artist: weta digital |
| Joshua Coté | .. | stereoscopic depth artist |
| Alasdair Coull | .. | code department supervisor: Weta Digital |
| Dan Cox | .. | senior td: ILM |
| Louis Cox | .. | camera technical director |
| Maurice Cox | .. | stereo compositing artist |
| Ed Coy | .. | digital artist: Fuel VFX |
| Christine Cram | .. | digital paint artist |
| Nick Crew | .. | lead compositor: Scanline VFX |
| Robert Cristino | .. | stereoscopic compositor |
| Jim Croasdale | .. | senior paint artist |
| Kevin Cross | .. | 3D artist |
| Tyson Cross | .. | lighting technical director: ILM |
| Thomas Crow | .. | stereo artist: Stereo D |
| Guido Jiménez Cruz | .. | rotoscope artist: Scanline VFX |
| Jimmy Cruz | .. | roto artist |
| Jason Cuenco | .. | assistant technical director: modeling, ILM |
| Glenn Curry | .. | layout td: Weta Digital |
| Sean Cushing | .. | visual effects producer: Cantina Creative |
| Jason Cutler | .. | lead steroscopic compositor |
| Poprizov Cvetan | .. | roto artist: fx3x |
| Melina Tancheva Cvetanoska | .. | roto artist |
| Anthony D'Agostino | .. | camera tracker |
| Coral D'Alessandro | .. | pre-vis consultant |
| Tim Dalton | .. | visual effects coordinator: Luma Pictures |
| David Dame | .. | creature technical director |
| Thomas Oliver Daniel | .. | rotoscope production coordinator |
| Kristijan Danilovski | .. | visual effects |
| Brad Darrow | .. | stereoscopic depth artist |
| Dane K. Dass | .. | vfx production |
| Peter Daulton | .. | animator |
| Robert Nicholas Dauphinais | .. | digital compositor |
| Marion Davey | .. | visual effects coordinator: weta digital |
| Lorelei David | .. | visual effects editor: ILM |
| James Davis Jr. | .. | stereo conversion artist |
| Brandon Davis | .. | effects technical director |
| Jayson Davis | .. | stereoscopic compositor: Stereo D |
| Mark A. Davis | .. | stereoscopic compositor |
| Amy Daye | .. | digital compositor: ILM |
| Alan De Castro | .. | stereoscopic depth artist: Stereo D |
| Jeffrey de Guzman | .. | digital matte painter: Industrial Light & Magic |
| Daphne De Jesus | .. | paint and rotoscope artist: Scanline VFX / senior digital paint artist |
| Stephanie De Meautis | .. | visual effects production manager |
| Sarah de Schot | .. | digital paint artist: Weta Digital |
| Josh Deason | .. | stereoscopic compositor: stereoscopic conversion |
| Rachel Decker | .. | data administrator |
| Gabriel Dedic | .. | research & development: ScanlineVFX |
| Yoshi DeHerrera | .. | lidar scanning |
| Val Dela Rosa | .. | senior systems administrator |
| Valerie Delahaye | .. | production manager: Modus |
| Kevin Delee | .. | visual effects |
| Ruy Delgado | .. | matchmove artist: Luma Pictures / roto/paint artist: Luma Pictures |
| Brian Delmonico | .. | compositor: Method Studios |
| Stephen DeLuca | .. | cg sequence supervisor: ILM |
| Peter Demarest | .. | digital compositor: ILM |
| Andrew Dennis | .. | senior pipeline developer: Deluxe |
| Marie Victoria Denoga | .. | digital compositor |
| Ivy Depies | .. | stereo digital compositor: Method Studios |
| Fefo Desouza | .. | flame artist |
| Natasha Devaud | .. | visual effects artist |
| Anouk Deveault-Moreau | .. | visual effects producer: Modus FX |
| Ashish Dewan | .. | digital compositor: Modus FX |
| Michael Dillon | .. | digital intermediate producer |
| John Dinh | .. | roto/paint artist |
| Gareth Dinneen | .. | compositor: Weta Digital |
| James Dinsdale | .. | motion capture support |
| Gus Djuro | .. | senior stereoscopic artist |
| Thai Son Doan | .. | digital compositor: Fuel VFX |
| Jennifer Docherty | .. | creatures coordinator: weta digital |
| Damian Doennig | .. | lead layout artist |
| Jennifer Dolan | .. | stereoscopic conversion |
| Raul Dominguez | .. | concept artist / senior modeler |
| Rene Dominguez | .. | stereoscopic compositor |
| Jason Donnelly | .. | post-visualization artist: The Third Floor |
| Tyson Donnelly | .. | digital compositor: Fuel VFX |
| James Dornoff | .. | digital producer: Scanline VFX |
| John Doublestein | .. | lead creature technical director: ILM |
| Alana Douglas | .. | visual effects artist |
| Colin Downs-Razouk | .. | assistant technical director: ILM |
| Brennan Doyle | .. | digital artist supervisor: ILM Singapore |
| Jorik Dozy | .. | digital matte painter: ILM |
| Corey Drake | .. | r&d programmer: Stereo D |
| Lukas Drake | .. | visual effects artist: ILM |
| Brent Droog | .. | visual effects artist |
| Ryan Drue | .. | visual effects concept artist: ILM |
| Stéphanie Dubé | .. | senior texture painter: Digital Domain |
| Georg Duemlein | .. | effects technical director |
| Jadan Duffin | .. | paint artist (as Michael Jadan Duffin) / roto artist (as Michael Jadan Duffin) / rotoscope artist: Scanline VFX |
| Johnny Duguid | .. | visual effects coordinator: ILM |
| Ryan Duhaime | .. | lighting technical director: Weta Digital |
| Aubrey Dukes | .. | stereoscopic lead: Stereo D |
| Georgia Dumergue | .. | rotoscope artist |
| Eamon Samuel Duncan | .. | camera technical director |
| Simeon Duncombe | .. | lead animator: Weta Digital |
| Shawn Dunn | .. | head of layout/animation technologies: Weta Digital |
| Edgar Díaz | .. | digital artist: Digital Domain |
| C. Michael Easton | .. | lead animator: ILM |
| Aaron Eaton | .. | visual effects artist |
| Matt Eaton | .. | visual effects artist |
| Bruno Ebe | .. | effects technical director |
| Selwyn Eddy | .. | digital artist |
| Scott Edelstein | .. | digital environments artist |
| Benny Edlund | .. | senior motion capture technical director |
| Jeckson Edmilao | .. | desktop administrator: StereoD |
| Andrew Edwards | .. | visual effects artist |
| David Edwards | .. | compositor: Fuel VFX |
| Moritz Eiche | .. | compositing supervisor: ScanlineVFX |
| Marijn Eken | .. | compositing artist: ScanlineVFX |
| Yasmine El-Ghamrawy | .. | compositor |
| Nino Ellington | .. | technical assistant |
| Josh Elmore | .. | model/texture artist: Hydraulx |
| Chris Engle | .. | visual effects production assistant |
| John Erik Englund | .. | software engineer: Stereo D |
| Moose Enright | .. | motion control miniature supervisor (as Thomas Enright) |
| Omid Ensafi | .. | cg artist: Method Design |
| Dan Enstrom | .. | gatekeeper: ILM |
| Chris Erb | .. | production assistant: Trixter |
| Neil Esoy | .. | stereoscopic compositor |
| Andrea Espinal | .. | digital compositor: Modus FX |
| Raul Essig | .. | cg supervisor |
| Bryan T. Evans | .. | matchmove artist |
| Dan Everson | .. | visual effects artist |
| Andrew Ewert | .. | visual effects coordinator: ILM |
| Bill Eyler | .. | digital artist: ILM |
| Jonathan Faber | .. | model maker |
| Devin Fairbairn | .. | layout: ILM |
| Marco Fanari | .. | cg artist: Trixter Film |
| Brian Fanska | .. | stereoscopic compositor |
| Luca Fascione | .. | rendering research lead |
| Sebastian Feldman | .. | digital compositor |
| Robin Pierce Ferber | .. | stereoscopic conversion artist |
| Manuel Ferdinand | .. | research & development: ScanlineVFX |
| Aaron Ferguson | .. | visual effects artist |
| Oliver Ferguson | .. | visual effects technical director: Weta Digital |
| Adrian Ferrari | .. | stereoscopic compositor |
| Judith Ferrer | .. | stereoscopic depth artist |
| Jonathan Ficcadenti | .. | motion graphics designer |
| Nicolas Fillion | .. | lighting technical director: Modus FX |
| Jerod Finn | .. | stereoscopic artist |
| Matt Fitzgerald | .. | digital modeler |
| Jason Fleming | .. | lighting technical director: Weta Digital |
| Robert Fletcher | .. | support engineer |
| Megan Flood | .. | compositing artist / rotoscope artist |
| Juan Flores | .. | colorist assist |
| Moises Flores | .. | junior compositor: Lola Visual Effects (as Moises Flores Cabrera) |
| Matthew Fogarty | .. | camera technical director: Weta Digital |
| Enya Foley | .. | casting coordinator: the third floor |
| Marvin Fonacier | .. | senior system engineer: ScanlineVFX |
| Bridgette Foo | .. | digital artist: ILM |
| Les Foor | .. | lead stereoscopic artist |
| Ashley Forbito | .. | stereoscopic compositor / stereoscopic painter |
| Chris Foreman | .. | digital artist: ILM |
| Brian Fortune | .. | digital effects: Luma Pictures |
| Dan Foster | .. | plate producer |
| James Fouche | .. | visual effects crew |
| Ludovic Fouche | .. | senior camera td |
| Xavier Fourmond | .. | digital compositing lead: Modus FX |
| Emily Francione | .. | stereoscopic roto lead |
| Andrew Francis | .. | digital colorist: Efilm |
| Laura Franek | .. | production support: ILM |
| Shaun Frank | .. | IT manager |
| Guillaume François | .. | shader writer |
| Jordan Freda | .. | visual effects producer: The Base Studio |
| Janet Freedland | .. | roto/paint artist |
| Andreas Frickinger | .. | compositing artist: ILM |
| Nihal Friedel | .. | digital artist: Industrial Light & Magic |
| Miles Friedman | .. | visual effects coordinator: Lola VFX |
| Josh Frontino | .. | previsualization artist: The Third Floor |
| Travis Fruci | .. | stereo artist: Stereo D |
| Johan Fröjd | .. | motion editor: Weta Digital |
| David Fuhrer | .. | digital artist: ILM |
| Napoleon Fulinara Jr. | .. | visual effects artist |
| Kristina Gacova | .. | roto artist |
| Peter Gagnon | .. | compositor / vfx director: Perception |
| Patrick Gagné | .. | visual effects |
| Jason Galeon | .. | lighting technical director: Weta Digital |
| Jason Gandhi | .. | r&d |
| Mei Gangwen | .. | fx technical director: ILM |
| Danny Garcia | .. | integration artist |
| Juan Edgardo Garcia | .. | stereoscopic compositor: Stereo D |
| Robb Gardner | .. | lighting technical director: ILM |
| Adam Garnier | .. | stereoscopic compositor |
| Edgar Garrido | .. | stereo depth artist |
| Joana Garrido | .. | look development artist / texture artist |
| Meredith Garrison | .. | visual effects production assistant |
| Demitre Garza | .. | flame artist |
| Christoph Gaudl | .. | matchmove artist: Trixter Film |
| Nicholas Gaul | .. | senior digital modeler: Weta Digital |
| Bryan Gauna | .. | head of technology |
| Joan Gauna | .. | pipeline developer |
| Thibault Gauriau | .. | effects technical diretor: ILM |
| Andreas Gebauer | .. | compositing artist: Trixter Film |
| Geoff Geis | .. | depth artist |
| Joshua Gengler | .. | digital compositor |
| Sari Gennis | .. | digital artist and digital compositor |
| Christoph Genzwürker | .. | motion capture software developer |
| Joel Gerlach | .. | compositor: Luma Pictures / roto/paint artist: Luma Pictures |
| Danny Geurtsen | .. | digital matte painter |
| Paul Giacoppo | .. | digital artist |
| John Giang | .. | concept artist |
| Jackson Gichuki | .. | stereoscopic rotoscope artist |
| Matthew E. Gill | .. | stereoscopic rotoscope artist: Stereo D |
| Yannick Gillain | .. | creature atd |
| Jen Gillespie | .. | technology coordinator: Weta Digital |
| Kenneth Gimpelson | .. | visual effects artist: Weta Digital |
| Adrien Saint Girons | .. | digital artist |
| Geoffroy Givry | .. | digital compositor: Weta Digital |
| Jan Glöckner | .. | compositing artist: Trixter Film |
| Melissa Goddard | .. | compositor: Weta Digital |
| Peter Godden | .. | lead layout technical director |
| Clarke Godwin | .. | stereoscopic lead |
| Marissa Gomes | .. | associate production manager: ILM |
| Danny Gonzalez | .. | executive creative/partner: Perception |
| JongSoo Goo | .. | paint artist: The Base Studio |
| Maria Goodale | .. | digital artist |
| John Goodson | .. | digital artist |
| Azzard Gordon | .. | visual effects layout artist: Industrial Light and Magic |
| Lenny Gordon | .. | tracker |
| Philip Gordon | .. | stereoscopic artist: Stereo D |
| Travis Gorman | .. | layout artist / matchmove artist |
| Joanna N. Goslicka | .. | digital artist: Scanline VFX |
| Cody Graham | .. | stereoscopic artist |
| Anthony Grant | .. | model/texture artist: Luma Pictures |
| Jeremiah Grant | .. | digital artist: ILM |
| Jeff Grebe | .. | effects technical director: ILM |
| Orin Green | .. | digital artist |
| Matt Greig | .. | compositing supervisor: Fuel VFX |
| Justin Greiner | .. | digital compositor |
| Josh Gridley | .. | post-visualization artist: The Third Floor |
| Bryant Terrell Griffin | .. | lead digital matte painter |
| Bryan Grill | .. | visual effects supervisor: Scanline VFX |
| Jessica Grimshaw | .. | depth artist: Stereo D |
| David E. Groom | .. | chief operating officer: stereoscopic conversion |
| Signy Bjorg Gudlaugsdottir | .. | digital modeler |
| Miguel A. Guerrero | .. | modeling supervisor: Hydraulx |
| Ricardo Guevara | .. | stereo artist: Stereo D |
| Luis Guggenberger | .. | concept artist: Trixter Film |
| Mike Gunter | .. | stereo executive producer |
| Sam Gutentag | .. | visual effects production assistant |
| Jennifer Gutierrez | .. | compositor: Luma Pictures |
| Sebastian Haas | .. | pipeline manager: Trixter Film |
| Michael Habenicht | .. | compositing artist: Trixter Film |
| Bassim Haddad | .. | motion edit supervisor |
| Geoff Hadfield | .. | digital compositor |
| Nick Haines | .. | visual effects artist |
| Brian Hajek | .. | compositor |
| Lindsay Hallett | .. | director: business development: LUMA PICTURES |
| Michael J. Halsted | .. | digital artist: ILM (as Michael Halsted) |
| Katie Hamberger | .. | visual effects artist |
| William F. Hamilton | .. | systems administrator |
| H Haden Hammond | .. | sequence supervisor: Luma Pictures |
| Jeremy Hampton | .. | senior effects artist: Digital Domain |
| Giles Hancock | .. | digital matte artist |
| Josh Handley | .. | stereoscopic compositor |
| Chris Haney | .. | technical supervisor |
| Scott Hankel | .. | post-visualization artist: The Third Floor |
| Derek Hanson | .. | stereo compositor: Stereo D |
| Rachel Faith Hanson | .. | visual effects coordinator |
| Jon Hanzelka | .. | lidar scanning |
| Silke Harbauer | .. | production secretary: Trixter Film |
| Reginald Harber Jr. | .. | lead stereoscopic compositor |
| Aisling Harbert-Phillips | .. | lead stereo artist (as Aisling Harbert) |
| Kyle Hardin | .. | visual effects artist |
| Nina Harlan | .. | compositor (as Nina Yoon) |
| Ryan Harlow | .. | stereo artist: Stereo D |
| Brandon Harr | .. | lidar supervisor: LiDAR VFX |
| Tim Harrington | .. | animator: ILM |
| Monica Harrion | .. | stereoscopic roto artist |
| David Harter | .. | compositing artist: ScanlineVFX |
| Daniel Hartlehnert | .. | compositing artist: Trixter Film |
| Toby Haruno | .. | senior character animator: Weta Digital |
| Patrick Haskew | .. | previsualization artist: The Third Floor |
| Dietrich Hasse | .. | cg supervisor: Trixter Film |
| Serena Hastie | .. | rotoscope artist: Weta Digital |
| Ben Hatton | .. | editorial team: weta digital |
| Kyle Hause | .. | rotoscope artist: Scanline VFX |
| Chris Havreberg | .. | digital artist: ILM |
| Kelly Haysom | .. | digital paint artist: Weta Digital Ltd |
| John R. Hazzard | .. | pipeline technical director: Luma Pictures |
| Alex Heffner | .. | lead stereoscopic artist |
| Aria Heidari | .. | compositor: Trixter Film |
| Quentin Hema | .. | digital paint supervisor: Weta Digital |
| Jhon Henao | .. | production assistant: Modus FX |
| Allan Henderson | .. | lighting technical director |
| Brent Hensarling | .. | senior systems administrator: Luma Pictures |
| Marla Neto Henshaw | .. | digital production manager: Luma Pictures (as Marla Neto) |
| Rachel Herbert | .. | layout technical director: Weta Digital |
| Mathias Herbster | .. | junior cg artist: Trixter Film |
| Josh Herman | .. | digital sculptor |
| Tulio Hernandez | .. | senior lighting/lookdev td |
| Veronica Hernandez | .. | roto artist |
| Kerstin Herold | .. | digital paint artist: Weta Digital |
| Marc Herzer | .. | lighting/shading artist: ScanlineVFX |
| Neil Herzinger | .. | digital effects artist: ILM |
| Jordan Heskett | .. | visual effects |
| Afif Heukeshoven | .. | camera technical director: Weta Digital |
| Sean Heuston | .. | digital compositor |
| Tim Hey | .. | compositing supervisor: Weta Digital |
| Kela Hicks | .. | compositor |
| Bryan M. Higgins | .. | rotoscope supervisor |
| Peter Hillman | .. | digital compositor: Weta Digital |
| Diana Hinek | .. | in-house compositor |
| Sebastian Hirsch | .. | senior lighting/shading artist: ScanlineVFX |
| Ryan Hirsh | .. | stereoscopic depth artist |
| Sean Castle Hitchcock | .. | junior compositor: Lola Visual Effects |
| Maung Maung Hla Win | .. | technical director: lighting: ILM |
| Adam Hlavac | .. | visual effects |
| Tuan Ho | .. | assistant technical director |
| Maura Hogan | .. | assistant visual effects editor |
| Stephen Holbrook | .. | compositor |
| Bruce Holcomb | .. | digital model supervisor |
| Alex Holcombe | .. | vfx editor: Fuel VFX |
| Joshua D. Holden | .. | stereoscopic depth artist |
| Matt Holland | .. | compositing supervisor |
| Jeremy Hollobon | .. | animation technical director |
| Aaron Holly | .. | creature lead: weta digital |
| Mark L. Holmes | .. | motion editor: weta digital |
| Matt Holmes | .. | supervising visual effects editor: Weta Digital |
| Jason Holt | .. | technical support |
| Tom Holzinger | .. | lead motion editor: Weta Digital |
| Yap Hon Wui | .. | digital artist |
| Kevin Hong | .. | visual effects artist |
| Sunghwan Hong | .. | compositor |
| Michael Honrada | .. | digital artist: ILM |
| Lisa Hooper | .. | digital paint artist: Weta Digital |
| Ryan Hopkins | .. | digital artist: ILM |
| Todd Hoppmeyer | .. | stereo production assistant |
| Darren Horwege | .. | production assistant: Stereo D |
| Daryn Houston | .. | digital production administrator |
| Katie Houston | .. | visual effects production coordinator |
| Sandy Houston | .. | roto supervisor: Weta Digital |
| Jen Howard | .. | cg sequence supervisor |
| Jason Lei Howden | .. | rotoscope and digital paint artist: Weta Digital (as Jason Howden) |
| Venti Hristova | .. | visual effects supervisor: Cantina Creative |
| Shirley Hsiao | .. | production support |
| Chia-Chi Hu | .. | digital artist |
| Natapon Huangsakuncharoen | .. | creature technical director: ILM |
| Melissa Huerta | .. | digital artist: Scanline VFX / paint and rotoscope artist: Scanline VFX |
| Catherine Hughes | .. | visual effects coordinator: Luma Pictures |
| Wendy Hulbert | .. | digital coordinator: Scanline VFX |
| Lucas Hull | .. | digital compositor |
| Michele Hunt | .. | stereo depth artist: Stereo D |
| Drew Huntley | .. | compositor: Hydraulx |
| Flannery Huntley | .. | visual effects coordinator |
| Katherine Hupp | .. | stereoscopic roto artist |
| Nathan Hurlburt | .. | digital compositor |
| Zameer Hussain | .. | digital artist: ILM |
| Paul Huston | .. | digital matte artist |
| Megan Hutchison | .. | prep artist: Weta Digital |
| Luan Huynh | .. | systems administrator |
| Andrew Hwang | .. | previsualization asset supervisor: The Third Floor |
| Rachel Hydes | .. | body tracker |
| Stefan Ihringer | .. | compositing artist: ScanlineVFX |
| Atsushi Imamura | .. | model/texture artist: Hydraulx |
| Polly Ing | .. | computer graphics sequence supervisor |
| Chris Ingersoll | .. | digital compositor |
| Daniel J. Ingram | .. | digital production administrator: Digital Domain |
| Aruna Inversin | .. | digital compositor: Digital Domain |
| Erich Ippen | .. | visual effects artist |
| Jonna Isotalus | .. | senior paint artist |
| Ledion Isufaj | .. | visual effects production assistant |
| John L. Jack | .. | visual effects producer: Evil Eye Pictures |
| Jiri Jacknowitz | .. | digital artist |
| William Jackson | .. | depth artist |
| Alexis Jacobson | .. | digital coordinator: Luma Pictures |
| Alex Jaeger | .. | visual effects art director: ILM |
| Cyrus Jam | .. | sequence supervisor: ILM |
| Mel James | .. | Texture Artist: Weta Digital |
| Mike Jamieson | .. | digital artist |
| Jeffrey Jasper | .. | technical lead: New Deal Studios |
| Jaime Jasso | .. | digital matte artist |
| Daniel Jauregui | .. | visual effects artist |
| Steve Jaworski | .. | compositing supervisor |
| Malik Jayawardena | .. | motion capture |
| Jason A. Jenkins | .. | stereoscopic roto artist |
| Eric Jennings | .. | digital models and simulations: Industrial Light & Magic |
| Heath Jepson | .. | visual effects artist |
| Michael Johns | .. | wrangler: Weta Digital |
| Jason Phillip Johnson | .. | research & development software engineer |
| JoAnna Johnson | .. | stereoscopic depth artist |
| Justin Johnson | .. | digital effects supervisor: Luma Pictures |
| Nathan Johnson | .. | lighting technical director |
| Tim Johnson | .. | visual effects coordinator |
| Scott F. Johnston | .. | head of software development: Stereo D |
| Bryan P. Jones | .. | visual effects |
| Danny Jones | .. | senior roto/paint artist |
| Jeremy Jones | .. | stereoscopic artist |
| Scott Jones | .. | creature technical director |
| Felix Jorge | .. | previsualization artist: The Third Floor |
| Zack Judson | .. | digital effects supervisor |
| Corey Just | .. | stereoscopic depth artist |
| Mike Jutan | .. | research & development |
| Vijay Kadapatti | .. | stereo production coordinator |
| Maike Kaemper | .. | additional visual effects producer: Trixter Film (as Maike Timmann) |
| Jens Kafitz | .. | senior texture artist: Weta Digital |
| Lindsey Kaiser | .. | creative services manager |
| Nikos Kalaitzidis | .. | digital effects supervisor |
| Joshua Kamau | .. | rotoscope artist |
| Matthew Kapfhammer | .. | motion capture technical director: Weta Digital (as Matt Kapfhammer) |
| Stephen Karl | .. | matchmove artist |
| Sandro Kath | .. | compositing artist: Trixter Film |
| Prateek Kaushal | .. | stereoscopic lead: Stereo D |
| Ryan Keely | .. | digital compositor |
| Ian Kelly | .. | stereoscopic roto artist |
| Mike Kelly | .. | camera technical director: Weta Digital |
| Pete Kelly | .. | lead animator |
| Shawn Kelly | .. | animator |
| Kevin Kelm | .. | creature technical director |
| Kolby Kember | .. | stereoscopic artist |
| Josh Kent | .. | animator |
| Patrick Keogh | .. | visual effects artist |
| Simon D. Kern | .. | lead stereoscopic artist (as Simon Domingo Kern) |
| Cheryl Kerr | .. | vfx production manager: Evil Eye Pictures |
| Christian Kesler | .. | matte painter: Weta Digital |
| Nadav Kessous | .. | stereoscopic compositor |
| Alex Khan | .. | digital compositor: Luma Pictures |
| Sith Khay | .. | concept & matte painting: Modus FX (as Sithiriscient Khay) |
| Alicia Kho | .. | animator |
| Christian Kickenweitz | .. | motion editor |
| Christopher Kilshaw | .. | senior creature effects technical director: ILM Singapore |
| John Kilshaw | .. | cg supervisor: ILM |
| Alex Kim | .. | fx technical director: Industrial Light & Magic |
| Jeff Kim | .. | paint and rotoscope artist: Scanline VFX |
| Jia Kim | .. | digital compositor: Evil Eye Pictures |
| Jin Yong Kim | .. | layout & matchmove artist: Evil Eye Pictures |
| Ki-Hyun Kim | .. | camera technical director: Weta Digital |
| Sohee Kim | .. | roto/paint artist: Evil Eye Pictures |
| Tricia Kim | .. | roto/paint artist |
| Perry M. Kimura | .. | scanning and recording |
| Stephen King | .. | lead animator: ILM |
| Oliver Kirchhoff | .. | camera technical director: Weta Digital |
| Paul Kirsch | .. | digital compositor |
| John Kitching | .. | digital compositor |
| Micael Klok | .. | designer/animator |
| Terry Klopfenstein | .. | stereo depth artist |
| Dominik Klotz | .. | rotoscope artist: The Base Studio |
| Jonas Kluger | .. | junior compositing artist: Trixter Film |
| Mathew Knight | .. | lead motion capture camera operator |
| Mike Knox | .. | data i/o administrator |
| Bastiaan Koch | .. | visual effects artist: ILM |
| Prasanna Kodapadi | .. | finaling artist |
| Gerry Kodo | .. | stereo compositor: Stereo D |
| Jean Le Koh | .. | digital artist: ILM |
| Eric A. Kohler | .. | associate visual effects producer: Hydraulx |
| Teck Chee Koi | .. | fx technical director: ILM |
| Atsushi Kojima | .. | animator: ILM |
| Michael Kokich | .. | wrangler |
| John Koltai | .. | visual effects |
| Brandie Konopasek | .. | digital intermediate assistant producer |
| Allie Koppel | .. | previsualization accountant: The Third Floor |
| Justin Kosnikowski | .. | digital paint/rotoscoping lead |
| Florian Kraft | .. | effects artist: Trixter Film |
| Zsolt Krajcsik | .. | visual effects |
| Alex Kramer | .. | senior camera technical director: Weta Digital |
| Lars Kramer | .. | camera technical director |
| Rebecca Kramp | .. | stereoscopic production coordinator |
| Dmitri Krasnokoutski | .. | shader writer: Weta Digital |
| Christian Kratzert | .. | animator: ScanlineVFX |
| Simone Kraus Townsend | .. | animation supervisor: Trixter Film (as Simone Kraus) |
| Heath Kraynak | .. | digital compositor: ILM |
| Max Krichenbauer | .. | pipeline developer: Trixter Film |
| Andreas Krieg | .. | cg artist: Trixter Film |
| Jan Krupp | .. | research & development: ScanlineVFX |
| John Kubasco | .. | previsualization artist: The Third Floor |
| Ondrej Kubicek | .. | plate layout artist: ILM |
| Dave Kujawski | .. | production engineer |
| Martin Kulig | .. | camera technical director: Weta Digital |
| Nitesh Kumar | .. | senior stereo roto artist: Stereo D |
| Bill Kunin | .. | compositor |
| Frankie Kwak | .. | digital artist: ILM |
| Wing Kwok | .. | compositor: Scanline VFX |
| David Labrecque | .. | data wrangler: Modus FX |
| Keith Lackey | .. | senior animation technical director: WETA Digital |
| Pascal Laflamme | .. | data wrangler: Modus FX |
| Louis Laflamme-Fillion | .. | visual effects editorial: Modus FX |
| Kosta Lagis | .. | visual effects artist |
| Dave Lajoie | .. | research and development |
| Serena Lam | .. | digital compositor |
| Zoe Lamaera | .. | senior compositor |
| Marc Landrain | .. | camera technical director |
| Josh Lange | .. | previsualization artist: The Third Floor |
| Michael Lanzensberger | .. | digital compositor: Weta Digital |
| David Larochelle | .. | digital compositor |
| Yann Larochette | .. | senior compositor: ILM |
| Mathias Larserud | .. | shader writer: Weta Digital |
| Greg LaSalle | .. | facial motion capture supervisor |
| Felix Laser | .. | compositing artist: ScanlineVFX |
| Jeremy Lasky | .. | partner/executive creative director perception |
| Timothy Jay Latham | .. | stereoscopic artist: Stereo D (as Tim Latham) |
| Pei'an Lau | .. | visual effects production assistant |
| Luisma Lavin | .. | lead motion editor: Weta Digital |
| Stephen Lawes | .. | creative director: Cantina Creative |
| Trevor J. Lawrence | .. | stereoscopic artist |
| Jason Lazaroff | .. | visual effects artist |
| Nha Hoan Le | .. | tracking/matchmove artist: Luma Pictures |
| Thang Le | .. | concept artist: ILM |
| Claudia Lecaros | .. | visual effects producer: Fuel VFX |
| James Ledwell | .. | stereo coordinator |
| Adam Lee | .. | effects artist: ILM |
| Grant Lee | .. | second stereo paint lead: Stereo D |
| Jane Kyung Lee | .. | visual effects coordinator: Luma Pictures |
| Ken Lee | .. | digital artist |
| Mia Lee | .. | digital artist |
| Sun Lee | .. | lead matte painter: Hydraulx |
| Doug Lefler | .. | previsualization storyboard director: The Third Floor |
| Bianca Lemus | .. | digital artist |
| Max Leonard | .. | visual effects coordinator: Lola Visual Effects |
| C.J. LePage | .. | stereo compositor |
| John LePore | .. | lead designer/animator: Perception |
| Michael Leu | .. | modeler (opening sequence) |
| Keith Leung | .. | digital compositor: ILM |
| Sylvia T. Leung | .. | stereoscopic depth artist: StereoD |
| Votch Levi | .. | cg supervisor: Whiskytree |
| John M. Levin | .. | layout supervisor: ILM |
| Dave Levine | .. | flame artist: Lola VFX |
| Dean Lewandowski | .. | layout technical director: Weta Digital |
| Janet Lewin | .. | executive staff: ILM |
| J.P. Lewis | .. | department head and supervisor |
| Joe Lewis | .. | motion control |
| Mathis Lex | .. | compositing artist: Trixter Film |
| Linghao Li | .. | technical director: Digital Domain |
| Todd Liddiard | .. | digital compositor: ILM |
| Lyon Liew | .. | creature technical director: ILM |
| Michael Ligammare | .. | stereoscopic artist: Stereo D |
| Nicholas Lim | .. | assistant technical director |
| Melissa Lin | .. | digital artist: ILM |
| Sharlene Lin | .. | modeler and texture artist |
| Katie Linahon | .. | production coordinator: New Deal Studios |
| Lisardo Liriano | .. | stereoscopic compositor: stereoscopic conversion |
| Roger Liu | .. | previsualisation artist: The Third Floor |
| Shannon Lively | .. | visual effects production assistant |
| Flip Livingston | .. | assistant visual effects cyan color artist |
| Marko Ljubez | .. | matte painter: ILM |
| Wendy Lloyd | .. | visual effects |
| Christine Lo | .. | compositor: Scanline VFX |
| Eric Lo | .. | lighting technical director: ILM |
| Steven Lo | .. | previsualization artist: The Third Floor |
| Thomas Sing Wai Lo | .. | digital modeler: Weta Digital |
| Jason Locke | .. | camera technical director |
| Jo Lockman | .. | lead digital production administrator |
| Kim Lim Loo | .. | digital artist: Industrial Light & Magic |
| Morgan Loomis | .. | lead animator: Weta Digital |
| Shawn Lopez | .. | stereoscopic depth artist |
| Javier Lopez-Duprey | .. | previsualization artist: The Third Floor |
| Michael Lori | .. | integration artist |
| Samuel Loriault-Goulet | .. | motion tracking: Modus FX |
| Jade Lorier | .. | visual effects artist |
| Patrick Louie | .. | roto/paint artist: Evil Eye Pictures |
| Ruth-Anne Loveridge | .. | modeler |
| Sierra Lowe | .. | rotoscope artist: The Base Studio |
| Ariel Loza | .. | cg artist: Method Design |
| Son Lu | .. | stereoscopic lead |
| Doug Luberts | .. | production and technical support: ILM |
| Steven Luc | .. | stereoscopic depth artist |
| Matt Lumb | .. | lighting assistant technical director |
| Valy Lungoccia | .. | digital compositor |
| Tony Lupoi | .. | compositor (as Anthony Lupoi) |
| Lap Van Luu | .. | chief technology officer: Scanline VFX |
| Kathleen Lynch | .. | visual effects producer |
| Matthew Lynch | .. | global producer: ILM |
| Tony Lyons | .. | visual effects artist |
| Daniel Macarin | .. | digital effects supervisor: Weta Digital |
| Keith MacGowan | .. | digital compositor |
| Sean MacKenzie | .. | stereoscopic supervisor: ILM |
| Mathew Mackereth | .. | lighting artist: Fuel VFX |
| Sam Maclennan | .. | wrangler coder: Weta Digital |
| Simon Maddison | .. | visual effects supervisor: Fuel VFX |
| Francois Madere | .. | visual effects artist |
| Shri Bindhu Madhav | .. | stereo artist |
| Jessica Madsen | .. | digital artist: Luma Pictures |
| Arman Mafi | .. | stereoscopic artist |
| Diva Magpayo | .. | digital intermediate editor |
| Gokul Mahajan | .. | paint artist |
| Alastair Maher | .. | texture artist |
| Mahesh Maity | .. | roto, paint, comp artist |
| Carson Majors | .. | stereoscopic compositor / stereoscopic painter |
| Yael Majors | .. | stereoscopic compositor / stereoscopic painter |
| David Maldonado | .. | senior depth artist: Stereo D |
| Sebastian Maldonado | .. | stereoscopic compositor / stereoscopic painter |
| Michael Maloney | .. | compositing supervisor |
| Marko Mandaric | .. | CG Lighter |
| Travis Mangaoang | .. | stereoscopic artist |
| Joe Mangione | .. | senior lighting td: Scanline VFX |
| Roy Vincent Mann | .. | lead stereoscopic compositor |
| Jed Mao | .. | pipeline technical director: Luma Pictures (as Jed Hunsaker) |
| Paul Maples | .. | motion control operator |
| Mike Marbery | .. | stereoscopic compositor |
| Mike Marcuzzi | .. | visual effects: ILM |
| Jose L. Marin | .. | digital compositor (as Jose Marin) |
| Robert Marinic | .. | digital artist: ILM |
| Nicholas Markel | .. | previsualization supervisor: The Third Floor |
| Chulev Marko | .. | digital modeler: ILM |
| Natanya Marks | .. | previsualization production manager: The Third Floor |
| Jason Marlow | .. | camera technical director |
| Shaun Marnewick | .. | camera td |
| Filipe Marques | .. | roto/prep artist: Fuel VFX |
| Andrew Marquez | .. | stereo artist |
| David Marsh | .. | visual effects: ILM |
| David Marsico | .. | visual effects production assistant |
| Kevin Martel | .. | lead animator |
| Ryan Martin | .. | effects technical director: ILM |
| Tony Martin | .. | stereoscopic depth artist |
| Tom Martinek | .. | sequence supervisor: ILM |
| Raymond Martinez III | .. | rotoscope artist |
| Damon Martinez | .. | stereo compositor |
| Geordie Martinez | .. | creature technical director: ILM |
| Paul Martinez | .. | model/texture artist: Hydraulx |
| Marcel Caue Martins | .. | rotoscope artist: Luma Pictures |
| Ruheene Masand | .. | visual effects production manager |
| Dena Massenburg | .. | rotoscope artist |
| Trevin Matcek | .. | previsualization editor: The Third Floor |
| Roger Mathews | .. | previsualization artist: The Third Floor |
| Lee Matthews | .. | matte painter |
| Benjamin Mattress | .. | senior compositor: Evil Eye Pictures |
| Michael C. May | .. | stereoscopic production manager (as Mike May) |
| Neil Mayo | .. | visual effects editor: WETA Digital |
| Isabell Mayrhofer | .. | vfx production coordinator: Trixter Film |
| Aaron McBride | .. | visual effects art director |
| Kindra McCall | .. | roto artist: stereoscopic conversion / stereoscopic depth artist |
| George McCarthy | .. | visual effects editor |
| Brandon Jay McCartney | .. | stereoscopic artist |
| Megan McCollum | .. | digital artist / visual effects |
| Jamison McCord | .. | roto/paint: Hydraulx VFX |
| Russell McCoy | .. | visual effects artist |
| Matt McDonald | .. | visual effects supervisor: Evil Eye Pictures |
| Bradley McFlinn | .. | rotoscoping artist |
| Doran McGee | .. | stereoscopic depth artist |
| Steve McGee | .. | lead visual effects artist |
| Kyle McGill | .. | visual effects |
| Steve McGillen | .. | senior compositor |
| Dave McGrath | .. | effects assistant technical director: Weta Digital |
| Mare McIntosh | .. | cgi coordinator: Hydraulx VFX |
| Richard McKenzie | .. | wrangler: Weta Digital |
| Chloe McLean | .. | body tracker |
| David McMahon | .. | stereo compositor: Stereo D |
| Donal McMullan | .. | production engineer |
| Renton McNeill | .. | production engineer: Weta Digital |
| Louise McNicholl | .. | layout department manager: Weta Digital |
| Scott McPhate | .. | stereo assistant coordinator |
| Shantel Medina | .. | stereo compositor: StereoD |
| Christopher Medley-Pole | .. | technical assistant: ILM |
| James Meikle | .. | visual effects editor |
| Michael Melchiorre | .. | compositing supervisor |
| Kevin Melia | .. | stereoscopic depth artist |
| Ronnie Menahem | .. | lead fx technical director: Weta Digital |
| Mark Menaker | .. | desktop administrator |
| Carlos Mendoza Jr. | .. | senior stereoscopic compositor |
| Joel Román Mendías | .. | executive producer: Scanline VFX |
| David Meny | .. | cg supervisor |
| Tory Mercer | .. | sequence supervisor |
| Robert Merrow III | .. | rotoscope artist |
| David Michaels | .. | character technical director |
| Scott Michelson | .. | visual effects executive producer |
| Michael Midlock | .. | animator: ILM |
| Michel Mielke | .. | visual effects producer: ScanlineVFX |
| Justin Mijal | .. | modeling lead: Scanline VFX |
| Goran Milic | .. | motion capture technical director: Weta digital |
| Jessica Millar | .. | senior technical director: lighting |
| David Miller III | .. | stereoscopic artist |
| Jed Miller | .. | assistant technical director |
| Lizz Miller | .. | visual effects artist |
| Scott Miller | .. | studio manager: Scanline VFX |
| Seth F. Miller | .. | digital paint artist: Weta Digital |
| Kent Mitarai | .. | stereoscopic artist |
| Chris Mitchell | .. | animator: ILM (as Christopher Mitchell) |
| Scott Mitchell | .. | lead compositor / paint lead |
| Jacob Moffat | .. | stereo production assistant |
| Mo Mohamoud | .. | digital paint artist: Weta Digital |
| James Mohan | .. | digital artist: ILM |
| Robert Molholm | .. | technical support |
| Paul Molodowitch | .. | pipeline technical director: Luma Pictures |
| Shawn Monaghan | .. | digital compositor: ILM |
| Jeanette Monero | .. | senior paint artist |
| Erick Montano | .. | stereoscopic artist |
| Alberto Montañés | .. | digital compositor: Weta Digital |
| Chris Montesano | .. | visual effects artist |
| Chris F. Moore | .. | visual effects |
| Andy Moorer | .. | stereoscopic visual effects supervisor |
| Jim Moorhead | .. | digital integration |
| Declan Moran | .. | stereo compositor: StereoD |
| Pat Moreira | .. | layout: ILM |
| Hiroshi Mori | .. | post-visualization artist: The Third Floor |
| Lauren Morimoto | .. | digital paint and rotoscope artist: ILM |
| Cathy Morin | .. | texture artist: Digital Domain |
| Simon Dean Morley | .. | production engineer |
| Brad Morris | .. | previsualization artist: The Third Floor |
| David Manos Morris | .. | digital effects artist |
| Glenn Morris | .. | roto/paint supervisor |
| Immanuel Morris | .. | stereoscopic artist |
| Katie Morris | .. | digital artist: ILM |
| Jake Morrison | .. | visual effects supervisor: Marvel Studios |
| William Morrison | .. | visual effects artist: Stereo D |
| Darren Mortillaro | .. | creature technical director: weta digital |
| Stephen Morton | .. | digital compositor |
| Michelle Motta | .. | digital paint and rotoscope artist |
| Walid Mouawad | .. | lighting/shading artist: ScanlineVFX |
| Jiun Yiing Mow | .. | lighting technical director: ILM |
| Daniel Moy | .. | digital artist |
| Matt Mueller | .. | senior reference photographer |
| Timothy Mueller | .. | digimatte sequence supervisor: ILM |
| Nicky Muir | .. | production manager: visual effects |
| Brian Mullen | .. | stereoscopic depth artist |
| Arwen Munro | .. | vfx production manager: Weta Digital |
| Carson Murdy | .. | stereoscopic artist |
| Martin Murphy | .. | texture artist: ILM |
| Michael Murphy | .. | lead stereoscopic artist: Stereo D |
| Myles Murphy | .. | digital compositor |
| Tim Murphy | .. | pipeline technical director |
| Travis Murray | .. | stereo compositor: Stereo D |
| Scott Musselman | .. | stereoscopic depth artist |
| Christopher Myerchin | .. | stereoscopic compositer |
| Patrick T. Myers | .. | digital artist: ILM |
| Vanessa Mylchreest | .. | visual effects artist |
| Abishek Nair | .. | senior compositor: ILM |
| Emmi Nakagawa | .. | stereoscopic artist |
| Farzad 'Fuzz' Namdjoo | .. | stereoscopic lead |
| Mohan Narayanaswamy | .. | quality manager |
| Erik Nash | .. | visual effects supervisor |
| Tim Nassauer | .. | lighting artist: Digital Domain |
| Gerardo Navarro | .. | stereoscopic artist |
| Pouyan Navid | .. | cg supervisor: Method Design |
| Salima Needham | .. | digital compositor: Weta Digital |
| Cameron Neilson | .. | compositing supervisor: Evil Eye Pictures |
| Sue Nelson | .. | visual effects artist |
| Liam Neville | .. | digital compositor |
| Pete C. Newbauer | .. | stereoscopic depth artist |
| Christopher Newman | .. | matchmove artist |
| Marcelino Newquist | .. | post-visualization artist: The Third Floor |
| Albin Ng | .. | technical assistant |
| Jia-Hao Ng | .. | digital matte artist: ILM |
| Luke Ng | .. | stereo compositor |
| Sheau Horng Ng | .. | digital artist: ILM |
| Linda Nguyen | .. | digital artist: Digital Domain |
| Tey Kai Guan Nicholas | .. | digital artist: ILM |
| Gregory Nic Nicholson | .. | techvis artist |
| Jesse Nicodemus | .. | visual effects artist: Luma Pictures |
| Wolfgang Niedermeier | .. | camera lead: Weta Digital |
| Luis E. Nieves | .. | digital artist: Luma Pictures |
| Ben Nightingale | .. | texture artist/look development: Weta Digital |
| Rajesh Nimje | .. | stereo lead |
| Motoki Nishii | .. | previsualization artist: The Third Floor |
| Pierre Nobile | .. | visual effects producer |
| Lavanya Nobishwaran | .. | digital artist: ILM |
| Tony Noel | .. | stereoscopic artist |
| Ronnie Noisuwan | .. | compositor: stereoscopic: stereo D |
| Teni Noravian | .. | compositing artist: ScanlineVFX |
| Danielle Norgate | .. | digital compositor: ILM |
| Leon Nowlin | .. | visual effects |
| Alexander Nowotny | .. | effects technical director: Weta Digital |
| Winfield O'Brien | .. | integration artist: Scanline VFX |
| Jane O'Callaghan | .. | lead lighting technical director |
| Chris O'Connell | .. | stereoscopic depth artist |
| Pete O'Connell | .. | digital compositor |
| Chris O'Mahony | .. | visual effects artist |
| Patrick O'Riley | .. | digital artist |
| Daniel O'Shaughnessy | .. | visual effects artist |
| Cyndi Ochs | .. | visual effects producer: weta digital |
| Jeffrey Odell | .. | visual effects production and technical support |
| Stefano Oggeri | .. | lighting sr. artist |
| Kaori Ogino | .. | creature supervisor |
| James Ogle | .. | lead digital modeler |
| Pawel Olas | .. | pipeline research and development: Fuel VFX |
| Robert Olsson | .. | digital matte painter |
| Ray Ooi | .. | digital paint artist |
| Michael Orbing | .. | lighting artist: Fuel VFX |
| Akira Orikasa | .. | cg sequence supervisor: ILM |
| Carolyn Oros | .. | previsualization pipeline director: The Third Floor |
| Julie Orosz | .. | visual effects producer: Scanline VFX |
| Daniel Luke Orr | .. | paint and rotoscope artist: WETA Digital |
| Raphael Oseguera | .. | rotoscope artist |
| David A. Ostler | .. | lighting technical director: Weta Digital |
| Marc Ostroff | .. | visual effects production accounting manager: DD |
| Daniel Ostrov | .. | pipeline programmer: Hydraulx |
| Jared Otake | .. | compositor |
| Phil Outen | .. | Compositor: Fuel VFX |
| Brian Pace | .. | previsualization artist: The Third Floor |
| Kevin Page | .. | digital matte artist |
| Oliver Palmer | .. | technical developer |
| Paul George Palop | .. | visual effects |
| Amanda Pamela | .. | digital compositor: Weta Digital |
| Youngbin Park | .. | digital compositor: ILM |
| Navarro Parker | .. | interface artist |
| Aaron Parry | .. | executive producer: Stereo D |
| Jale Parsons | .. | visual effects artist |
| Ritchie Pasiliao | .. | rotoscope artist |
| Eddie Pasquarello | .. | digital artist |
| Anthony Passaniti | .. | depth artist/camera tracker: Stereo D Deluxe LLC |
| Yogesh Pathak | .. | senior stereo roto annotation artist |
| Demetrios Patsiaris | .. | stereoscopic roto artist |
| Dan Patterson | .. | character animator: Digital Domain |
| Niki Patterson | .. | data administrator: StereoD |
| Allison Paul | .. | visual effects coordinator: Lola Visual Effects |
| Andrew Paulus | .. | designer/animator: PerceptionNYC |
| Stephen J. Pavelski | .. | previsualization artist: The Third Floor |
| Javier Paz | .. | stereo production coordinator |
| Kristian Pedlow | .. | visual effects artist |
| Andrea Pellegrini | .. | designer/animator perception |
| Martin Pelletier | .. | cg supervisor: Modus FX |
| Philippe Pelletier | .. | production assistant: Modus FX |
| Lyndsey Pendley | .. | stereoscopic paint artist |
| Dylan Penhale | .. | chief technical officer: Fuel VFX |
| Caleb Pennypacker | .. | depth artist |
| Daniel Perez Ferreira | .. | effects supervisor: ILM |
| Daniel Perez | .. | effects supervisor: ILM Singapore (as Daniel Perez Ferreira) |
| Eddie Perez | .. | stereo compositor |
| Cristin Pescosolido | .. | cg sequence supervisor: ILM |
| Vesna Peshevska | .. | visual effects artist |
| Binoy Peters | .. | senior production coordinator |
| Dana Peters | .. | lighting technical director: weta digital |
| Josh Peterson | .. | stereoscopic roto artist |
| Patrick Peterson | .. | layout technical director |
| Dojchin Petrovski | .. | paint artist |
| Goran Petrushevski | .. | paint artist |
| Sean Pfeiffer | .. | visual effects artist |
| Hieu Phan | .. | roto/paint: Luma Pictures |
| Michael Phan | .. | digital artist: Luma Pictures |
| Mathieu Phaneuf | .. | lead modeler: Modus FX |
| David Phillips | .. | compositor / digital compositor / sr. compositor |
| Phets Phonasa | .. | depth artist |
| Dawrath Phoue | .. | roto/paint artist: Digital Domain |
| Susan Pickett | .. | visual effects producer |
| Ezra Pike | .. | stereo roto |
| Raphael A. Pimentel | .. | animation supervisor |
| Charles Pina | .. | pipeline td: The Base Studio |
| James Pina | .. | rotoscope lead: The Base Studio |
| Jerome Platteaux | .. | digital artist |
| Cesar Ploneda | .. | depth artist |
| Erik Ploneda | .. | stereoscopic depth artist: Stereo D |
| Darren Poe | .. | compositing supervisor: Scanline VFX |
| Jason Pomerantz | .. | production supervisor (IMAX version) |
| Jessica Ponte | .. | textures coordinator: Weta Digital |
| Nicolas Popravka | .. | digital artist: ILM |
| James Porter | .. | camera technical director |
| Justin Porter | .. | pipeline coordinator: Luma Pictures |
| Daniel Post | .. | digital artist |
| Gligor Postolovski | .. | visual effects artist |
| Christian Poullay | .. | camera td: Weta Digital |
| Malachi Pound | .. | production supervisor |
| Pavel Pranevsky | .. | cg supervisor: Luma Pictures |
| Akie Prapas | .. | lead motion tracking: Modus FX |
| Alan Precourt | .. | lighting technical director: Weta Digital |
| Alex Prichard | .. | senior digital artist: ILM |
| Andrew Proctor | .. | digital artist |
| Derek N. Prusak | .. | stereoscopic editorial manager |
| Sophie Pruzsinszky | .. | coordinator: Trixter Film |
| Robin Prybil | .. | visual effects executive |
| Jeanne-Élise Prévost | .. | visual effects project Manager: Modus FX |
| Christopher Puchta | .. | effects technical director: ILM |
| Michael Pugh | .. | stereoscopic artist |
| Ryan Purnell | .. | compositor: Stereo D |
| Francis Puthanangadi | .. | digital compositor: Digital Domain |
| Simon Quach | .. | motion editor: Weta Digital |
| Kevin Quatman | .. | digital compositor |
| Michael Queen | .. | digital compositor: Fuel VFX |
| Christin Quek | .. | digital artist |
| Christian Quickle | .. | i/o operator: Luma Pictures |
| Ryan J. Quinlan | .. | digital compositor |
| Juan Carlos Quintana | .. | senior stereoscopic compositor |
| Chris Radcliffe | .. | senior modeler |
| Ula Rademeyer | .. | senior texture artist: Weta Digital |
| Danny Rafic | .. | visual effects editor |
| Michael Ralla | .. | digital compositor: ILM SF |
| Jay Rama | .. | technical support |
| Murali Ramachari | .. | visual effects technical director: ILM |
| Francisco Ramirez | .. | visual effects editor: Digital Domain |
| Gerardo Ramirez | .. | post-visualization supervisor: The Third Floor |
| Kade Ramsey | .. | rotoscope artist: Weta Digital |
| Troy Ramsey | .. | senior paint artist: Weta digital |
| Lance Ranzer | .. | digital artist |
| Craig Douglas Rattray | .. | rotoscope artist: Weta Digital |
| Steve Rawlins | .. | animator: ILM |
| Justin Ray | .. | senior stereoscopic artist / visual effects artist: Stereo D |
| Ben Record | .. | visual effects: elements |
| Chris Reece | .. | systems administrator |
| Laurenn Reed | .. | visual effects producer |
| William Reges | .. | stereoscopic artist: Stereo D |
| Patrick Reilly | .. | visual effects artist |
| Alejandro Restrepo | .. | data wrangler: Modus FX |
| Gerard Retulla | .. | stereoscopic depth artist |
| Kevin Reuter | .. | look development supervisor: ILM |
| Pedro Luis Reyes | .. | depth artist |
| Spencer Reynolds | .. | digital background photographer: ILM |
| Aaron Rhodes | .. | roto/paint supervisor: Evil Eye Pictures / visual effects editor: Evil Eye Pictures |
| Maryam Riahi | .. | roto/paint artist: Luma Pictures |
| Megan Rible | .. | effects technical director: ILM |
| Michael Rich | .. | digital artist: ILM |
| Grover Richardson | .. | roto/paint artist: ILM |
| Jason Richardson | .. | stereoscopic compositor |
| Leroy Riche | .. | stereoscopic depth artist |
| Dean Richichi | .. | digital compositor |
| Nicholas Richter | .. | motion editor |
| Kim Rickard | .. | contracts consultant: Weta Digital |
| Guy Riessen | .. | digital matte painter: Evil Eye Pictures |
| Jessica Riewe | .. | assistant technical director |
| Mike Rim | .. | stereoscopic compositor |
| Corinna Ringer | .. | human resources manager: Trixter Film |
| Saysana Rintharamy | .. | fx td: Scanline VFX (as Say Rintharamy) |
| Agustin Rios | .. | depth artist |
| Stéphane Rioux | .. | digital compositor: Modus FX |
| Anthony Rispoli | .. | cg sequence supervisor |
| Misho Ristov | .. | prep supervisor: FX3X (as Miso Ristov) |
| Taylor W. Rockwell | .. | senior visual effects coordinator |
| Arturo Rodriguez | .. | stereoscopic depth artist |
| Bernardo Rodriguez | .. | vfx editor: Scanline VFX |
| Katherine Rodtsbrooks | .. | lead stereoscopic compositor |
| Petr Rohr | .. | layout: ILM |
| Thorsten Rolle | .. | mattepainting: Fuel VFX |
| Timo Rolle | .. | i/o: ScanlineVFX |
| Kristine Romasanta | .. | data i/o |
| Emery Romero | .. | previsualization artist: The Third Floor |
| Kevin Romond | .. | fx supervisor |
| Patric Roos | .. | cg supervisor: ILM |
| Zachary J. Rose | .. | visual effects coordinator |
| Daniel P. Rosen | .. | visual effects supervisor: Evil Eye Pictures |
| Benjamin Ross | .. | matte painting: ScanlineVFX |
| Brogan Ross | .. | technical director (stereoscopic conversion) |
| Michael Ross-Lang | .. | matchmove artist / stereoscopic compositor |
| Felix Rothballer | .. | it manager: Trixter Film |
| Sean Phillip Rowe | .. | digital film scanner (as Sean Rowe) |
| David Rozenfeld | .. | compositor |
| Greg Ruane | .. | digital production administrator |
| Norbert Ruf | .. | compositing artist: ScanlineVFX |
| Tumi Rufai | .. | stereoscopic depth artist |
| Jesús Ruiz Torres | .. | motion editor/animator |
| Garry Runke | .. | visual effects technical director: Weta Digital |
| Nathan Rusch | .. | pipeline technical director: Luma Pictures |
| Ari Sachter-Zeltzer | .. | previsualization lead: The Third Floor (as Ariel Sachter-Zeltzer) |
| Krystal Sae Eua | .. | model/texture artist: Hydraulx |
| Christian Saenz | .. | layout: ILM |
| Jeff Saltzman | .. | digital artist |
| Joe Sambora | .. | visual effects production assistant |
| Ramprasad Sampath | .. | research & development |
| Jose Samson | .. | modeler: Weta Digital |
| Ronald Samson | .. | lighting technical director |
| Dylan Sanchez | .. | stereo paint artist: StereoD |
| Mike Sanders | .. | compositor: Stereo D / digital supervisor |
| Theodore M. Sandifer | .. | stereoscopic artist |
| German Sandoval | .. | stereoscopic artist |
| Eric Sanford | .. | lead stereoscopic compositor |
| Oliver R. Santana | .. | roto artist |
| Nathan Santell | .. | previsualization producer: The Third Floor |
| Deb Santosa | .. | look development/lighting artist: Evil Eye Pictures |
| Michael Sarkis | .. | visual effects artist |
| Steve Sauers | .. | lead creature technical director |
| Davis Scott Porter Saunders | .. | stereoscopic supervisor |
| Evan Saunders | .. | stereoscopic artist |
| Brendan Savage | .. | visual effects designer |
| Eric Savino | .. | depth artist |
| Jason Adam Schaefer | .. | rotoscope artist: Hydraulx VFX |
| William Schaeffer | .. | digital rotoscope artist (as Bill Schaeffer) |
| Stephan Schaefholz | .. | digital compositor: ILM |
| Adam Schardein | .. | producer: StereoD |
| Alfredo Schecker III | .. | stereo depth artist |
| Michael Scheffler | .. | research & development: ScanlineVFX |
| Erik Schiefelbein | .. | Production Assistant |
| Caterina Schiffers | .. | digital compositor: Weta digital |
| Jordan Schilling | .. | digital compositor: ILM |
| Paul Schlie | .. | compositing artist: ScanlineVFX |
| Sebastian H. Schmidt | .. | visual effects technical director: Weta Digital |
| Tanissa Potrovitza Schoen | .. | senior visual effects coordinator (as Tanissa Potrovitza) |
| Marcus Schoo | .. | software developer |
| Niel Schorfield | .. | compositor: Trixter Film |
| Ron Schrems | .. | cg modeler: Scanline VFX |
| Daniel Schrepf | .. | stereoscopic roto lead |
| Jameson Schultz | .. | stereoscopic lead: StereoD |
| Walter Schulz | .. | creature technical director |
| Brian Schumacher | .. | stereoscopic supervisor |
| Eric Schumacher | .. | production assistant: Trixter Film |
| Sean Schur | .. | senior digital artist |
| Charles Schwartz | .. | matchmove/layout artist: Evil Eye Pictures |
| Eric Schweickert | .. | digital compositor (as Eric Schweikert) |
| Kino Scialabba | .. | lead concept designer: Legion Entertainment |
| Raymond R. Scott Jr. | .. | stereoscopic roto artist |
| David Scott | .. | digital compositor |
| Michael Scott | .. | stereo compositor |
| Kevin Sears | .. | lighting artist |
| Chris Sedik | .. | desktop administrator |
| Rene Segura | .. | lead integration artist: Digital Domain |
| Misty Segura-Bowers | .. | digital compositor (as Misty Segura) |
| Jason Selfe | .. | look dev compositor: Digital Domain |
| Carsten Seller | .. | animator |
| Paolo Emilio Selva | .. | software developer: Weta Digital |
| Jaeil Seo | .. | matte painter: Scanline VFX |
| Nelson Sepulveda | .. | compositing supervisor |
| Maria Serrano | .. | previsualization artist: The Third Floor |
| Sheldon Serrao | .. | effects td: ILM |
| Den Serras | .. | senior technical artist: Deluxe |
| Joel Sevilla | .. | cg supervisor |
| Wesley Sewell | .. | stereoscopic supervisor |
| Paul Seyb | .. | visual effects |
| Amir Shachar | .. | shader development: Weta Digital |
| Marnie Shachar | .. | texture artist: Weta Digital |
| Thrain Shadbolt | .. | digital effects supervisor: Weta Digital |
| Shafiuddin | .. | stereo compositor |
| Akbar Shaikh | .. | stereo production coordinator |
| Amy Shand | .. | it coordinator |
| Stanislav Shapetskiy | .. | stereo compositor |
| Lily Shapiro | .. | visual effects coordinator: Cantina Creative |
| Glen Sharah | .. | lead shader writer |
| Amit Sharma | .. | digital compositor |
| Cameron Sharp | .. | visual effects editor: Fuel VFX |
| Janet Sharpe | .. | visual effects production manager: weta digital |
| Paul Sharpe | .. | visual effects artist |
| Sam Sharplin | .. | digital modeler: Weta Digital |
| Aurynn Shaw | .. | production engineer: Weta Digital |
| Betty Shaw | .. | digital resource supervisor |
| Taylor Shaw | .. | effects technical director: ILM |
| Nathan Sheldrick | .. | senior matchmove artist |
| Adam Shelton | .. | textures pipeline technical director: Weta Digital |
| Saurabh Shenai | .. | stereoscopic paint artist: Stereo D |
| William Sherak | .. | stereo executive producer (Stereo D) |
| Dong Yeop Shin | .. | visual effects artist |
| Sainath Shinde | .. | international production: Stereo D |
| Payam Shohadai | .. | executive visual effects supervisor: Luma Pictures |
| Eric Sibley | .. | visual effects |
| Adnan Siddique | .. | lead roto artist |
| Jarom Sidwell | .. | visual effects production manager |
| John Sigurdson | .. | visual effects artist |
| Joey Sila | .. | digital compositor: Luma Pictures |
| Jared Simeth | .. | compositing supervisor: Luma Pictures |
| Stacey Simmons | .. | technology coordinator: StereoD |
| Elena Simonovska | .. | roto artist |
| Keith D. Simpson | .. | rotoscope supervisor: The Base Studio |
| Vivek Kumar Singh | .. | paint team lead |
| Chrystia Siolkowsky | .. | roto artist |
| Thanapoom Siripopungul | .. | lead character technical director: Luma Pictures |
| Janek Sirrs | .. | visual effects supervisor |
| Anna Sitjà | .. | texture artist: Weta Digital |
| Peter Sjolander | .. | visual effects coordinator |
| Navin Sk | .. | wrangler |
| Brett Skinner | .. | lead texture artist: Weta Digital / look development artist: Weta Digital |
| Olaf Skjenna | .. | lead layout technical director |
| Sally Slade | .. | pipeline td: Scanline VFX |
| Michael Slater | .. | texture artist: weta digital |
| Matt Sloan | .. | visual effects |
| Lori Smallwood | .. | senior animation technical director |
| Stephen Smart | .. | wrangler: Weta Digital |
| Brian L Smith | .. | research and development: ILM |
| Cameron Smith | .. | senior compositor: ILM |
| Cole Smith | .. | models coordinator |
| Corey Smith | .. | stereoscopic artist |
| Jason Smith | .. | associate visual effects supervisor: ILM |
| Jeff Smith | .. | research & development |
| Marc Smith | .. | camera technical director: Weta Digital |
| Anthony Snitzer | .. | visual effects office production assistant |
| Eva Snyder | .. | lead compositor: Method Design |
| Sean Snyders | .. | software engineer: Weta Digital |
| Wee Lian Soh | .. | digital artist |
| Perry Hyunwoo Sohn | .. | camera technical director: Weta Digital |
| Bojana Solomonova Vishemirski | .. | visual effects coordinator (as Bojana Solomonova) |
| Frederic Soumagnas | .. | visual effects |
| Clay Sparks | .. | LightStage producer/artist |
| Lisa Spence | .. | senior digital producer: Scanline VFX |
| Stefan Spendier | .. | visual effects executive producer: Trixter Munich |
| Doug Spilatro | .. | visual effects artist |
| Christoph Sprenger | .. | head of fx r&d: Weta Digital |
| Kevin Sprout | .. | cg supervisor |
| Stephen T. Spurlock | .. | stereo compositing artist |
| Mark Stanger | .. | animator |
| Brett Stapleton-French | .. | digital compositor (as Brett Dix) |
| R. Alexi Steinhauer | .. | roto artist: Scanline VFX |
| Albrecht Steinmetz | .. | camera lead: Weta Digital |
| Andrea R. Stephens | .. | production coordinator |
| Grace Stephens | .. | texture artist |
| Joe Woodward Stevenson | .. | layout artist: Industrial Light & Magic |
| Nicole Stevenson | .. | render wrangler: StereoD |
| John Stevenson-Galvin | .. | lead digital modeler: Weta Digital |
| G. Allen Stewart | .. | stereoscopic conversion artist |
| Sam Stewart | .. | digital paint and rotoscope artist: ILM |
| John Stillman | .. | digital compositor |
| Joshua Stirling | .. | roto artist |
| Nicholas Stocker | .. | stereoscopic compositor |
| Justin Stockton | .. | layout technical director: Weta Digital |
| Rosalind Stratton | .. | layout technical director: Weta Digital |
| Colin Strause | .. | visual effects supervisor |
| Greg Strause | .. | visual effects supervisor |
| Florian Strobl | .. | digital compositor |
| Petra Stueben | .. | texture artist: weta digital |
| Frederick George Stuhrberg | .. | 3d scanning |
| Allison Sturdy | .. | stereoscopic depth artist |
| Mohinder Subramaniam | .. | digital artist: ILM |
| Dan Sukiennik | .. | camera layout supervisor: at Evil Eye Pictures |
| Nigel Sumner | .. | visual effects supervisor |
| Kamalakar Suryavanshi | .. | stereo compositor: Stereo D |
| Alex Suter | .. | research and development |
| Jeff Sutherland | .. | digital compositor |
| Josh Sutherland | .. | visual effects editor: Hydraulx |
| Richard Sutherland | .. | cg supervisor: Luma Pictures |
| Doug Sutton | .. | cg supervisor: ILM |
| Malino Suzuki | .. | motion capture / motion editing |
| Masaya Suzuki | .. | senior texture artist/look dev artist: Weta Digital |
| Josh Swanson | .. | compositor: Stereo D |
| Steven Swanson | .. | visual effects supervising producer: Luma Pictures |
| Jonathan Swartz | .. | effects technical director |
| James Sweeney | .. | integration lead: Scanline VFX |
| Jeremiah Sweeney | .. | compositor: Lola Visual Effects |
| Shiloe Swisher | .. | stereoscopic & vfx compositor |
| Thomas Sydnor | .. | rotoscope artist: The Base Studio |
| Raqi Syed | .. | lighting technical director |
| Sebastian Sylwan | .. | chief technology officer: Weta Digital |
| Brian Taber | .. | stereographer |
| Lionel Taillens | .. | digital matte painter: ILM |
| Charles Tait | .. | head of compositing |
| Takashi Takeoka | .. | digital compositor |
| Srikalyan Tallapragada | .. | digital artist: ILM |
| Bee Jin Tan | .. | compositor: Scanline VFX |
| Henri Tan | .. | creature technical director: ILM |
| Eric Tang | .. | lead creature technical director: Weta Digital |
| Lai Lin Tang | .. | layout artist: ILM |
| Andrew Taylor | .. | shader writer: Weta Digital (as Andrew R. E. Taylor) |
| Ben Taylor | .. | compositor |
| Brandon Taylor | .. | stereo compositor / stereoscopic paint artist |
| Chad Taylor | .. | digital artist: ILM |
| Sandy Taylor | .. | production manager - camera dept |
| Huai Yuan Teh | .. | fx technical director: ILM |
| Sunny Teich | .. | effects technical director |
| Felix Telfer | .. | effects assistant technical director |
| Biljana Temelkova | .. | roto artist |
| John Michael Temple Jr. | .. | depth artist: Stereo D |
| Chris Templeman | .. | rotoscope artist |
| Adrian Teng | .. | digital artist |
| Corinne Teng | .. | visual effects production assistant |
| Beau Teora | .. | visual effects artist |
| Tim Teramoto | .. | creature technical director |
| Mike Terpstra | .. | compositor |
| Christopher Terry | .. | lead stereoscopic compositor (as Chris Terry) |
| Scott Tessier | .. | digital artist |
| Jason Thielen | .. | previsualization artist: The Third Floor |
| Amy Thomas | .. | lead assistant technical director |
| Lindsay Thompson | .. | animator |
| Adam Thornberry | .. | stereoscopic depth artist: Stereo D |
| Meghan Thornton | .. | digital artist |
| Nils Thuerey | .. | research & development lead: Scanline VFX |
| Jonas Thörnqvist | .. | digital modeler: Weta Digital |
| Eric Timm | .. | stereo compositor |
| Patrick Timmermann | .. | visual effects coordinator: Trixter Film |
| Alexander Tirasongkran | .. | tracking/matchmove/layout artist |
| Robert Tobin | .. | stereo conversion artist |
| ZiJing Toh | .. | lighting technical director |
| Travis Tohill | .. | animator |
| Andre Tong | .. | animator: Industrial Light & Magic |
| James Tooley | .. | digital effects artist |
| Audrea Topps Harjo | .. | production manager: Weta Digital |
| Viviana Torrellas | .. | stereoscopic depth artist: Stereo D |
| Alan Torres | .. | visual effects designer: Cantina Creative |
| Brian A. Torres | .. | pipeline technical director: Luma Pictures |
| Enrique Torres | .. | stereoscopic artist |
| Mariko Tosti | .. | shaders coordinator: Weta Digital |
| Adrien Toupet | .. | effects technical director: Weta Digital |
| Victoria Tracconi | .. | visual effects production assistant |
| Derek Tracy | .. | stereo compositor |
| Delio Tramontozzi | .. | animator: ILM |
| Khuong Tran | .. | stereo compositor: Stereo D |
| Sebastian Tran | .. | motion graphics |
| Thomas Tran | .. | desktop administrator (as Tomas Tran) |
| Mark Victor Trappett | .. | render wrangler |
| Alan Travis | .. | roto/paint supervisor |
| Chris Treichel | .. | stereo production coordinator: Stereo D |
| Lazar Trenchev | .. | visual effects |
| Ryan Trenhaile | .. | compositor |
| Ryan Trippensee | .. | digital compositor: Luma Pictures |
| Matthew Trivan | .. | visual effects artist |
| Stephan Trojansky | .. | visual effects supervisor: Scanline VFX |
| John Trotter | .. | stereoscopic compositor |
| Bryan Trowbridge | .. | technical assistant: ILM |
| Guerdon Trueblood | .. | digital artist |
| Denis Trutanic | .. | senior layout artist: ILM |
| Adrian Tsao | .. | lighting technical director: ILM |
| Ervin Tuazon | .. | stereoscopic artist: Stereo D |
| Doug Tubach | .. | digital artist: ILM |
| Patrick Tubach | .. | production support: ILM (as Pat Tubach) |
| Melanie Rose Tucker | .. | stereoscopic compositor / stereoscopic painter |
| Barry R. Tuttle | .. | visual effects coordinator: The Base Studio |
| Jon Tyler | .. | senior motion editor |
| Lisa Dawn Tynes | .. | rotoscope artist (as Lisa Dawn Rogolsky) |
| Yuki Uehara | .. | flame artist |
| Jen Underdahl | .. | visual effects executive |
| Stephen Unterfranz | .. | lighting technical director |
| Lee Uren | .. | digital artist |
| Reuben Uy | .. | assistant technical director (as Reuben Bulawin Uy) |
| Jeff Vacanti | .. | animator |
| Elliottness A. Valentin | .. | stereoscopic depth artist |
| Nowell Valeri | .. | layout artist: ILM |
| Josiah Van Arsdel | .. | stereo compositor: Stereo D |
| Justin van der Lek | .. | 3D environments lead: Digital Domain |
| James Van Der Reyden | .. | motion capture technician: Weta Digital |
| Phil Van Der Reyden | .. | modeller |
| Michael Van Eps | .. | Production and Technical Support |
| Kara Vandeleur | .. | texture/look dev artist: Weta Digital |
| Carol VanHook | .. | stereoscopic artist |
| Sherin Varghese | .. | stereoscopic lead: Stereo D |
| Todd Vaziri | .. | digital artist: ILM |
| Oliver Velichkovski | .. | roto artist |
| Mahul Vengsar | .. | previs artist |
| Aurelio x. Vera Jr. | .. | lead stereoscopic compositor |
| Jeanette Vera | .. | rotoscope artist: The Base Studio |
| Noah Vice | .. | cg supervisor: Evil Eye Pictures |
| Douglas Peter Viljoen | .. | rotoscope artist |
| Aleksandar Vishemirski | .. | visual effects artist |
| Andres Vitale | .. | senior compositor: ILM |
| Marion Voignier | .. | roto/paint artist |
| Isaac Von Leu | .. | digital effects artist |
| Yonghow Vong | .. | lighting technical director: ILM |
| Cristina Vozian | .. | digital paint and roto: Pixomondo |
| Andreja Vuckovic | .. | modeler: Weta Digital |
| Tim Waddy | .. | CG animator |
| Reed Wade | .. | production engineer |
| Ghanshyam Sureshbhai Waghela | .. | visual effects artist: Stereo D |
| John Walker | .. | visual effects artist |
| Nick Walker | .. | layout artist: ILM |
| Sean Noel Walker | .. | lead lighting technical director |
| Brenda R. Wallace | .. | production engineer: Weta Digital |
| Will Wallace | .. | visual effects artist |
| Michael Waltl | .. | effects artist: Trixter Film |
| Gwyneth Walton | .. | modeler: Weta Digital |
| Waikit Wan | .. | creature technical director: ILM |
| Nye Warburton | .. | previsualization artist: The Third Floor |
| Mortimer Warlimont | .. | senior compositing artist: ScanlineVFX |
| Pieter Warmington | .. | digital artist: Industrial Light & Magic |
| Sharon Warmington | .. | digital compositor: ILM |
| Ben Warner | .. | digital compositor: ILM |
| Paige Warner | .. | digital artist |
| Jeffrey Warnhoff | .. | depth artist |
| Tim Warnock | .. | matte painter: ILM |
| James Waterson | .. | digital compositor: Luma Pictures |
| Adrian Watkins | .. | digital artist |
| Chase Watson | .. | systems administrator |
| Martin Toby Watson | .. | integration artist: Scanline VFX |
| Vincent Wauters | .. | visual effects supervisor: Logan |
| Emma Webb | .. | lead stereo artist |
| José Manuel Weil | .. | lighting/shading supervisor: ScanlineVFX |
| Alexandra Weir | .. | creature technical director |
| David Weitzberg | .. | digital artist: ILM |
| Philipp Welle | .. | compositing artist: Trixter Film |
| Pete Wellington | .. | information systems |
| Cliff Welsh | .. | flame compositor |
| Sebastian Wernicke | .. | matchmoving artist |
| Adina Wernstedt | .. | compositing artist: Trixter Film |
| Lukas Weyandt | .. | visual effects artist |
| Adrian White | .. | digital compositor: Weta Digital |
| Jeff White | .. | visual effects supervisor: ILM |
| Faith Whitehead | .. | stereo depth artist |
| Jazmyn Whitman | .. | stereoscopic artist: Stereo D (stereoscopic conversion) |
| Georg Wieland | .. | visual effects producer: Trixter Film |
| Yanick Wilisky | .. | visual effects executive supervisor: Modus FX |
| Fraser Wilkinson | .. | layout technical director: Weta Digital |
| Ronnie E. Williams Jr. | .. | digital compositor |
| Barry Williams | .. | digital artist |
| Gavin Williams | .. | motion editor: Weta Digital |
| Guy Williams | .. | visual effects supervisor |
| Sam Willing | .. | assistant visual effects editor: ILM |
| Aaron Wilson | .. | digital artist: ILM |
| Jay Wilson | .. | stereoscopic compositor |
| Jody Wilson | .. | visual effects |
| Nicholas Wilson | .. | senior digital modeler: Weta Digital |
| Ryan M. Wilson | .. | stereoscopic artist |
| Stephen Wilson | .. | digital compositor: Weta Digital |
| Derek Winslow | .. | matte painter |
| Teresa Winters | .. | layout technical director: Weta Digital (as Teresa Hooper) |
| Alex Wolfe | .. | stereoscopic artist |
| Don Wong | .. | effects aritst: ILM |
| Eric Wong | .. | creature technical director: ILM |
| Nick Woo | .. | visual effects artist |
| Andrew Wood | .. | visual effects |
| Jamie Wood | .. | senior compositor |
| Mike Wood | .. | digital matte artist |
| Clare Woodford-Robinson | .. | digital modeler: Weta Digital |
| Bjoern Wortmann | .. | compositing artist: ScanlineVFX |
| Jeff Wozniak | .. | cg sequence supervisor: ILM |
| Andy Wright | .. | render wrangler: weta digital |
| Mark Edward Wright | .. | visual effects editor: Hydraulx (as Mark Wright) |
| Gary Wu | .. | creature technical director: ILM |
| Peter M. Wu | .. | stereoscopic depth artist |
| Garrett Wycoff | .. | roto/paint artist: Luma Pictures |
| Piotr Fox Wysocki | .. | senior texture r&d and look dev artist |
| Xian Xiao | .. | visual effects |
| Junying Xu | .. | texture artist: Weta Digital |
| Umashanker Yadav | .. | stereo roto artist: Stereo D |
| Yuji Yagasaki | .. | senior lighter: Hydraulx |
| Yoshiya Yamada | .. | project lead technical director: Hydraulx |
| Keiji Yamaguchi | .. | creature developer: ILM |
| Marvin Yanez | .. | stereoscopic roto lead |
| Momo Yang | .. | layout artist |
| Jeff Yanik | .. | visual effects production assistant |
| Sheen Wei Yap | .. | digital artist: ILM |
| Viki Yeo | .. | texture artist: Weta Digital |
| Ben Ying | .. | compositor: Fuel VFX |
| Long Yinghan | .. | digital artist |
| Niki Yoblonski | .. | paint and rotoscope artist: Scanline VFX |
| Dennis Yoo | .. | senior animator: Weta Digital |
| Craig Young | .. | animator: Weta Digital |
| Elliott Young | .. | senior analyst programmer: Weta Digital |
| Mark Young | .. | senior texture artist |
| Chris Youngless | .. | finaling coordinator: Stereo D (as Christopher Youngless) |
| Scott Younkin | .. | sequence supervisor: ILM |
| Chun Wing Vincent Yu | .. | animator: ILM |
| Sonia Yu | .. | lighter: Luma Pictures |
| Vincent Yu | .. | animator: ILM |
| Walter Yuan | .. | stereoscopic compositor |
| Dean Yurke | .. | digital compositor |
| Heidi Zabit | .. | visual effects artist |
| Ismat Zaidi | .. | executive producer: ScanlineVFX |
| Christopher Lee Zammit | .. | senior texture artist/look dev: Weta digital (as Chris Zammit) |
| Michael Zavala | .. | 2D production manager: hy*drau'lx vfx |
| David Zbriger | .. | technical manager of global production: ILM |
| Tom Zils | .. | digital artist: ILM |
| Dominik Zimmerle | .. | compositor: Trixter Film / matte painter: Trixter Film |
| Andrew Zink | .. | lighter: Luma Pictures |
| Lakshmi Ziskin | .. | 3D Producer: StereoD |
| Roxanne Zuckerman | .. | digital artist |
| Rainer Zöttl | .. | cg supervisor: ScanlineVFX |
| Emil Alagjozovski | .. | paint artist (uncredited) |
| Najdovski Aleksandar | .. | visual effects artist (uncredited) |
| Schuyler Anderson | .. | stereoscopic depth artist (uncredited) |
| Steve Anderson | .. | visual effects supervisor (uncredited) |
| Erubeth Avila | .. | digital compositor (uncredited) |
| Brandon Barney | .. | paint & roto artist (uncredited) |
| William Beaton | .. | post production coordinator (uncredited) |
| Ian Blewitt | .. | compositor (uncredited) |
| Mike Brumit | .. | depth artist: Stereo D (uncredited) |
| Bruce Cardozo | .. | scanning and recording (uncredited) |
| Brian Carney | .. | stereoscopic compositor (uncredited) |
| Ed Caspersen | .. | assistant technical director (uncredited) |
| Danny Castellanos | .. | paint artist (uncredited) |
| Charmaine Chan | .. | assistant technical director: ILM (uncredited) |
| Cody Charfauros | .. | producer: rotoscopy (uncredited) |
| Zoran Dimanovski | .. | rotoscope artist (uncredited) |
| Jack Elder | .. | technical writer (uncredited) |
| Katarina Gacevska | .. | senior paint artist (uncredited) |
| Markus Hagemeier | .. | i/o: ScanlineVFX Munich (uncredited) |
| Paulette Harutnian | .. | digital artist (uncredited) |
| Sherry Hitch | .. | digital compositor (uncredited) |
| Kim Jardin | .. | research & development: ILM (uncredited) |
| Kristofer Kody | .. | stereo compositor (uncredited) |
| Yishan Koh | .. | visual effects production assistant: Industrial, Light & Magic (uncredited) |
| Dean Koonjul | .. | compositor: Industrial Light & Magic (uncredited) |
| Theresa Laurenson | .. | rotoscope artist (uncredited) |
| Lazetutkovski | .. | rotoscope artist (uncredited) |
| Toby Lewin | .. | digital artist (uncredited) |
| Nelson Lim | .. | assistant technical director: ILM (uncredited) |
| YuanJing Lin | .. | technical assistant (uncredited) |
| Flip Livingston | .. | magenta color artist (uncredited) |
| Cedric Lo | .. | lead animator: ILM Singapore (uncredited) |
| Anthony Lucero | .. | visual effects editor (uncredited) |
| Ronald Mallet | .. | research and development (uncredited) |
| Brian Malmstrom | .. | rotoscope artist: Stereo D (uncredited) |
| Thomas Mathai | .. | data manager (uncredited) |
| Sean Mattini | .. | visual effects (uncredited) |
| John McCarten | .. | creature software developer: WETA Digital (uncredited) |
| Brandon McNaughton | .. | compositor (uncredited) |
| Lau E.H. Melvin | .. | technical assistant (uncredited) |
| Hairol Mikelly | .. | digital artist (uncredited) |
| Brian Moffet | .. | production engineer (uncredited) |
| Juan Pablo Monroy | .. | visual effects artist (uncredited) |
| Jerome Moo | .. | concept artist: ILM (uncredited) |
| Scott Morrissey | .. | software production manager (uncredited) |
| Masakazu Murakami | .. | visual effects (uncredited) |
| Hector Navarro | .. | depth artist (uncredited) |
| Vasko Nikolovski | .. | visual effects artist (uncredited) |
| Bruce Powell | .. | digital artist (uncredited) |
| Nick Provenzano | .. | production and technical support (uncredited) |
| Jason Ramsey | .. | assistant coordinator: Cantina Creative (uncredited) |
| Douglas Renn | .. | systems support: cantina creative (uncredited) |
| Rachel Rose | .. | research and development (uncredited) |
| Miguel A. Salek | .. | visual effects (uncredited) |
| Evanthia Samaras | .. | visual effects production assistant (uncredited) |
| Jeremy Therrien | .. | technical assistant (uncredited) |
| Shavant Thomas | .. | technical support: ILM (uncredited) |
| Ryan Urban | .. | compositor: Method Studios (uncredited) |
| Elena Velkova | .. | paint artist (uncredited) |
| Adrian Williams | .. | research and development (uncredited) |
| She Fong Yap | .. | production support: Industrial Light & Magic (uncredited) |
| Yuting Ye | .. | research and development (uncredited) |
| Edward Paul Yu | .. | compositor: Stereo D (uncredited) |
| Susumu Yukuhiro | .. | digital matte artist (uncredited) |
Stunts
| Hank Amos | .. | stunt co-coordinator |
| Eddie Braun | .. | utility stunts |
| Garwood Brewer | .. | utility stunts |
| Sebastiano Cartier | .. | stunts |
| Alex Chansky | .. | stunt double: Hawkeye |
| Mark Chapman | .. | utility stunts |
| Anis Cheurfa | .. | utility stunts |
| Tim Connolly | .. | utility stunts |
| Clay Cullen | .. | stunt double |
| Andy Dylan | .. | stunt double: Agent Coulson (as Andrew Dylan) |
| Ousaun Elam | .. | stunt double: Nick Fury |
| Jonathan Eusebio | .. | fight coordinator |
| Donna Evans | .. | utility stunts (as Donna Evans Merlo) |
| Stephane Feruch | .. | stunts |
| Jeremy Fitzgerald | .. | utility stunts |
| Clay Donahue Fontenot | .. | stunt double: Iron Man |
| Glenn Foster | .. | stunt double: Stark |
| Joey Freitas | .. | utility stunts |
| Gary Fry | .. | stunts |
| Kylie Furneaux | .. | stunt double: Agent Hill |
| Mike Gunther | .. | utility stunts |
| Michael Hansen | .. | utility stunts |
| Sam Hargrave | .. | stunt double: Captain America (as Samuel Hargrave) |
| Riley Harper | .. | stunt performer |
| Karen A. Harris | .. | stunt office coordinator (as Karen Harris) |
| Scott M. Helgert | .. | stunt performer (as Scott Helgert) |
| Daniel Hernandez | .. | utility stunts |
| David Hugghins | .. | utility stunts |
| Allen Jo | .. | stunt performer |
| Paul Lacovara | .. | stunt double: Tom Hiddleston |
| Master Lee | .. | stunts |
| Matthew LeFevour | .. | stunt double: Thor (as Matt LeFevour) |
| Matt Leonard | .. | utility stunts |
| Levi Meeuwenberg | .. | stunt double: Captain America |
| Anthony Molinari | .. | stunt double: Bruce Banner |
| Heidi Moneymaker | .. | stunt double: Black Widow |
| William Morts | .. | utility stunts (as Billy Morts) |
| Kim Do Nguyen | .. | utility stunts |
| Chris O'Hara | .. | stunt coordinator: 2nd unit |
| Tanoai Reed | .. | utility stunts |
| Troy Robinson | .. | utility stunts |
| Debby Rondell | .. | utility stunts |
| R.A. Rondell | .. | supervising stunt coordinator |
| Mandy Schneider | .. | utility stunts |
| David Schultz | .. | utility stunts |
| Brian Simpson | .. | utility stunts |
| Doug Snively | .. | utility stunts (as Douglas Snively) |
| Nuo Sun | .. | utility stunts |
| Nancy Thurston | .. | stunts (uncredited) |
| Tim Trella | .. | utility stunts |
| Steve Upton | .. | utility stunts |
| Jon Valera | .. | utility stunts |
| Aaron Walters | .. | utility stunts |
| Dean Bailey | .. | stunts (uncredited) |
| Chick Bernhard | .. | stunt double: Russian mobster (uncredited) |
| Troy Brenna | .. | stunt double: Hulk (uncredited) |
| Charlie Brewer | .. | stunt double: Stellan Skarsgård (uncredited) |
| Lyndsay Brown | .. | stunts (uncredited) |
| Troy Brown | .. | stunts (uncredited) |
| Richard Burden | .. | stunt performer (uncredited) |
| Jwaundace Candece | .. | stunt performer (uncredited) |
| David Castillo | .. | stunt driver (uncredited) / utility stunts (uncredited) |
| Chris Cenatiempo | .. | stunts (uncredited) |
| Laurence Chavez | .. | stunts (uncredited) |
| Tim Connolly | .. | stunt performer (uncredited) |
| Blaise Corrigan | .. | stunts (uncredited) |
| Holland Diaz | .. | stunt double (uncredited) |
| Annie Ellis | .. | stunts (uncredited) |
| Todd Emmett | .. | stunt performer (uncredited) |
| Jon H. Epstein | .. | stunt performer (uncredited) |
| Courtney Farnsworth | .. | stunt double: Ashley Johnson (uncredited) |
| Richard Fike | .. | stunt performer (uncredited) |
| John Finnerty Jr. | .. | stunt performer (uncredited) |
| Tait Fletcher | .. | stunts (uncredited) |
| Jeremy Fry | .. | stunt performer (uncredited) |
| Erica Grace | .. | stunts (uncredited) |
| Karen A. Harris | .. | stunts (uncredited) |
| Steve Hassenpflug | .. | utility stunts (uncredited) |
| Dana Hee | .. | stunts (uncredited) |
| Cassidy Hice | .. | utility stunts (uncredited) |
| Jay Hieron | .. | stunts (uncredited) |
| Jason Kolowski | .. | stunt double (uncredited) |
| Luke Lesko | .. | stunts (uncredited) |
| Maggie Macdonald | .. | stunts (uncredited) |
| Samantha MacIvor | .. | stunt double (uncredited) |
| Bill McAdams Jr. | .. | stunts (uncredited) |
| Angelique Midthunder | .. | stunt double: Alicia Sixtos (uncredited) |
| Kelleigh Miller | .. | utility stunts (uncredited) |
| Casey O'Neill | .. | stunts (uncredited) |
| Chris Palermo | .. | stunt driver (uncredited) |
| Linda Perlin | .. | stunt performer (uncredited) |
| George Peters | .. | stunt driver (uncredited) |
| Justin Price | .. | stunt performer (uncredited) |
| Tom Quinn | .. | stunt performer (uncredited) |
| Shane Rangi | .. | stunt performer (uncredited) |
| Larry Rippenkroeger | .. | stunts (uncredited) |
| R.A. Rondell | .. | stunt coordinator (uncredited) |
| Rich Rutherford | .. | stunt driver (uncredited) |
| Ava Lee Scott | .. | stunt performer (uncredited) |
| Jeff Seich | .. | city driver (uncredited) |
| Trina E. Siopy | .. | stunt performer (uncredited) |
| John Sundquist | .. | stunt performer (uncredited) |
| Steve Upton | .. | stunt rigger (uncredited) |
| Michael Sinclair Walter | .. | stunt performer (uncredited) |
| Jen Weissenberg | .. | stunts (uncredited) |
| Jessica Winther | .. | utility stunts (uncredited) |
| Scott Workman | .. | stunts (uncredited) |
Camera and Electrical Department
| David M. Adams | .. | lighting technician |
| Kevin Akers | .. | second assistant camera: additional photography, Los Angeles |
| Nathan Allen | .. | additional camera operator / camera operator: behind the scenes / still photographer |
| Tristan Allen | .. | grip: New York |
| Matthew E. Alper | .. | assistant camera |
| Eric D. Anderson | .. | first assistant camera: VFX unit |
| Jeff Anderson | .. | additional best boy rigging electric |
| Troy Anderson | .. | local best boy rigging electric |
| David Arms | .. | aerial stabilised head tech / 1st ac |
| Russell Ayer | .. | lighting technician |
| Stephen Babineau | .. | rigging electrician |
| Joe Bacharka | .. | lighting technician: second unit |
| Joey Bacharka | .. | electrician / lighting technician |
| Greg Baldi | .. | camera operator: second unit |
| Luke Barger | .. | best boy grip: additional photography, Los Angeles |
| Kevin Barrera | .. | rigging electric gang boss |
| Julian Bass | .. | digital camera loader |
| Christopher Michael Beer | .. | assistant camera: visual fx unit |
| John Beran | .. | rigging key grip |
| Gabriel Beristain | .. | cinematographer: additional photography - Los Angeles |
| John Betancourt | .. | hd tech |
| Ralph Bickford | .. | electrician |
| Hans Bjerno | .. | camera operator |
| John Bonnin | .. | libra head operator |
| Bryan Booth | .. | dimmer board operator |
| Waylon Brady | .. | electrician |
| Cameron Bryant | .. | key grip: additional photography, Los Angeles |
| Jarrett Buba | .. | electrician: second unit |
| Michael Burgess | .. | director of photography: additional photography |
| Tom Burnett | .. | electrician |
| Brien Burroughs | .. | rigging electrician (as Brian Burroughs) |
| Chip Byrd | .. | first assistant camera: 'b' camera, second unit |
| Ryan Carnahan | .. | grip |
| Giovanni Carranza | .. | digital utility: Second Unit / digital utility: second unit |
| Trevor Carroll-Coe | .. | camera loader |
| Erick Castillo | .. | digital loader: second unit |
| Tristan Chavez | .. | second assistant camera |
| Kai Wai Cheng | .. | best boy grip: New York |
| Tom Cherry | .. | first assistant camera: 'c' camera |
| Chris Cochran | .. | additional rigging electrician |
| Daniel Cocuzzo | .. | grip |
| Bill Coe | .. | camera: 'a' camera / first assistant camera |
| James F. Cornick | .. | rigging gaffer: second unit |
| Eric Arnold Cortez | .. | lighting technician |
| Jacob Cottrell | .. | lighting technician |
| Edward J. Cox | .. | rigging electric gang boss |
| Alexander 'Lex' Crow | .. | rigging electrician: second unit |
| Richard S. Crumrine Jr. | .. | first assistant camera: additional photography second unit |
| Morgan Davis | .. | grip |
| Robert B. Dechellis | .. | key best boy |
| Isaac Denair | .. | rigging electrician: second unit |
| Mike Dittiacur | .. | rigging grip |
| Bob Dodd | .. | electrician |
| Mitch Dubin | .. | camera operator: 'a' camera |
| Stephanie Dufford | .. | digital utility |
| Eric Dvorsky | .. | aerial camera technician |
| Jason Ellson | .. | steadicam operator: second unit |
| Ryan Elvira | .. | rigging grip |
| Jeremy Emerman | .. | epk |
| Scott M. Evans | .. | video assist |
| Russ Faust | .. | electrician |
| Mike D. Fernandez | .. | electrician |
| Wade Ferrari | .. | camera production assistant: second unit |
| Gerard Fiore | .. | grip New York |
| Adam Flores | .. | grip |
| Christopher Flurry | .. | second assistant camera: 'b' camera, second unit |
| Lovell Ford | .. | electrician |
| Max Frankston | .. | hd video assist |
| Tone Freshwater | .. | rigging electric |
| Raphael Freud | .. | rigging electric gang boss / rigging technician |
| Lauren Gadd | .. | loader: second unit |
| Richard Galli | .. | electrician |
| Justin Geoffroy | .. | hd video assist: second unit |
| Mark Goellnicht | .. | camera operator: 'a' camera, second unit / steadicam operator: second unit |
| Carlos Gonzalez | .. | technocrane operator: second unit |
| Paul Simon Gordon | .. | rigging electrician |
| Brad Goss | .. | key rigging grip: New York |
| John K.D. Graham | .. | electrician |
| Nikki Gray | .. | second assistant camera |
| Christopher Griffin | .. | rigging electrician |
| Peter Gulla | .. | camera operator: 'b' camera, second unit |
| Matthew Haskins | .. | second assistant camera: 'c' camera |
| Robert Hatfield | .. | digital imaging technician: second unit (as Bobby Hatfield) |
| Zak Hawley | .. | assistant camera: visual fx unit |
| Brett Heicher | .. | electrician |
| Juergen Heinemann | .. | grip |
| Daniel A Hernandez | .. | digital imaging technician |
| Erik Hernandez | .. | rigging electrician |
| Jason Hooper | .. | rf technician |
| Jeff 'Moose' Howery | .. | dolly grip: second unit |
| Steven Hubbell | .. | grip: re-shoots |
| Tom Hutchinson | .. | first assistant 'c' camera |
| Sherman Jackson | .. | lighting technician |
| John Janusek | .. | key grip |
| David Jarred | .. | grip |
| Jimi Johnson | .. | video assist operator |
| Bryan P. Jones | .. | assistant camera: visual effects unit |
| Jason Jouver | .. | grip |
| Jay Keitel | .. | first assistant camera: additional photography, Los Angeles |
| Dylan Kelling | .. | rigging grip |
| Tommy Kerwick Jr. | .. | dolly grip: New York |
| Tom Kerwick | .. | key grip: New York |
| Keone Kim | .. | flying camera programmer |
| Jason Kirker | .. | grip: Pittsburgh second unit |
| Donald Klinefelter | .. | rigging electrician: second unit |
| Pete Klingenberg | .. | rigging electric |
| Kris Krosskove | .. | camera operator: second unit |
| Josh Kubizne | .. | rigging electrician |
| Kevin J. Lang | .. | rigging gaffer |
| Jason Linebaugh | .. | lighting technician |
| Robert Lofstrom | .. | rigging electrician |
| Shaun Lowry | .. | grip |
| George Lozano Jr. | .. | fixtures L.E.D. tech |
| Lorne MacDougall | .. | lamp operator: New York |
| Steve Macher | .. | electrical rigger |
| Marc Margulies | .. | first assistant camera |
| Diego Mariscal | .. | dolly grip |
| David Markey | .. | electrician |
| Richard Markham | .. | epk camera |
| Evan Martinez | .. | grip |
| Luis Martinez | .. | rigging electrician |
| Michael J. Maurer | .. | electrician: New York |
| Sean McClellan | .. | lighting technician |
| Kevin McKenna | .. | digital video assist operator |
| Bobby McMahan | .. | 'a' camera second assistant |
| Samuel R. McMullen | .. | grip |
| Johnny Medeiros | .. | hd video assist engineer |
| Kevin Meegan | .. | grip: construction |
| David Melhorn | .. | rigging electrician |
| Lea E. Miller | .. | grip |
| Dan Ming | .. | 'a' camera first assistant: additional photography |
| John S. Moyer | .. | camera operator |
| John Murphy | .. | b dolly grip: second unit |
| Trevor Murphy | .. | camera production assistant |
| Sean Murray | .. | electrician |
| Joseph Edward Myers | .. | grip: second unit (as Joseph E. Myers) |
| Tim Nagasawa | .. | digital imaging technician: VFX Unit |
| Chris Napolitano | .. | chief lighting technician |
| Michael Nelson | .. | ultimate arm operator |
| Ryan Nelson | .. | best boy rigging grip |
| Keith Nickoson | .. | grip |
| David B. Nowell | .. | aerial director of photography |
| Clayton Null | .. | grip foreman: second unit |
| Jean-Pierre Nutini | .. | electrician |
| Bill O'Leary | .. | gaffer: New York |
| Ian O'Neill | .. | grip / grip: New York |
| Jesse Olivares | .. | key video engineer |
| Jeremy Antonio Oliver | .. | rigging electrician |
| Tod Olivieri | .. | rigging electrician |
| Nicolas 'Nico' Ortiz y Pino | .. | grip |
| Georgia Tornai Packard | .. | camera operator: second unit (as Georgia Packard) |
| Louis Petraglia | .. | rigging electric best boy |
| Lauren Petzke | .. | lighting technician: second unit |
| Jon Philion | .. | libra head technician |
| Teddy Phuthanhdanh | .. | digital utility |
| Vincent Pierce | .. | grip: New York Unit |
| Brandon Ponticelle | .. | assistant camera |
| Joe A. Ponticelle | .. | first assistant camera |
| Harry Rabin | .. | additional footage |
| Patrick Ready | .. | digital workflow supervisor |
| Patrick Redmond | .. | edge head technician |
| Benoit Richard | .. | dimmer board operator: second unit |
| Tony Rivetti | .. | first assistant camera: 'a' camera, steadicam: second unit |
| Todd Roberts | .. | rigging electrician |
| Dale Robinette | .. | additional still photographer |
| Mick Rocks | .. | rigging electrician |
| Zade Rosenthal | .. | still photographer |
| Amanda Rotzler | .. | additional second assistant camera: second unit |
| C.J. Roy | .. | digital imaging technician: aerial unit |
| Jason Rueda | .. | assistant camera: visual fx unit |
| Chris Salamone | .. | rigging grip |
| Terry J. Sanchez | .. | grip |
| Christopher A. Schenck | .. | camera operator: 'c' camera, Ohio unit |
| Eli Schneider | .. | grip |
| Amishjim Schulze | .. | rigging electrician |
| Michael J. Schwartz | .. | lighting technician |
| Jason Seigel | .. | d.i.t. production assistant (uncredited) |
| Keith Seymour | .. | key rigging grip: second unit, Pittsburgh |
| Mark Sheets | .. | rigging grip |
| Patrick Shelby | .. | grip: New York crew |
| Jay Sheveck | .. | libra operator |
| Brad Shield | .. | director of photography: second unit |
| John P. Shine | .. | best boy grip |
| Aaron Smith | .. | rigging grip |
| Troy Sola | .. | second assistant camera: New York |
| Kevin Soto | .. | vfx grip |
| Mark Spath | .. | 'b' camera first assistant: additional photography |
| Nathan Spencer | .. | rf technician |
| Doug Stanczak | .. | video assistant: second unit |
| Brooke Stanford | .. | gaffer: second unit, New York |
| Eric Steinig | .. | dolly grip: 'b' camera |
| Michael Stoecker | .. | rigging electrician |
| Anthony M. Suarez | .. | electrician |
| Waris Supanpong | .. | first assistant camera: visual fx unit New York |
| Larissa Supplitt | .. | second assistant camera: 'b' camera |
| Alan Swain | .. | rigging electrician |
| Dempsey Tillman | .. | hd video assist |
| Michael Totten | .. | director of photography: additional photography, Los Angeles |
| Jason Tubbs | .. | edge arm operator |
| John Turk | .. | electrician |
| James R. Tynes | .. | gaffer: second unit / second unit: gaffer |
| Derek J. Vass | .. | gaffer: additional photography, Los Angeles |
| Carl Vigil | .. | rigging electrician |
| Jorn Vylonis | .. | rigging electrician (uncredited) |
| Troy N. Wade | .. | dolly grip: 'a' camera |
| Roger Wall | .. | assistant camera |
| Benton Ward | .. | rf technician |
| Nicholas D. Ward | .. | electrician |
| Dale Glenn Waseta | .. | video assistant: second unit |
| Ryan Washlaski | .. | rigging grip best boy: second unit |
| Corey Weintraub | .. | second assistant camera: second unit |
| Neal Wilde | .. | grip |
| Dwayne Willis | .. | rigging electrician |
| Michael Woodside | .. | electrician |
| Lev Yevstratov | .. | edge system technician |
| Don Yockey | .. | grip: second unit, Pittsburgh & Cleveland |
| Andy Young | .. | rigging electrician |
| Ron Zabarsky | .. | lighting technician |
| Arthur Zajac | .. | second assistant camera: vfx element unit |
| Daniel Zamora | .. | electrician |
| Harry Zimmerman | .. | first assistant camera: 'b' camera |
| Nick Zinobile | .. | additional grip: second unit |
| Britt Cyrus | .. | digital imaging engineer: aerial unit (uncredited) |
| Eduardo Eguia | .. | digital utility tech (uncredited) |
| Madeleine Lauve | .. | camera production assistant (uncredited) |
| Jude Orozco | .. | rigging grip (uncredited) |
| Ian Speed | .. | libra technician (uncredited) |
Animation Department
| Charles Alleneck | .. | animator |
| Elad Arbel | .. | animator |
| Mickael Coedel | .. | animator |
| Simon Fillat | .. | animator |
| Jason Fittipaldi | .. | animator: Luma Pictures |
| Anneka Fris | .. | animator: Weta Digital |
| Ronny Gani | .. | animator |
| A.J. Gillespie | .. | animator |
| Aaron Gilman | .. | animation supervisor |
| Daniel Gonzalez | .. | animator |
| Elizabeth Gray | .. | animator: Weta Digital |
| Juani Guiraldes | .. | animator: Weta Digital |
| Norris Houk | .. | titles artist |
| Zaini Jalani | .. | animator: ILM |
| Jerry Kung | .. | animator: Weta Digital |
| Adam Lawson | .. | animator |
| Julian Legge | .. | animator: Weta Digital |
| Chris Lentz | .. | lead animator: ILM |
| Eric Mun Fai Leong | .. | senior animator: ILM Singapore |
| Christian Liliedahl | .. | animator: ILM |
| Brad Lincoln | .. | animator: Weta Digital |
| Randy Link | .. | animator |
| Merlin Bela Wassiij Maertz | .. | animator |
| Tom Meade | .. | animation technical director |
| Phil Morris | .. | animator |
| Guido Muzzarelli | .. | animator |
| Andrew Park | .. | animator |
| Mike Jerome Putnam | .. | background artist |
| Alli Sadegiani | .. | animator |
| Ronald Saw | .. | animator |
| Maureen Seng | .. | animator |
| Mark Smith | .. | animator |
| Althea Suarez Gata | .. | animator |
| Rini Sugianto | .. | animator |
| Roy Tan | .. | animator |
| Caroline Ting | .. | animator |
| Edwina Ting | .. | animator |
| Sebastian Trujillo | .. | animator |
| Roland Vallet | .. | animator: WETA Digital |
| Brian Ward | .. | animator |
| Barry Lim | .. | character animator (uncredited) |
Casting Department
| Maryellen Aviano | .. | extras casting coordinator |
| Seth Bellinger | .. | casting assistant |
| Nancy Bishop | .. | casting |
| Jim Burleson | .. | extras casting assistant |
| Joshua Fritel | .. | extras casting assistant |
| Johnny Gidcomb | .. | adr voice casting |
| Tamara Hunter | .. | casting associate |
| Allie Levin | .. | extras casting |
| Madina Milana | .. | casting associate |
| Amanda L. Preputnik | .. | extras casting assistant: Cleveland |
| Anne Reeves | .. | extras casting assistant: New York |
| Katy Russell | .. | casting assistant |
| Linda Weaver | .. | extras casting assistant |
| Becky Woodward | .. | casting assistant |
| Jennifer Yost | .. | casting assistant |
| Jordan Blair Mangold Brown | .. | extras casting assistant (uncredited) |
Costume and Wardrobe Department
| Pilar Agoyo | .. | seamstress / tailor |
| Chris Alexander | .. | specialty costumes mold maker: Ironhead Studios |
| Anthony Almaraz | .. | set costumer |
| Deborah Ambrosino | .. | specialty costume manufacturer |
| Aleah Ames | .. | costumer: New Mexico |
| Javier Arrieta | .. | key costumer |
| Ashley Beatty | .. | speciality costumer |
| Blake Bolger | .. | specialty costumer/dresser: Legacy Effects |
| Pablo Borges | .. | costumer |
| Brandon Brocker | .. | wardrobe production assistant |
| Dorothy Bulac | .. | key specialty costumer |
| Melanie Cargioli | .. | set costumer: second unit, Pennsylvania & Ohio (as Melanie Marie Evans) |
| Paul John Carli | .. | set costumer |
| Gladys Cepeda | .. | draper |
| Wynema Chavez | .. | ager/dyer |
| Keith Christensen | .. | sculptor: Ironhead Studio |
| Lucy Cobbs | .. | costume production assistant: New York |
| Scott T. Coppock | .. | set costumer: New York |
| Dan Crawley | .. | mold shop supervisor |
| Erin Dell'amore | .. | specialty costumes silicone technician: Ironhead Studios |
| Rebecca DeNoewer | .. | costumer: Cleveland |
| Michelle Deville | .. | specialty costumer/dresser: Legacy Effects |
| Emily Egge | .. | set costumer |
| Alison Evans | .. | set costumer: Cleveland |
| Klara Farberov | .. | costumer |
| Jody Felz | .. | costumer |
| David Fernandez | .. | costumer |
| Kristyne Elizabeth Fetsic | .. | wardrobe production assistant |
| Ryk Fortuna | .. | specialty costumes sculptor and mold maker: Ironhead Studios |
| Kelli French | .. | additional costumer |
| Darryl Garcia Jr. | .. | costume assistant |
| Robyn Gebhart | .. | cutter/fitter |
| Julia Gombert | .. | ager/dyer |
| Javier G. Gonzalez | .. | specialty costume manufacturer (as Javier Gonzalez) |
| Rhonney Greene | .. | costume supervisor: New York |
| Jeff Himmel | .. | specialty costumer/dresser: Legacy Effects (as Jeffrey Himmel) |
| Kristi Hoffman | .. | costumer |
| Melissa E. Hollingsworth | .. | tailor (as Melissa Moody) |
| Askia Won-Ling Jacob | .. | set costumer |
| Jim Kundig | .. | specialty costumer: Film Illusions |
| Amahl Lovato | .. | ager/dyer |
| Carol McLennan | .. | set costumer |
| Bob Moore Jr. | .. | set costumer |
| Keith Muessigmann | .. | assistant cutter fitter |
| Chris Newlander | .. | costumer |
| Meriwether Nichols | .. | key costumer: second unit / set costumer |
| Rob Overbeck | .. | costume assistant: day player |
| Stephen Pardee | .. | ager/dyer: New York |
| David Paulin | .. | head ager/dyer |
| Angelique Paull | .. | costume supervisor |
| Rob Phillips | .. | head ager/painter |
| Aura Sperling Pierce | .. | costumer: New Mexico |
| Lahly Poore | .. | costumer: New Mexico (as Lahly Poore-Erickson) |
| Jason Rainey | .. | costume crafts |
| Joy Ramsay | .. | costumer: New Mexico |
| Lauren Rosenbloom | .. | costume research |
| Amy Roth | .. | assistant costume designer: New York |
| Adam Sabodish | .. | costume assistant |
| Leticia Sandoval | .. | specialty costumes |
| Claire Sandrin | .. | set costumer |
| Anna Seltzer | .. | costume assistant |
| Trey Shaffer | .. | costume graphic designer |
| Virginia Smith Phillips | .. | background costumer |
| Christopher Swift | .. | specialty costumer/dresser: Legacy Effects |
| Jesse Trevino | .. | costumer: New Mexico / set costumer |
| Stuart Gordon Tribble | .. | costumer |
| Suzi Turnbull | .. | costume supervisor |
| Ali Tycast | .. | costume assistant |
| Brian Van Dorn | .. | mold maker: Ironhead Studios |
| Andreas Vasshaug | .. | specialty costume assistant: Ironhead Studio |
| Gillian Waterman | .. | costume buyer |
| Pete White | .. | costumer: Robert Downey Jr. (as Peter White) |
| Mollie Kimball Whitson | .. | costume assistant |
| Dale Wibben | .. | cutter/fitter |
| Robert Wojewodski | .. | assistant costume designer |
| Timothy A. Wonsik | .. | key costumer |
| Lisa Wujick | .. | costumer |
| Karen Young | .. | costumer |
| Nigel Boyd | .. | costumer (uncredited) |
Editorial Department
| Tommy Aagaard | .. | apprentice editor |
| Milton Adamou | .. | stereoscopic post supervisor |
| Paul Alderman | .. | assistant editor (as Paul E. Alderman) |
| Blake Babson | .. | post-production coordinator |
| Koetter Brently | .. | post-production technician |
| Michael Buck | .. | stereoscopic assistant editor |
| Robin Buday | .. | assistant editor |
| David Cowles | .. | stereoscopic on-line editor |
| Danielle Daly | .. | supervising post-production coordinator |
| Leeza Diott | .. | dailies manager: post production |
| Scott Douglas | .. | stereoscopic assistant editor |
| Richard A. Eisenstein | .. | post-production technician |
| Greg Emerson | .. | senior stereoscopic on-line editor |
| Jason Esquivel | .. | dailies producer |
| Andrew Francis | .. | associate colorist: efilm |
| Jermaine R. Gill | .. | on set dailies |
| Peter Gvozdas | .. | first assistant editor |
| Kevin M. Jackson | .. | post-production assistant |
| Katie Jordan | .. | digital intermediate color assist |
| Adam Kimmerlin | .. | stereo editor |
| Aaron Kroger | .. | outpost engineer |
| Marc Lulkin | .. | colorist: dailies |
| Robert Malina | .. | first assistant editor |
| Daniel McGilvray | .. | post-production engineer |
| Ryan R. Moos | .. | 3D editor |
| Kiran Pallegadda | .. | first assistant editor |
| Michael Parkinson | .. | editorial support / technical support |
| Chris Peariso | .. | outpost engineer |
| Sean Phillip Rowe | .. | digital film scanner (as Sean Rowe) |
| Paul Rubell | .. | additional editor |
| Adrian Scherger | .. | stereoscopic assistant editor: Stereo D |
| Brett Schlaman | .. | 3D Editor |
| Matthew Schmidt | .. | assistant editor |
| Steven J. Scott | .. | supervising digital colorist |
| Luis Silva | .. | digital intermediate colorist assist |
| Matt Sweat | .. | apprentice editor |
| Matthew Tomlinson | .. | imaging scientist |
| Michael Vu | .. | post-production assistant |
| Joachim Zell | .. | digital workflow and imaging science |
| Koetter Brently | .. | Editorial Engineer (uncredited) |
| Pete Conlin | .. | post production (uncredited) |
| Jonathan Hoffman | .. | post production (uncredited) |
| Ken Lebre | .. | dailies producer (uncredited) |
| Christopher McDonald | .. | dailies operator (uncredited) |
| Nathaniel Lee Voelker | .. | data operator (uncredited) |
Location Management
| John Adkins | .. | assistant location manager: Pennsylvania |
| Brad Berger | .. | location assistant |
| Tyson Bidner | .. | location manager: New York |
| Chris Cloud | .. | location assistant: New York |
| Bob Corna | .. | location assistnt |
| Frank Covino | .. | assistant location manager: New York |
| Clay DeVelvis | .. | location assistant |
| Rachael Doughty | .. | location coordinator |
| Alan Forbes | .. | location manager |
| Bill Garvey | .. | location manager: second unit |
| Christina Grozik | .. | location scout: Ohio |
| Shane Haden | .. | assistant location manager: ny |
| Maylon Hines | .. | location assistant |
| Wendall Hinkle | .. | location scout |
| Malaika Johnson | .. | location assistant |
| Mindy Jones | .. | location scout |
| Tim Kanieski | .. | location assistant |
| Erik Keeling-Torrez | .. | location assistant (as Erik Torrez) |
| Scott Allen Logan | .. | location manager / location scout |
| John Lucas | .. | key assistant location manager: 2nd unit: New Mexico |
| Anna Marandi | .. | location assistant |
| Tom Moisides | .. | location manager |
| Marcus Montano | .. | key assistant location manager |
| Jay Nolan | .. | location production assistant |
| Tim Pisarik | .. | location assistant |
| Caitlin Ringness | .. | assistant location manager |
| Paul B. Roberts | .. | location scout |
| David Rumble | .. | location manager |
| Steven Schlick | .. | assistant location manager: Cleveland |
| Joshua Shull | .. | assistant location manager / second unit: location manager |
| Nate Shull | .. | location assistant |
| Jonathon Slator | .. | key location manager (as Jonathan Slater) |
| Leah Slator | .. | locations scout |
| Matthew T. | .. | assistant location manager |
| Julia Thompson | .. | location assistant |
| Scott Trimble | .. | location scout |
| Jonathan Urband | .. | location scout |
| Amanda Wells | .. | locations production assistant-Ohio |
| Jason Wetter | .. | assistant location manager |
| Justin T. Williams | .. | assistant location manager |
| Gillian Luhman | .. | location assistant (uncredited) |
Music Department
| Christine Bergren | .. | music legal and clearance |
| Mark Berrow | .. | musician: violin |
| David Bifano | .. | scoring coordinator |
| Rachel Bolt | .. | viola |
| Tom Boyd | .. | oboe |
| Jo Buckley | .. | assistant orchestra contractor |
| Nicholas Bucknall | .. | musician: clarinet |
| Peter Cobbin | .. | additional recording |
| Steve Durkee | .. | music editor |
| Richard Edwards | .. | musician: trombone |
| Andreas Farmakalidis | .. | composer: additional music |
| James Findlay | .. | scoring production assistant |
| Lewis Jones | .. | pro tools recordist |
| Dave Jordan | .. | music supervisor |
| Skaila Kanga | .. | musician: harp |
| Carmine Lauri | .. | orchestra leader |
| Mitchell Leib | .. | executive in charge of soundtracks |
| Roger Linley | .. | musician: double bass |
| Steve Mair | .. | musician: double bass |
| Dorina Markoff-McNulty | .. | musician |
| Dave Metzger | .. | orchestrator |
| Victor Pesavento | .. | music preparation |
| Dennis S. Sands | .. | music scoring mixer |
| Alan Silvestri | .. | conductor / orchestrator |
| John Ashton Thomas | .. | orchestrator |
| Rebekah Touma | .. | music coordinator |
| Mario A. Vitale | .. | assistant music editor |
| Jonathan Williams | .. | musician: cello |
| Joe Zimmerman | .. | music preparation |
Transportation Department
| Daniele Abeille | .. | transportation manager: Italy |
| Nathan Antunez | .. | production van driver |
| Hedy Phil Balani | .. | driver |
| Kari Bernhardt | .. | transpo office-D.O.T. |
| Frank Bonsangue | .. | driver: cast |
| Mark Brown | .. | transportation captain |
| Dave Calaway | .. | production van driver |
| Bruce Callahan | .. | transportation |
| Jim Chesney | .. | transportation coordinator |
| David Christenson | .. | production driver |
| Frank Conforti | .. | transportation captain: Pennsylvania |
| L. Chip Crosby Jr. | .. | driver |
| Albert Cuneo | .. | driver |
| William M. DeLuca | .. | transportation |
| Jason Doutree | .. | driver: cast |
| Christine Dye | .. | dispatcher |
| Royale Edward | .. | driver |
| Graham Elliott | .. | driver: honeywagon |
| Roy A. Grace | .. | production driver |
| Guy J. Graves | .. | driver |
| Kenny Heath | .. | transportation captain: New Mexico |
| Penny Hicks | .. | driver |
| Chris Howard | .. | driver |
| Edward A. Jandt | .. | driver |
| David Kipling | .. | unit driver |
| Robert Kolenberg | .. | driver |
| Joel Larson | .. | transportation |
| Miguel Lozano | .. | transportation |
| William McCleery | .. | driver |
| Lewis Meador | .. | driver |
| Pete Meda | .. | transportation |
| Ernie John Montoya | .. | driver: craft service |
| Jon Petersen | .. | driver |
| Scott Philbrick | .. | driver: picture cars |
| Kevin Powers | .. | driver |
| Derek Raser | .. | transportation co-captain |
| James William Ray | .. | driver |
| Graham Ready | .. | dot coordinator |
| Sol Rivera | .. | driver |
| Pete Rueckert | .. | unit driver |
| Walter J. Russell | .. | driver: cast |
| Mark Sanchez | .. | driver |
| Safi Alia Shabaik | .. | transportation office coordinator (as Safi Shabaik) |
| Lucas Stein | .. | driver |
| David Urich | .. | picture car coordinator |
| Betty Weaver | .. | driver |
| Christopher Weippert | .. | driver |
| Leanne Wilkerson | .. | driver |
| Carlos Williams | .. | transportation |
| Kip Wolverton | .. | picture vehicle mechanic |
| Robert A. Wood | .. | production van driver: basecamp |
| Owen Holland | .. | camera car driver (uncredited) |
| Ron Yakshe | .. | transportation co-captain (uncredited) |
Other crew
| Rio Ahn | .. | stand-in |
| Lisa Alsop | .. | assistant to second unit director |
| Lynn Ambrosino | .. | production assistant |
| Kate Amer | .. | production coordinator: Ohio |
| Alexis Auditore | .. | physical asset coordinator |
| Asad Ayaz | .. | Senior vice president: Marketing |
| Jon Baran | .. | production assistant |
| Ismail Bashey | .. | adr cast |
| David D. Baumann | .. | armorer: second unit |
| Christopher Michael Beer | .. | production assistant: visual effects unit |
| Taylor Benavides | .. | assistant production coordinator: Los Angeles |
| Stephanie Bertoni | .. | production staff |
| Chris Blakeman | .. | production assistant |
| Chelsea Bo | .. | second unit production assistant |
| Parisse Boothe | .. | executive assistant: Powers Boothe |
| Kathleen Breton-Collier | .. | studio teacher |
| Vince Brown | .. | staff production assistant: New York Unit: Picture Cars/bg |
| Tracy Browne | .. | production accountant: additional photography |
| David S. Bryant | .. | production assistant |
| Anna Burd | .. | assistant production coordinator |
| Dijana Camaj | .. | assistant accountant |
| Kevin P. Campbell | .. | production assistant |
| Alex Capaldi | .. | assistant production coordinator: Ohio |
| Tim Carroll | .. | livestock coordinator |
| Cesar Castillo | .. | assets production assistant |
| Dina Cataldi | .. | stand-in: Scarlett |
| Yara Caubet | .. | production secretary: New York |
| Al Cerullo | .. | pilot |
| Tatiana Chapman | .. | russian-language translator |
| Lela Checco | .. | assistant production coordinator: second unit pittsburgh |
| Fabiana Chimirri | .. | production assistant |
| Eric Chomyn | .. | Post Accountant |
| Sean Christensen | .. | production assistant |
| Vincent Chua | .. | Production support |
| Al Connell | .. | payroll accountant |
| Kit Conners | .. | additional production assistant: los angeles |
| Ben Conrad | .. | creative lead: celebration montage sequence |
| Carolyn Corzine | .. | office production assistant |
| Tony Costa | .. | stand-in: Stan Lee |
| David Hayes Cox | .. | production assistant |
| Alexandra Curran | .. | production assistant: visual effects unit (as Alexandra C. Curran) |
| Barry Curtis | .. | security manager |
| Ciara D'Altorio | .. | set production assistant: second unit |
| Marymichael D'Onofrio | .. | set production assistant |
| Andrew Daub | .. | production assistant |
| Jenn Daugherty | .. | assistant travel coordinator |
| Nathan E. Davis | .. | additional set production assistant |
| Ruby De Jesus | .. | production assistant |
| Shannon de Zeeuw | .. | production secretary / production secretary: New York |
| Colton R. Dean | .. | medical/first aid: day player |
| Matt Delmanowski | .. | photography coordinator |
| Erika Denton | .. | script clearance |
| Kartik Deo | .. | senior it analyst |
| Justin Dickey | .. | office production assistant |
| Alex Dorman | .. | production assistant |
| Gregory Doucette | .. | script supervisor second unit |
| Brother Eden Douglas | .. | stand-in/double: Samuel L Jackson |
| Kathleen S. Dunn | .. | dialect coach: on set / dialogue and dialect coach |
| Janie Elliott | .. | assistant production coordinator: additional |
| Kevin Estey | .. | motion capture performer |
| Jerome Brett Fairchild | .. | utility technician |
| Louis Farah | .. | medic |
| D.R. Farquharson | .. | project manager: Deluxe Digital Cinema |
| Michael Feldman | .. | set production assistant |
| Rich Fellegara | .. | key medic |
| Jaytyler Ferretti | .. | set production assistant: new york |
| Matthew Fifer | .. | production assistant |
| John Finnell | .. | assistant to mr. mahaffie |
| Daniel Fisch | .. | production secretary |
| Laraine Fisher | .. | stand-in: Cobie Smulders |
| Erin Forbes | .. | production assistant / production staff |
| Colter Freeman | .. | production assistant |
| Richard Friend | .. | comic book artist |
| Danny Frommer | .. | set medic |
| Gracie Gardner | .. | set production assistant: second unit (as Grace Gardner) |
| Karen Garlich | .. | second assistant accountant |
| Colin Garza | .. | set production assistant |
| Bandele Gatson | .. | talent coordinator |
| Alina Gatti | .. | set production assistant |
| Chloe Gebacz | .. | set production assistant |
| Katy Genovese | .. | payroll accountant |
| Christina Georgandis | .. | production assistant |
| Teddy Gibbons | .. | production assistant |
| Marissa M. Gonzales | .. | second assistant accountant |
| Adrienne L. Graves | .. | second assistant accountant |
| Tim Gregoire | .. | video playback engineer |
| James Hagedorn | .. | office production assistant: second unit |
| Matt Lee Hall | .. | production assistant |
| Danielle Hartnett | .. | adr/voice talent |
| Andrew Haynes | .. | office production assistant: new york |
| Madeline Hazeley | .. | assistant to aaron k. parry |
| Kathryn Hensel | .. | travel coordinator (as Kathryn C. Galberth) |
| Dean Hewison | .. | asset coordinator: Weta Digital |
| Eric Hollenbeck | .. | set production assistant: Ohio/Pennsylvania / set production assistant: second unit |
| Chris Holly | .. | security pa |
| Allegro Hopkins | .. | studio teacher |
| Phillip Hughes | .. | accounting clerk |
| Benjamin Hung | .. | finance executive |
| Jordan Hunter | .. | office production assistant: second unit |
| Ko Iwagami | .. | production assistant (as Kôichirô Iwagami) |
| Jean E. Jacobson | .. | first assistant accountant |
| Jacob Johnston | .. | visual development coordinator |
| Cory Kadamani | .. | set production assistant / set production assistant: new york |
| Daniel S. Kaminsky | .. | assistant: Joss Whedon |
| William Kania | .. | stand-in |
| Waléra Kanischtscheff | .. | voice coach: Natasha Romanoff russian |
| Andrew Kapuscinski | .. | support: labor |
| Bavand Karim | .. | production assistant |
| Bob Kaye | .. | stand-in/photo double |
| Peter Keller | .. | key office production assistant |
| Carrie Kelley | .. | additional office production assistant: Ohio |
| Kaelan Kelly-Sordelet | .. | production assistant |
| Kevin Kiemen | .. | production assistant |
| Michael T. King | .. | set medic (as Michael King) |
| Samantha C. Kirkeby | .. | reshoot script supervisor |
| Beau Kline | .. | additional set production assistant |
| Ian Knoblock | .. | additional set production assistant: New York |
| Anna Kongs | .. | accounting clerk |
| Christie Kwan | .. | production coordinator: second unit |
| Kelly Lankton | .. | production assistant |
| Casey LaRocco | .. | on-set medic |
| Kevin LaRosa Jr. | .. | pilot |
| Kevin LaRosa | .. | aerial coordinator (as Kevin LaRosa Sr.) |
| Gabrielle Lasting | .. | assistant production office coordinator: NY Unit |
| David Tierney Lerner | .. | production assistant: New York |
| Brigette Lester | .. | production coordinator |
| Adam Levy | .. | set medic |
| Ken Lingad | .. | unit publicist |
| Eric Lisausky | .. | additional production assistant |
| Flory Litchfield | .. | technical operations executive |
| Matt Loomis | .. | additional production assistant: New York |
| Jason Lopes | .. | lead systems engineer legacy effects |
| Jeff Lowery | .. | additional set production assistant |
| Faya Madrid | .. | production staff |
| Lee Philip Malin | .. | security (as Lee Malin) |
| Tom Maloney | .. | production assistant: NYC unit |
| Christine Mammolito | .. | assistant to Robert Downey Jr. |
| Todd Manes | .. | set production assistant |
| Leigh Maney | .. | craft service assistant |
| Nicki Maron | .. | assistant to joss whedon |
| Dan Masciarelli | .. | producer: main titles, Method Design |
| Sean W. Matthews | .. | office production assistant: New York |
| Bill McAdams Jr. | .. | stand in captain america |
| Volney McFarlin | .. | assistant: Mr. Jackson |
| Gunnar McGrew | .. | production office assistant |
| Kathy McHugh | .. | script supervisor: additional Photography |
| Jonathan Medeiros | .. | set production assistant |
| Brenden Meers | .. | production assistant |
| Rob Meisenholder | .. | first assistant accountant |
| Jason Miller | .. | key medic: second unit |
| Carlos A. Montoya | .. | set production assistant |
| Ernie John Montoya | .. | craft service |
| Timothy Muir | .. | set production assistant: Cleveland |
| Walter E. Myal | .. | set production assistant |
| Prakash Nathan | .. | marketing: distribution & syndication |
| Kerry Newberry | .. | production accountant |
| Andy Newman | .. | production assistant |
| Doug Nickoson | .. | production assistant |
| Matt Nolan | .. | voice actor |
| Meredith Nunnikhoven | .. | production secretary: Wilmington, OH |
| Rodney O'Sullivan | .. | systems administrator |
| Terrill Ocona | .. | production assistant |
| Kathryn Olguin | .. | production assistant |
| Anna Olshansky | .. | production assistant |
| Jeff Overfield | .. | set production assistant: re-shoots |
| Jordan Paley | .. | production assistant |
| Robert Chase Pallone | .. | second unit: set production assistant / set production assistant |
| Vincent Parker | .. | video playback engineer |
| Mitul Patel | .. | security supervisor |
| Chelsea Lynn Peterson | .. | additional set production assistant |
| Mike Peterson | .. | production assistant |
| Ryan J. Pezdirc | .. | set production assistant |
| Will Corona Pilgrim | .. | creative research manager: Marvel Studios (as Will Pilgrim) |
| John M. Pisani | .. | unit publicist |
| Jacob Platt | .. | production assistant |
| Mark Ver Ploegh | .. | second assistant accountant |
| Jakub Porembski | .. | key set production assistant: new york |
| Ryan Potter | .. | production attorney |
| T.L. Quach | .. | production assistant: New York (as Tina Quach) |
| Ryan Radefeld | .. | office production assistant: Ohio |
| Vanessa Rael | .. | assistant asset coordinator |
| Trudy Ramirez | .. | script supervisor |
| Yvonne Ramond | .. | construction accountant |
| Brent Reichert | .. | stand-in: Tom Hiddleston |
| Mike Revell | .. | executive in charge of feature estimating |
| Jimmy Rich | .. | assistant to Robert Downey Jr |
| Derek Rimelspach | .. | set production assistant: 2nd unit |
| Kerry Roberts | .. | payroll accountant: new york |
| Lucy Kim Robertson | .. | first assistant accountant: second unit |
| Geoff Rock | .. | production assistant |
| Hannah Rodananta | .. | second unit production assistant |
| Buck P.B.D. Rodgers | .. | production assistant: New York |
| Kim Ronstadt | .. | second assistant accountant |
| Matthew Roper | .. | set medic |
| Scott Rubes | .. | production assistant: Ohio |
| Jason Rueda | .. | production assistant: visual effects unit |
| Bob Sabouni | .. | executive in charge of promotions: Marvel Studios |
| Chris Sanchez | .. | main title concept designer: method studios |
| G.Q. Sanchez | .. | safety advisor |
| CarloVito Santangelo | .. | additional production assistant: New York |
| Rodney Saulsberry | .. | adr voice |
| Michael Sausa | .. | designer: main titles, Method Design |
| Ryan Schaefer | .. | stand-in |
| Andy Schofield | .. | production assistant |
| Allison Schraiber | .. | client services: post-production |
| Judson Scott | .. | assistant to Victoria Alonso |
| Jeff Sedwick | .. | production assistant |
| Joanie Selden | .. | first assistant accountant |
| Jim Sevin | .. | video/computer playback |
| Alex J. Sherman | .. | production assistant |
| Lisa G. Shillingburg | .. | first assistant accountant: Cleveland |
| Rick Shuster | .. | pilot |
| Wayne T. Silva | .. | assistant payroll accountant |
| Zoe Simek | .. | production assistant: second unit / second unit production assistant / second unit: production assistant |
| Sarah Simkin | .. | production assistant |
| Ian Simon | .. | production assistant |
| Matthew Slatoff | .. | security director |
| Andrew R. Smith | .. | production assistant |
| Anthony Snitzer | .. | office production assistant: visual effects |
| Shaun Steagall | .. | craft service |
| Rachel Steele | .. | stand-in: Scarlett Johansson |
| Sean Steininger | .. | set production assistant |
| Nick Stergiou | .. | production assistant |
| Aaron Steven | .. | production assistant |
| Jessica Stone | .. | payroll clerk |
| Kelly M. Stone | .. | second assistant accountant |
| Jason Strykowski | .. | production assistant |
| Nuo Sun | .. | actor trainer |
| Adam Taylor | .. | first assistant accountant: New York tiling unit |
| Claudio Tepper | .. | set medic |
| Kim Thio | .. | paramedic: special effects department |
| Gary Thompson | .. | supervising DI engineer |
| Kia W. Thompson | .. | set production assistant: new york |
| Allie Toman | .. | additional set production assistant |
| Judi Townsend | .. | script supervisor: second unit |
| Trinh Tran | .. | assistant: Mr. D'Esposito |
| Jodi Tripi | .. | researcher |
| Brian Truman | .. | production secretary: Ohio |
| Krista Vanore | .. | production assistant |
| Rina Varughese | .. | assistant to Louis D'Esposito |
| Orlando M. Vazquez | .. | production assistant |
| Kristy Viera | .. | studio teacher |
| Daniel Villagomez | .. | contract administration manager: Marvel Studios |
| Steve Viola | .. | title designer |
| Aaron Walker | .. | production assistant |
| Donald H. Walker | .. | financial controller |
| Chris Wallis | .. | production assistant |
| Stephen Walsh | .. | assistant: Mr. Hemsworth |
| Steph Walthall | .. | production assistant: New York |
| Trenton Waterson | .. | assistant to executive producer |
| Brenden Wedner | .. | production assistant |
| Jordan Weir | .. | set production assistant |
| Brian Austin Wenrich | .. | accounting clerk |
| Alex Rose Wiesel | .. | effects stand-in |
| Sarah Willgrube | .. | additional set production assistant: second unit |
| Sarah J. Williams | .. | assistant production coordinator: 2nd unit |
| Jeanine Wilson | .. | vfx accountant |
| Brad Winderbaum | .. | internet marketing manager |
| Adam Windom | .. | production assistant |
| Adam Wolenski | .. | first assistant accountant |
| Hunter Wolk | .. | production assistant |
| Johnny Wu | .. | translator |
| David Harry Yoon | .. | office production assistant: new york (as David Yoon) |
| Craig Young | .. | motion capture performer |
| Jean Fen Yu | .. | second assistant accountant: additional photography |
| Will Zullo | .. | production assistant |
| Brian Michael Bendis | .. | character: Commander Maria Hill (uncredited) |
| Ashley Berlanga | .. | accounting clerk (uncredited) |
| Allan Biggins | .. | technical advisor (uncredited) |
| Roma Chugani | .. | additional voices (uncredited) |
| David Finch | .. | character: Commander Maria Hill (uncredited) |
| Cliff Fleming | .. | pilot (uncredited) |
| P. Whitney Gearin | .. | visual effects producer: Main Titles, Method Studios (uncredited) |
| Megan Harwick | .. | photo double: Scarlett Johansson (uncredited) |
| Don Heck | .. | characters: Anthony 'Tony' Edward Stark/Iron Man, Natalia Alianovna Romanova/Natasha Romanoff/Black Widow, Clint Barton/Hawkeye & Virginia 'Pepper' Potts (uncredited) |
| Allan Henry | .. | motion capture performer (uncredited) |
| Catharine E. Jones | .. | stand-in (uncredited) |
| Alex Kip | .. | photo double (uncredited) |
| Jack Kirby | .. | characters: Anthony Edward 'Tony' Stark/Iron Man, Steven 'Steve' Rogers/Captain America, Robert Bruce Banner/The Hulk, Thor Odinson, Nicholas Joseph 'Nick' Fury & Jasper Sitwell (uncredited) |
| Aaron Kozak | .. | vfx accountant (uncredited) |
| Kevin LaRosa | .. | pilot (uncredited) |
| Stan Lee | .. | characters: Anthony 'Tony' Edward Stark/Iron Man, Robert Bruce Banner/The Hulk, Thor Odinson/Thor, Natalia Alianovna Romanova/Natasha Romanoff/Black Widow, Clint Barton/Hawkeye, Loki Laufeyson, Colonel Nicholas 'Nick' Joseph Fury, Virginia 'Pepper' Potts & Jasper Sitwell (uncredited) |
| Larry Lieber | .. | characters: Anthony 'Tony' Edward Stark/Iron Man & Thor Odinson/Thor (uncredited) |
| Mark Mackaye | .. | production assistant (uncredited) |
| Damon Rahz | .. | medic (uncredited) |
| Don Rico | .. | character: Natalia Alianovna Romanova/Natasha Romanoff/Black Widow (uncredited) |
| Ethan Risvik | .. | stand-in (uncredited) |
| Joe Simon | .. | character: Steve Rogers/Captain America (uncredited) |
| Jim Starlin | .. | character: Thanos (uncredited) |
| Adam Teschel | .. | background actor (uncredited) |
| Christian Tucci | .. | assistant aerial coordinator (uncredited) |
| David Vendl | .. | production assistant (uncredited) |
| Michael Wilson | .. | optical sound transfer (uncredited) |
Thanks
| Brian Michael Bendis | .. | special thanks |
| Sal Buscema | .. | special thanks |
| Gabriele Dell'Otto | .. | special thanks |
| Francisco G. Hamm | .. | thanks |
| Don Heck | .. | special thanks |
| Bryan Hitch | .. | special thanks |
| Robert Jacobs | .. | the producers wish to thank |
| Larry Lieber | .. | special thanks |
| Ralph Macchio | .. | special thanks |
| Mark Millar | .. | special thanks |
| George Pérez | .. | special thanks |
| Don Rico | .. | special thanks |
| John Romita Sr. | .. | special thanks |
| Jim Starlin | .. | special thanks |
| The Avengers | |
|---|---|
| Directed by | Joss Whedon |
| Produced by | Kevin Feige |
| Screenplay by | Joss Whedon |
| Story by |
|
| Based on | The Avengers by |
| Starring | |
| Music by | Alan Silvestri |
| Cinematography | Seamus McGarvey |
| Edited by | |
Production company | |
| Distributed by | Walt Disney Studios Motion Pictures[N 1] |
Release date |
|
| 143 minutes[3] | |
| Country | United States |
| Language | English |
| Budget | $220 million[4] |
| Box office | $1.519 billion[5] |
Marvel's The Avengers[6] (classified under the name Marvel Avengers Assemble in the United Kingdom and Ireland),[3][7] or simply The Avengers, is a 2012 American superhero film based on the Marvel Comics superhero team of the same name, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures.[N 1] It is the sixth film in the Marvel Cinematic Universe (MCU). The film was written and directed by Joss Whedon and features an ensemble cast that includes Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, and Jeremy Renner as the titular Avengers team, alongside Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan Skarsgård, and Samuel L. Jackson. In the film, Nick Fury, director of the spy agency S.H.I.E.L.D., recruits Tony Stark, Steve Rogers, Bruce Banner, and Thor to form a team that must stop Thor's brother Loki from subjugating Earth.
The film's development began when Marvel Studios received a loan from Merrill Lynch in April 2005. After the success of the film Iron Man in May 2008, Marvel announced that The Avengers would be released in July 2011. With the signing of Johansson in March 2009, the film was pushed back for a 2012 release. Whedon was brought on board in April 2010 and rewrote the original screenplay by Zak Penn. Production began in April 2011 in Albuquerque, New Mexico, before moving to Cleveland, Ohio, in August and New York City in September. The film was converted to 3D in post-production.
The Avengers premiered at Hollywood's El Capitan Theatre on April 11, 2012, and was released in the United States on May 4, 2012. The film received praise for Whedon's direction and screenplay, visual effects, action sequences, acting, and musical score, and garnered numerous awards and nominations including Academy Award and BAFTA nominations for achievements in visual effects. It set or tied numerous box office records, including the biggest opening weekend in the United States and Canada. The Avengers grossed over $1.5 billion worldwide and became the third-highest-grossing film of all time, as well as the highest-grossing film of 2012. It is the first Marvel production to generate $1 billion in ticket sales. In 2017, it was featured as one of the 100 greatest films of all time in Empire magazine's poll of The 100 Greatest Movies.
Three sequels, titled Avengers: Age of Ultron, Avengers: Infinity War, and Avengers: Endgame, were released in May 2015, April 2018, and April 2019 respectively.
- 3Production
- 5Marketing
- 6Release
- 7Reception
- 7.1Box office
- 7.1.1United States and Canada
- 7.1Box office
- 8Sequels
Plot
The AsgardianLoki encounters the Other, the leader of an extraterrestrial race known as the Chitauri. In exchange for retrieving the Tesseract,[N 2] a powerful energy source of unknown potential, the Other promises Loki an army with which he can subjugate Earth. Nick Fury, director of the espionage agency S.H.I.E.L.D., and his lieutenant Agent Maria Hill arrive at a remote research facility during an evacuation, where physicist Dr. Erik Selvig is leading a research team experimenting on the Tesseract. Agent Phil Coulson explains that the object has begun radiating an unusual form of energy. The Tesseract suddenly activates and opens a wormhole, allowing Loki to reach Earth. Loki takes the Tesseract and uses his scepter to enslave Selvig and a few other agents, including Clint Barton, to aid him in his getaway.
In response to the attack, Fury reactivates the 'Avengers Initiative'. Agent Natasha Romanoff is sent to Kolkata to recruit Dr. Bruce Banner to trace the Tesseract through its gamma radiation emissions. Coulson visits Tony Stark to have him review Selvig's research, and Fury approaches Steve Rogers with an assignment to retrieve the Tesseract.
In Stuttgart, Barton steals iridium needed to stabilize the Tesseract's power while Loki causes a distraction, leading to a brief confrontation with Rogers, Stark, and Romanoff that ends with Loki's surrender. While Loki is being escorted to S.H.I.E.L.D., Thor, his adoptive brother, arrives and frees him, hoping to convince him to abandon his plan and return to Asgard. After a confrontation with Stark and Rogers, Thor agrees to take Loki to S.H.I.E.L.D.'s flying aircraft carrier, the Helicarrier. Upon arrival, Loki is imprisoned while Banner and Stark attempt to locate the Tesseract.
The Avengers become divided, both over how to approach Loki and the revelation that S.H.I.E.L.D. plans to harness the Tesseract to develop weapons as a deterrent against hostile extraterrestrials. As the group argues, Barton and Loki's other possessed agents attack the Helicarrier, disabling one of its engines in flight and causing Banner to transform into the Hulk. Stark and Rogers work to restart the damaged engine, and Thor attempts to stop the Hulk's rampage. Romanoff reluctantly fights Barton, and knocks him unconscious, breaking Loki's mind control. Loki escapes after killing Coulson and ejecting Thor from the airship, while the Hulk falls to the ground after attacking a S.H.I.E.L.D. fighter jet. Fury uses Coulson's death to motivate the Avengers into working as a team. Stark and Rogers realize that for Loki, simply defeating them will not be enough; he needs to overpower them publicly to validate himself as ruler of Earth. Loki uses the Tesseract, in conjunction with a device Selvig built, to open a wormhole above Stark Tower to the Chitauri fleet in space, launching his invasion.
Rogers, Stark, Romanoff, Barton, and Thor rally in defense of New York City, the wormhole's location. Banner arrives and transforms into the Hulk, and together the Avengers battle the Chitauri while evacuating civilians. The Hulk finds Loki and beats him into submission. Romanoff makes her way to the wormhole generator, where Selvig, freed from Loki's mind control, reveals that Loki's scepter can be used to shut down the generator. Meanwhile, Fury's superiors from the World Security Council attempt to end the invasion by launching a nuclear missile at Midtown Manhattan. Stark intercepts the missile and takes it through the wormhole toward the Chitauri fleet. The missile detonates, destroying the Chitauri mothership and disabling their forces on Earth. Stark's suit runs out of power, and he falls back through the wormhole just as Romanoff closes it. Stark goes into freefall, but the Hulk saves him from crashing into the ground. In the aftermath, Thor returns Loki and the Tesseract to Asgard, while Fury expresses confidence that the Avengers will return if and when they are needed.
In a mid-credits scene, the Other confers with his master[N 3] about the failed attack on Earth.
Cast
- Robert Downey Jr. as Tony Stark / Iron Man:
A self-described genius, billionaire, playboy, and philanthropist with an electromechanical suit of armor of his own invention. Downey was cast as part of his four-picture deal with Marvel Studios, which included Iron Man 2 and The Avengers.[11] Downey said that he initially pushed Whedon to make Stark the lead: 'Well, I said, 'I need to be in the opening sequence. I don't know what you're thinking, but Tony needs to drive this thing.' He was like, 'Okay, let's try that.' We tried it and it didn't work, because this is a different sort of thing, the story and the idea and the theme is the theme, and everybody is just an arm of the octopus.'[12] About the character's evolution from previous films, Downey said, 'In Iron Man, which was an origin story, he was his own epiphany and redemption of sorts. Iron Man 2 is all about not being an island, dealing with legacy issues and making space for others. . . In The Avengers, he's throwing it down with the others'.[13] Downey earned $50 million 'once box-office bonuses and backend compensation [were] factored in'.[14] - Chris Evans as Steve Rogers / Captain America:
A World War II veteran who was enhanced to the peak of human physicality by an experimental serum and frozen in suspended animation before waking up in the modern world. Evans was cast as part of a deal to star in three Marvel films, in addition to The Avengers.[15] Evans said that Steve Rogers is much darker in The Avengers: 'It's just about him trying to come to terms with the modern world. You've got to imagine, it's enough of a shock to accept the fact that you're in a completely different time, but everybody you know is dead. Everybody you cared about. . . He was a soldier, obviously, everybody he went to battle with, all of his brothers in arms, they're all dead. He's just lonely. I think in the beginning it's a fish-out-of-water scene, and it's tough. It's a tough pill for him to swallow. Then comes trying to find a balance with the modern world.'[12] Regarding the dynamic between Rogers and Tony Stark, Evans said, 'I think there's certainly a dichotomy—this kind of friction between myself and Tony Stark, they're polar opposites. One guy is flash and spotlight and smooth, and the other guy is selfless and in the shadows and kind of quiet and they have to get along. They explore that, and it's pretty fun.'[16] Evans earned $2-3 million for the film.[14] - Mark Ruffalo as Bruce Banner / Hulk:
A genius scientist who, because of exposure to gamma radiation, transforms into a monster when enraged or agitated. Ruffalo, who was considered to play Banner in The Incredible Hulk before Edward Norton took the role,[17] was cast after negotiations between Marvel and Norton broke down.[18] About replacing Norton, Ruffalo said, 'I'm a friend of Ed's, and yeah, that wasn't a great way for all that to go down. But the way I see it is that Ed has bequeathed this part to me. I look at it as my generation's Hamlet.' About the character, he said, 'He's a guy struggling with two sides of himself—the dark and the light—and everything he does in his life is filtered through issues of control. I grew up on the Bill Bixby TV series, which I thought was a really nuanced and real human way to look at the Hulk. I like that the part has those qualities'.[19] Regarding the Hulk's place on the team, Ruffalo said, 'He's like the teammate none of them are sure they want on their team. He's a loose cannon. It's like, 'Just throw a grenade in the middle of the group and let's hope it turns out well!'[20] This is the first production in which the actor playing Banner also plays the Hulk. Ruffalo told New York magazine, 'I'm really excited. No one's ever played the Hulk exactly; they've always done CGI. They're going to do the Avatar stop-action, stop-motion capture. So I'll actually play the Hulk. That'll be fun'.[21] The 3D model used to create the Hulk's body was modeled after Long Island bodybuilder and male stripper Steve Romm, while the Hulk's face was modeled after Ruffalo.[22] To create the Hulk's voice, Ruffalo's voice was blended with those of Lou Ferrigno and others;[23] however, the Hulk's only speaking line ('Puny god.') was provided solely by Ruffalo.[24] Ruffalo earned $2-3 million for the film.[14] - Chris Hemsworth as Thor:
The crown prince of Asgard, based on the Norse mythological deity of the same name. Hemsworth was cast as part of a multiple movie deal.[25] He had previously worked with Joss Whedon on The Cabin in the Woods.[26] Hemsworth said that he was able to maintain the strength he built up for Thor by increasing his food intake, consisting of chicken breasts, fish, steak, and eggs every day. When asked exactly how much, Hemsworth said, 'My body weight in protein pretty much!'[27] He remarked that Thor's motivation 'is much more of a personal one, in the sense that it's his brother that is stirring things up. Whereas everyone else, it's some bad guy who they've gotta take down. It's a different approach for me, or for Thor. He's constantly having to battle the greater good and what he should do vs. it's his little brother there. . . I've been frustrated with my brothers at times, or family, but I'm the only one who is allowed to be angry at them. There's a bit of that.'[12] Hemsworth earned $2-3 million for the film.[14] - Scarlett Johansson as Natasha Romanoff / Black Widow:
A highly trained spy working for S.H.I.E.L.D.[28] About the character and her relationship with Hawkeye, Johansson said, 'Our characters have a long history. They've fought together for a long time in a lot of battles in many different countries. We're the two members of this avenging group who are skilled warriors – we have no superpowers. Black Widow is definitely one of the team, though. She's not in the cast simply to be a romantic foil or eye candy. She's there to fight, so I never felt like I was the only girl. We all have our various skills and it feels equal'.[13] Regarding her training, Johansson said, 'Even though Iron Man 2 was 'one-for-them,' I'd never done anything like that before. I'd never been physically driven in something, or a part of something so big. For The Avengers, I've spent so many months training with our stunt team, and fighting all the other actors, it's crazy. I do nothing but fight—all the time.'[29] Johansson earned $4-6 million for the film.[14] - Jeremy Renner as Clint Barton / Hawkeye:
A master archer working as an agent for S.H.I.E.L.D.[30][31] Renner said it was a very physical role and that he trained physically and practiced archery as much as possible in preparation.[32] About the role, Renner said, 'When I saw Iron Man, I thought that was a really kick-ass approach to superheroes. Then they told me about this Hawkeye character, and I liked how he wasn't really a superhero; he's just a guy with a high skill set. I could connect to that.'[13] Regarding Hawkeye's sniper mentality, Renner said, 'It's a lonely game. He's an outcast. His only connection is to Scarlett's character, Natasha. It's like a left hand/right hand thing. They coexist, and you need them both, especially when it comes to a physical mission.'[13] Renner said Hawkeye is not insecure about his humanity. 'Quite the opposite, he's the only one who can really take down the Hulk with his [tranquilizer-tipped] arrows. He knows his limitations. But when it comes down to it, there has to be a sense of confidence in any superhero.'[12] Renner earned $2-3 million for the film.[14] - Tom Hiddleston as Loki:
Thor's adoptive brother and nemesis, based on the Norse mythological deity of the same name.[25] About his character's evolution from the film Thor, Hiddleston said, 'I think the Loki we see in The Avengers is further advanced. You have to ask yourself the question: How pleasant an experience is it disappearing into a wormhole that has been created by some kind of super nuclear explosion of his own making? So I think by the time Loki shows up in The Avengers, he's seen a few things.'[33] About Loki's motivations, Hiddleston said, 'At the beginning of The Avengers, he comes to Earth to subjugate it and his idea is to rule the human race as their king. And like all the delusional autocrats of human history, he thinks this is a great idea because if everyone is busy worshipping him, there will be no wars so he will create some kind of world peace by ruling them as a tyrant. But he is also kind of deluded in the fact that he thinks unlimited power will give him self-respect, so I haven't let go of the fact that he is still motivated by this terrible jealousy and kind of spiritual desolation.'[34] - Clark Gregg as Phil Coulson:
An agent with S.H.I.E.L.D. who oversees many of the division's field operations.[35] Gregg was cast as part of a multi-picture deal with Marvel.[36] Gregg said his role was expanded in The Avengers: '[What] Agent Coulson had become in terms of the import of this particular story, and how important his job is in bringing the Avengers together, it kind of felt a little surreal, like somebody was playing a prank and that wasn't the real script. But it wasn't, it was the real thing, I got to show up and do that stuff, and it felt like such an amazing payoff to what the journey had been and the fact I had been doing it for five years.'[37] Gregg said Whedon provided insight into his character's backstory, particularly about Coulson being a fan of Captain America.[37] - Cobie Smulders as Maria Hill:
A high-ranking agent with S.H.I.E.L.D. who works closely with Nick Fury.[38] Smulders, whom Joss Whedon once considered for his unproduced live-action Wonder Woman film, was selected from a short list of potential actresses including Morena Baccarin. Smulders' deal would integrate her into nine films.[39][40] Regarding her preparation, Smulders said, 'I hired this amazing black-ops trainer to teach me how to hold a gun, take me to a shooting range, how to hit, how to hold myself, how to walk and basically how to look. I don't do a ton of fighting in the movie, which is why I wasn't offered a trainer, but I wanted to look like I had the ability to.'[41] On relating to the character, Smulders said, 'I can relate to her being a mom and being a businesswoman and trying to work full-time and raising a family and having a career. We're asked to do a lot of things these days. I feel she is just all about her job and keeping things going.'[42] - Stellan Skarsgård as Erik Selvig:
An astrophysicist and friend of Thor under Loki's control who is studying the Tesseract's power.[43][44] Regarding Loki's control over Selvig, Skarsgård said, 'Well with the scene we did in Thor, it was like Loki, one way or the other, entered Erik's mind. And in Avengers, you will see more clarity in how Loki is using Erik's mind.'[44] About his role, he said, '[My character] is of importance but the size of the role is not big.'[44] - Samuel L. Jackson as Nick Fury:
The director of S.H.I.E.L.D. who was revealed in previous films to be coordinating the 'Avengers Initiative'. Jackson was brought to the project with a deal containing an option to play the character in up to nine Marvel films.[45] Jackson said he does more in The Avengers than in any of the previous films: 'You don't have to wait until the end of the movie to see me'. About the role, Jackson said, 'It's always good to play somebody [who] is a positive in society as opposed to somebody who is a negative. . . I tried to make him as honest to the story and as honest to what real-life would seem.' Jackson compared the character to Ordell Robbie in Jackie Brown, calling him 'a nice guy to hang out with. You just don't want to cross him'.[46] Jackson earned $4-6 million for the film.[14]
Gwyneth Paltrow and Maximiliano Hernández reprise their roles from previous films as Pepper Potts and Jasper Sitwell, respectively. Paul Bettany returns to voice J.A.R.V.I.S. Frequent Whedon collaborator Alexis Denisof portrays the Other, and Damion Poitier portrays his master, Thanos (unnamed in the film), in a post-credits scene.[47]Powers Boothe and Jenny Agutter appear as members of the World Security Council.[48][49] Avengers co-creator Stan Lee has a cameo appearance in a news report. Harry Dean Stanton cameos as a security guard, and Polish film director Jerzy Skolimowski appears as Georgi Luchkov, Romanoff's interrogator.[50]Enver Gjokaj, who later went on to play Agent Daniel Sousa in the series Agent Carter, appears as a police officer.[51]
Production
Development
—Joss Whedon, director of The Avengers, about the film.[52]
Ideas for a film based on the Avengers began in 2003,[53] with Avi Arad, the CEO of Marvel Studios, first announcing plans to develop the film in April 2005, after Marvel Enterprises declared independence by allying with Merrill Lynch to produce a slate of films that would be distributed by Paramount Pictures.[54] Marvel discussed their plans in a brief presentation to Wall Street analysts; the studio's intention was to release individual films for the main characters—to establish their identities and familiarize audiences with them—before merging the characters together in a crossover film.[55] Screenwriter Zak Penn, who wrote The Incredible Hulk (2008), became attached to the film in 2006,[53] and was hired by Marvel Studios to write the film in June 2007.[56] In the wake of the 2007–2008 Writers Guild of America strike, Marvel negotiated with the Writers Guild of America to ensure that it could create films based on its comic book counterparts, including Captain America, Ant-Man and The Avengers.[57] After the successful release of Iron Man (2008) in May, the company set a July 2011 release date for The Avengers.[58] In September 2008, Marvel Studios reached an agreement with Paramount—an extension of a previous partnership—which gave the company distribution rights for five future Marvel films.[59]
Casting began in October 2008 with Downey's signing.[11] Though Don Cheadle was also reported to be reprising his Iron Man 2 role of War Machine for The Avengers, he later stated that he did not think the character would appear in the film.[11][60] At the same time, two major prospects occurred for Marvel: Jon Favreau was brought in as an executive producer for the film,[11] and the company signed a long-term lease with Raleigh Studios to produce three other big-budget films—Iron Man 2, Thor (2011), and Captain America: The First Avenger (2011)—at their Manhattan Beach, California complex.[61]Lou Ferrigno, who voiced Hulk in The Incredible Hulk, stated that he would be involved in the film.[62] In February 2009, Samuel L. Jackson signed a nine-picture deal with Marvel Entertainment to play Nick Fury in Iron Man 2 and other films.[45] In September 2009, Edward Norton, who played Bruce Banner in The Incredible Hulk stated that he was open to returning in the film.[63] The next month, executive producer Jon Favreau stated that he would not direct the film, but would 'definitely have input and a say'. Favreau also expressed concerns, stating, 'It's going to be hard, because I was so involved in creating the world of Iron Man, and Iron Man is very much a tech-based hero, and then with Avengers you're going to be introducing some supernatural aspects because of Thor.. [Mixing] the two of those works very well in the comic books, but it's going to take a lot of thoughtfulness to make that all work and not blow the reality that we've created'.[64] In March 2009, actress Scarlett Johansson replaced Emily Blunt in portraying Natasha Romanoff in Iron Man 2, a deal that subsequently attached her to The Avengers.[28] The following day, Marvel announced that the film's release date had been pushed back to May 4, 2012, almost a full year later.[65] Chris Hemsworth and Tom Hiddleston joined the film's cast in June, returning as Thor and Loki, respectively.[25]
In July 2009, Penn talked about the crossover process, stating, 'My job is to kind of shuttle between the different movies and make sure that finally we're mimicking that comic book structure where all of these movies are connected. . . There's just a board that tracks 'Here's where everything that happens in this movie overlaps with that movie'. . . I'm pushing them to do as many animatics as possible to animate the movie, to draw boards so that we're all working off the same visual ideas. But the exigencies of production take first priority'.[66] At first, Penn tried to reduce Thor's role in the script because he had doubts about the character's ability to succeed on film. He changed his mind once Hemsworth was cast as Thor.[67] The film had always intended to use Loki as its villain, but Penn noted that early discussion had considered using Red Skull.[68]
In January 2010, Marvel Studios chief Kevin Feige was asked if it would be difficult to meld the fantasy of Thor with the high-tech science fiction in Iron Man and The Avengers. 'No,' he said, 'because we're doing the Jack Kirby/Stan Lee/Walt Simonson/J. Michael StraczynskiThor. We're not doing the blow-the-dust-off-of-the-old-Norse-book-in-your-library Thor. And in the Thor of the Marvel Universe, there's a race called the Asgardians. And we're linked through this Tree of Life that we're unaware of. It's real science, but we don't know about it yet. The 'Thor' movie is about teaching people that'.[69] In March, it was reported that Penn had completed the first draft of the script, and that Marvel editor-in-chief Joe Quesada and Avengers comic-book writer Brian Michael Bendis had received copies.[70] Also in March, Chris Evans accepted an offer to play Captain America in three films including The Avengers.[15]
Pre-production
By April 2010, Joss Whedon was close to completing a deal to direct the film and to rework Penn's script,[71] and was officially announced in July 2010.[72] On the hiring, Arad stated: 'My personal opinion is that Joss will do a fantastic job. He loves these characters and is a fantastic writer.. It's part of his life so you know he is going to protect it.. I expect someone like him is going to make the script even better'.[73] Feige added, 'I've known Joss for many years. We were looking for the right thing and he came in and met on it.. we want[ed] to find a director that’s on the verge of doing something great, as we think Joss is.'[74] Whedon stated at the 2010 San Diego Comic-Con International, that what drew him to the film is that he loves how 'these people shouldn't be in the same room let alone on the same team—and that is the definition of family'.[75]
When Whedon received Penn's draft, he told Feige he felt the studio did not 'have anything' and they should 'pretend this draft never happened'.[76] Part of Whedon's issue was the lack of character connections in Penn's draft, which necessitated Whedon to begin 'at square one'.[53] Whedon went on to write a five-page treatment of his plan for the film, and created the tagline 'Avengers: Some Assembly Required', riffing on the 'Avengers Assemble' slogan from the comic books. Marvel quickly began working to sign Whedon to write and direct, only stipulating that he include the Avengers against Loki, a battle among the heroes in the middle, a battle against the villains at the end, and he get the film done for its May 2012 release.[76] The script would go through 'a lot of insane iterations of what might be' according to Whedon. Whedon explained there was a point when it was not certain Johansson would star in the film, so he 'wrote a huge bunch of pages starring The Wasp.' He also was 'worried that one British character actor [(Hiddleston)] was not enough to take on Earth's mightiest heroes, and that we'd feel like we were rooting for the overdog. So I wrote a huge draft with Ezekiel Stane, Obadiah Stane's son, in it.' Once all of the actors were 'locked in place the movie stayed on mission.' Whedon noted that the characters used do not have the same issue, unlike the X-Men. He felt 'these guys just don't belong together' before realizing their interactions could be like The Dirty Dozen (1967). Whedon also referenced Dr. Strangelove (1964), The Abyss (1989), His Girl Friday (1940), and Black Hawk Down (2001). Whedon would ultimately share final screenplay credit with Penn, though Whedon noted he 'fought' for sole credit and was 'very upset about it.' Penn felt the two 'could have collaborated more, but that was not his choice. He wanted to do it his way, and I respect that.'[53]
The casting process continued into much of 2010, with the additions of Jeremy Renner,[30]Mark Ruffalo,[18] and Clark Gregg.[35] Ruffalo replaced Edward Norton, whom Marvel declined to have back.[77] 'We have made the decision to not bring Ed Norton back to portray the title role of Bruce Banner in The Avengers,' stated Feige. 'Our decision is definitely not one based on monetary factors, but instead rooted in the need for an actor who embodies the creativity and collaborative spirit of our other talented cast members. The Avengers demands players who thrive working as part of an ensemble, as evidenced by Robert, Chris H, Chris E, Samuel, Scarlett, and all of our talented casts. We are looking to announce a name actor who fulfills these requirements, and is passionate about the iconic role in the coming weeks.'[78] In response, Norton's agent Brian Swardstrom decried Feige's statement, calling it 'purposefully misleading' and an 'inappropriate attempt to paint our client in a negative light'.[79] In October 2014, Norton claimed it was his own decision never to play Hulk again because he 'wanted more diversity' with his career, and did not want to be associated with only one character.[80]
In August 2010, it was reported that Paramount Pictures and Marvel Studios were planning to start shooting in February.[81] Simultaneously, it was declared that the film would be shot in 3D,[82] although Mark Ruffalo later tweeted that this was not the case.[83] In October 2010, Grumman Studios in Bethpage, New York[84] and the Steiner Studios in Brooklyn, New York City, were announced as filming locations,[85] with set construction slated to begin in November,[84] but as Whedon later explained, 'Originally we were supposed to be in Los Angeles, then for a short period we were supposed to be in New York, and then somehow we ended up in Albuquerque.'[6] Also that October, Walt Disney Studios agreed to pay Paramount at least $115 million for the worldwide distribution rights to Iron Man 3 and The Avengers.[86] The deal also allowed Paramount to continue to collect the 8 percent box office fee it would have earned for distributing the film and a marquee credit—placement of the company's production logo on marketing materials and the film's opening titles. As a result, the onscreen production credit reads 'Marvel Studios presents in association with Paramount Pictures' though the film is solely owned, distributed, financed, and marketed by Disney. Paramount's Epix retained pay TV rights.[1]
In December 2010, Governor of New Mexico Bill Richardson and Marvel Studios Co-president Louis D'Esposito announced The Avengers would film primarily in Albuquerque, New Mexico, with principal photography scheduled for April through September 2011. Parts of the film were also scheduled to be shot in Michigan,[87] but a plan to film in Detroit ended after Governor Rick Snyder issued a budget proposal that would eliminate a film tax incentive.[88] Three months later in March, Governor of Ohio John Kasich announced before Mayor Frank G. Jackson's State of the City address that The Avengers would film in Cleveland.[89]
Concept illustrator and designer of Iron Man's Mark VII armor Phil Saunders stated that 'Joss Whedon was looking for something that had the 'cool' factor of the suitcase suit [from Iron Man 2], while still being a fully armored, heavy duty suit that could take on an army in the final battle.' To that end, Saunders borrowed ideas that had been proposed in Iron Man 2 as well as some ideas that had been abandoned in Iron Man and merged them together in a modular suit that has big ammo packets on the arms and a backpack.[90] The Science & Entertainment Exchange also provided science consultation for the film.[91]
Casting reached its final stages the following year. In February 2011, Cobie Smulders acquired the role of Maria Hill,[40] after participating in screen tests conducted by Marvel for the role of a key S.H.I.E.L.D. member, who Samuel L. Jackson described as Nick Fury's sidekick.[39] Over the successive months, the film's cast expanded to include Stellan Skarsgård,[43] Paul Bettany,[92] and Gwyneth Paltrow.[93] Paltrow was cast at Downey's insistence; prior to this, Whedon had not intended the film to include supporting characters from the heroes' individual films, commenting, 'You need to separate the characters from their support systems in order to create the isolation you need for a team.'[94]
Filming
Principal photography began on April 25, 2011, in Albuquerque, New Mexico at Albuquerque Studios,[95][87] with the working titleGroup Hug.[96] In June 2011, stuntman Jeremy Fitzgerald injured his head while attempting a stunt involving a 30-foot fall from a building after getting hit by an arrow. A Marvel spokesperson later told TMZ that despite the injury, Fitzgerald recovered and continued working on set.[97] The following month, secondary filming took place about an hour outside Pittsburgh, Pennsylvania in the Butler area.[98] A chase sequence was also shot in Worthington, Pennsylvania at Creekside Mushroom Farms, the world's largest single-site mushroom farm, which provided 150 miles of abandoned limestone tunnels 300 feet below the ground for filming.[99]
Production relocated to Cleveland, Ohio in August 2011, where filming transpired over a period of four weeks. The city's East 9th Street was chosen as a double for New York City's 42nd Street to be used in climactic battle scenes.[100]Army Reserve soldiers assigned to the Columbus, Ohio-based 391st Military Police Battalion provided background action during the battle scenes in Cleveland. Staff Sergeant Michael T. Landis stated the use of real soldiers made the scenes more realistic and helped portray the military in a more positive light, explaining that, 'It's easy for us to make on-the-spot corrections to tactics and uniforms, the director actually took our recommendation on one scene and let us all engage the enemy as opposed to only the gunners in the trucks engaging'.[101] Filming also took place in the large vacuum chamber at the NASA Plum Brook Station near Sandusky, Ohio. The station's Space Power Facility was used to portray a S.H.I.E.L.D. research facility.[102] A series of explosions were filmed at the Chevrolet powertrain plant in Parma, Ohio as part of the battle sequence that began in Cleveland.[103] Scenes from the film were also shot on Public Square and the Detroit–Superior Bridge.[104] Public Square's southwest quadrant was turned into Stuttgart, Germany, for filming.[105]
Principal photography concluded in New York City, where filming occurred over two days.[106] Filming locations in New York City included Park Avenue and Central Park.[107][108] For scenes taking place in Manhattan, visual effects supervisor Jake Morrison shot aerial footage for over three days to use as background plates, elaborating that his main objective was to 'get as much aerial work in as possible for the audience to see the big expanses, the wide establishing shots, while also making sure that the effects work doesn't look too computer generated'. 'We're getting much better at making entirely computer-generated environments,' Morrison explained, 'but there is no substitute for starting with a real image and adding what you need.'[109]
Cinematographer Seamus McGarvey stated that he composed the frame with a 1.85:1 aspect ratio to cope with the varying heights of the main characters, explaining that 'shooting 1.85:1 is kind of unusual for an epic film like this, but we needed the height in the screen to be able to frame in all the characters like Hulk, Captain America and Black Widow, who is much smaller. We had to give them all precedence and width within the frame. Also, Joss [Whedon] knew the final battle sequence was going to be this extravaganza in Manhattan, so the height and vertical scale of the buildings was going to be really important.' The film was McGarvey's first venture shooting with a digital camera, the Arri Alexa.[110] The Canon EOS 5D Mark II and Canon EOS 7Ddigital SLR cameras were used for some shots,[111][112][113] and high-speed shots were captured on 35mm film with the Arriflex 435. About his visual approach, McGarvey remarked, 'Joss and I were keen on having a very visceral and naturalistic quality to the image. We wanted this to feel immersive and did not want a 'comic book look' that might distance an audience with the engagement of the film. We moved the camera a lot on Steadicam, cranes and on dollies to create kinetic images; and we chose angles that were dramatic, like low angles for heroic imagery.'[110]
Post-production
In December 2011, Disney announced that the film would be converted to 3D.[114] Said Whedon, 'I'm not a big fan of extreme long lens, talky movies – I like to see the space I'm in and relate to it, so 3D kinda fits my aesthetic anyway. And the technology has advanced so far in the past couple years.' Whedon also said that 'there definitely are movies that shouldn't be in 3D' but 'The Avengers isn't obnoxiously 3D. There's no, 'Oh look, we're going to spend 20 minutes going through this tunnel because it's in 3D!' And no one is pointing at the screen the entire time. But it's an action movie. Things tend to hurtle toward the screen anyway'.[115] In January 2012, it was reported that the film would be digitally remastered for IMAX 3D and open in IMAX theaters on May 4, 2012, the same day it opens in regular theaters. The film's IMAX release follows Marvel's IMAX releases of Iron Man 2 and Thor.[116]
In a May 2012 interview, Whedon said that it was his decision to include Thanos in a post-credits scene, although the character is not identified in the film. 'He for me is the most powerful and fascinating Marvel villain. He's the great grand daddy of the badasses and he's in love with Death and I just think that's so cute. For me, the greatest Avengers [comic book] was Avengers Annual #7 (1977) that Jim Starlin did followed by Marvel Two-in-One Annual #2 (1977) that contained the death of Adam Warlock. Those were some of the most important texts and I think underrated milestones in Marvel history and Thanos is all over that, so somebody had to be in control and had to be behind Loki's work and I was like 'It's got to be Thanos.' And they said 'Okay' and I'm like 'Oh my God!'[117] An additional coda involving the Avengers eating shawarma was shot on April 12, 2012, a day after the world premiere. Evans wore a prosthetic jaw while filming the scene to cover the beard he had grown.[118] Shawarma sales in Los Angeles, St. Louis, and Boston reportedly skyrocketed in the days following the film's release.[119][120][121] Whedon stated the inspiration for the shawarma scene came from the events surrounding the filming of the scene where Fred dies in Wesley's arms in the Angel episode, 'A Hole in the World'. After filming the scene, Whedon and actors Amy Acker and Denisof, who portrayed Fred and Wesley, respectively, 'went out for drinks and ended up just sitting around quietly, exhausted from the day's events,' which Whedon then mimicked in the scene for the film.[122]
The film contains more than 2,200 visual effects shots completed by 14 companies: Industrial Light & Magic (ILM), Weta Digital, Scanline VFX, Hydraulx, Fuel VFX, Evil Eye Pictures, Luma Pictures, Cantina Creative, Trixter, Modus FX, Whiskytree, Digital Domain, The Third Floor and Method Design. ILM was the lead vendor and shared responsibility for creating many of the film's key effects, including the Helicarrier, the New York cityscape, digital body doubles, Iron Man and the Hulk. To create the on-screen Hulk, Ruffalo performed in a motion-capture suit on set with the other actors while four motion-capture HD cameras (two full body, two focused on his face) captured his face and body movements.[124]Jeff White, ILM's visual effects supervisor, said, 'We really wanted to utilize everything we've developed the last 10 years and make it a pretty spectacular Hulk. One of the great design decisions was to incorporate Mark Ruffalo into the look of him. So, much of Hulk is based on Ruffalo and his performance, not only in motion capture and on set, but down to his eyes, his teeth, and his tongue.'[125]
ILM digitally recreated the vast majority of the New York cityscape used in the film. In total, ILM artists rendered an area of about ten city blocks by about four city blocks. To do this, ILM sent out a team of four photographers to take pictures of the area in a shoot that lasted eight weeks.[124] Tyson Bidner, the New York location manager on the film, helped by securing the rights to almost every building's likeness in the area ILM needed.[53] Disney and Sony Pictures agreed for OsCorp Tower from The Amazing Spider-Man to be included in the film, but the idea was dropped because much of the skyline had already been completed.[126]
Weta Digital took over duties for animating Iron Man during the forest duel from ILM. Guy Williams, Weta's visual effects supervisor, said, 'We shared assets back and forth with ILM, but our pipelines are unique and it's hard for other assets to plug into it. But in this case, we got their models and we had to redo the texture spaces because the way we texture maps is different.'[125] Williams said the most difficult part was re-creating Iron Man's reflective metal surfaces.[124]
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Scanline VFX completed the reveal shots of the Helicarrier, from the moment Black Widow and Captain America arrive on the carrier deck to the point where it lifts off. Evil Eye Pictures composited digital backgrounds into shots filmed against a greenscreen for scenes taking place inside the Helicarrier. Colin Strause of Hydraulx said, 'We did the opening ten minutes of the movie, other than the opening set-up in space' including Loki's arrival on Earth and subsequent escape from the S.H.I.E.L.D. base. Luma Pictures worked on shots featuring the Helicarrier's bridge and incorporated the graphic monitor displays that were developed by Cantina Creative. Fuel VFX completed shots taking place in and around Tony Stark's penthouse at Stark Tower. Digital Domain created the asteroid environment, where Loki encounters The Other.[124] Method Design in Los Angeles created the film's closing credits. Steve Viola, creative director at Method Design, said, 'This piece was a two-minute, self-contained main on end sequence created entirely in CG. For each of the shots in the sequence, we designed, modeled, textured, and lit all of the environments and many of the foreground objects. We received assets from Marvel to include in the piece, then heavily re-modeled and re-surfaced them to create a post-battle macro sequence. We also designed a custom typeface for the Main Title of The Avengers as well as 30 credits set in-scene.'[125]
Music
In November 2011, Marvel announced that Alan Silvestri, who scoredCaptain America: The First Avenger, would write and compose the score for The Avengers. Silvestri said, 'I've worked on films where there have been a number of stars and certainly worked on films where there have been characters of equal weight in terms of their level of importance and profile in the film, but this one is somewhat extreme in that regard because each of these characters has their own world and it's a very different situation. It's very challenging to look for a way to give everyone the weight and consideration they need, but at the same time the film is really about the coming together of these characters, which implies that there is this entity called the Avengers which really has to be representative of all of them together.'[127] Silvestri developed the score with the London Symphony Orchestra at Abbey Road Studios in London, England.[128] Whedon said, 'The score is very old-fashioned, which is why [Silvestri] was letter-perfect for this movie because he can give you the heightened emotion, the [Hans Zimmer] school of 'I'm just feeling a lot right now!' but he can also be extraordinarily cue and character specific, which I love.'[128]
In March 2012, American alternative rock band Soundgarden announced through its Facebook page that its song 'Live to Rise' would be included on the film's soundtrack.[129] Additionally, the Indian rock band Agnee released a music video for its single 'Hello Andheron', which serves as the theme song for the film's Indian release.[130]Hollywood Records released the soundtrack concept album inspired by the film, Avengers Assemble, on May 1, 2012, the same day as the score.[131]
Marketing
Trailers
The film was promoted at the 2010 San Diego Comic-Con International, during which a teaser trailer narrated by Samuel L. Jackson was shown followed by an introduction of the cast.[35] In June 2011, Marvel Studios announced that it would not hold a panel at the 2011 San Diego Comic-Con International after studio executives decided it was not prepared to compete with its own past and fan expectations with filming still in production.[132] In July 2011, a teaser trailer that was meant to be the post-credits scene of Captain America: The First Avenger was briefly leaked online. Entertainment Weekly speculated it came from a preview screening and described the footage as 'shaky, fuzzy, flickering and obviously filmed on a cell phone'.[133]
In August 2011, Walt Disney Pictures, Pixar Animation Studios and Marvel Studios presented a look at Walt Disney Studios' upcoming film slate, which included The Avengers, at the D23 Expo in Anaheim, California. The presentation featured footage from the film and appearances by the cast members.[134] Later in August, Disney dismissed Marvel's executive vice president of worldwide marketing, vice president of worldwide marketing and manager of worldwide marketing to bring their functions in-house.[135]
In October 2011, Marvel Studios held a presentation at the New York Comic Con that featured new footage and a panel discussion including producer Kevin Feige and several cast members.[136] The first full-length trailer was also released in October. Comic Book Resources said, 'The two-minute teaser handily establishes the movie's premise' and is 'heavy on the assembling, but fans are also treated to plenty of action, as well glimpses [sic] of Iron Man's new armor and, best of all, the new take on the Incredible Hulk. Naturally, Robert Downey Jr.'s Tony Stark gets the best lines'.[137] However, The Hollywood Reporter called it, 'Awesome. Or it would be if we hadn't seen all of this before and expected every single thing that we saw in the trailer'.[138] The trailer, which debuted exclusively on iTunes Movie Trailers, was downloaded over 10 million times in its first 24 hours, breaking the website's record for the most-viewed trailer.[139] This record was surpassed by the trailer for The Dark Knight Rises, which was downloaded more than 12.5 million times in its first 24 hours.[140] A second full-length trailer was released on iTunes in February 2012, reaching a record 13.7 million downloads in 24 hours.[141] The theatrical trailers of The Avengers appeared with many films, including Mission: Impossible – Ghost Protocol, 21 Jump Street and The Hunger Games.[142]
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In January 2012, Marvel Studios held a global Twitter chat. The 30-minute live tweeting event featured writer/director Joss Whedon, cast members Samuel L. Jackson, Tom Hiddleston and Clark Gregg and a 10-second tease of the 30-second Super Bowl commercial that would air during Super Bowl XLVI in February.[143] According to the Los Angeles Times, Disney paid an estimated $4 million for the 30-second spot.[144] On May 1, 2012, executives from Marvel Studios, along with actors Tom Hiddleston and Clark Gregg, rang the opening bell of the New York Stock Exchange in honor of the film's theatrical release.[145]
Tie-in comics
In December 2011, Marvel announced that an eight-issue comic-book prelude to the film, written by Christopher Yost and Eric Pearson with art by Luke Ross and Daniel HDR, would be released in March 2012.[146] In February 2012, Marvel announced the release of a second limited series comic book tie-in, Black Widow Strikes written by Fred Van Lente, who wrote Captain America: First Vengeance, the comic-book prequel to Captain America: The First Avenger. The story is set between Iron Man 2 and The Avengers and follows Black Widow as she runs down some loose ends from Iron Man 2.[147] Additionally, the title Avengers Assemble was launched in March 2012, written by Brian Michael Bendis with art by Mark Bagley and features the same Avengers line-up as the film battling a new incarnation of the supervillain team Zodiac.[148]
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Promotional partners
Paul Gitter, Marvel Entertainment's president of consumer products, commented that the build-up to the film helped strengthen retail partnerships: 'Retailers have been less tolerant with [intellectual property] films, so we decided that if we started on this coordinated strategy several years ago, retailers would give us shelf space throughout the years and we would have a more sustainable position in the marketplace'.[149]
In September 2011, set photos of Robert Downey Jr. driving a new model Acura were published online. An Acura spokesperson later released a statement confirming the company's involvement with the film, 'As you may know, Acura has been in the Marvel Comics Universe films as the official car of their fictional law enforcement agency called S.H.I.E.L.D. That relationship continues for The Avengers. The open-top sports car that was photographed yesterday is a one-off, fictional car that was made just for the movie and will not be produced. That said, as you may also know, our CEO has said publicly that we are studying the development of a new sportscar, but we can't say any more about it at this time.'[150] In December 2011, Acura announced that a new NSX styled along the lines of the concept built for The Avengers would be unveiled at the 2012 North American International Auto Show.[151] A series of 10 S.H.I.E.L.D. SUVs, based on the Acura MDX with modifications by Cinema Vehicle Services, were also made for the film.[152]
In February 2012, it was announced that Marvel has partnered with fragrance company JADS to promote The Avengers with character-based fragrances. The announcement was just ahead of the Toy Industry Association's annual February exhibition, where representatives held a sampling booth of the products.[153] Other promotional partners include bracelet-maker Colantotte, Dr Pepper, Farmers Insurance, Harley-Davidson, Hershey, Land O'Frost lunchmeats, Oracle, Red Baron pizza, Symantec, Visa and Wyndham Hotels & Resorts. In total, Marvel and its parent-company Disney secured an estimated $100 million in worldwide marketing support for the film. Notable exclusions include Baskin-Robbins, Burger King and Dunkin' Donuts, who had partnered with Marvel in the past when their films were distributed by Paramount; Disney does not generally promote through fast food outlets.[154]
Video game
A video game based on the film was planned for concurrent release. The game was to be a first-person shooter/brawler for the Xbox 360, PlayStation 3, Wii U, and Microsoft Windows and published by THQ, with THQ Studio Australia developing the console versions and Blue Tongue Entertainment the PC version. After THQ closed both studios, the game was cancelled.[155] Intellectual property rights for an Avengers video game reverted to Marvel, which said it was exploring potential publishing and licensing opportunities.[156]
In May 2012, Ubisoft and Marvel Entertainment announced that they were partnering to develop a motion-controlled game titled Marvel Avengers: Battle for Earth for the Wii U and Xbox 360 Kinect. The game was inspired by the 'Secret Invasion' storyline and features 20 different characters.[157] Marvel also announced a four-chapter mobile game titled Avengers Initiative, with one chapter focusing on each of Hulk, Captain America, Thor and Iron Man.[158]
Release
Theatrical
In February 2012, Disney announced that the film's title would be changed in the United Kingdom to avoid confusion with the British TV series of the same name, as well as its 1998 film adaptation. This led to confusion over the film's actual title. Empire magazine reported that the film would be titled Marvel Avengers Assemble[159] while The Hollywood Reporter said that it would be called simply Avengers Assemble.[160] Marvel's UK website refers to the film as Marvel's Avengers Assemble,[161] although David Cox of The Guardian, in arguing that it was one of the worst film titles ever, considered this to be an error in the production notes, albeit grammatically clearer.[162] According to the British Board of Film Classification and the Irish Film Classification Office, the title is Marvel Avengers Assemble.[3][7]Frank Lovece in FilmFestivalTraveler.com addressed the discrepancy, writing, 'The Avengers — formally titled Marvel's The Avengers onscreen, though no apostrophe-s appears on the posters..'[6] Producer Kevin Feige said there are only two words in the UK title, one more than in the U.S. title, and stated that 'decisions like that aren't made lightly and there are lots of marketing research, lawyers and things that get into the mix on it'.[163]
The film's world premiere was April 11, 2012, at Hollywood's El Capitan Theatre.[164]The Avengers closed the 11th Annual Tribeca Film Festival with a screening on April 28, 2012.[165] The film received an expanded one-week theatrical push for the 2012 U.S. Labor Day weekend, increasing the number of theaters from 123 to 1,700.[166]
Home media
The film was released by Walt Disney Studios Home Entertainment[167][168] on Blu-ray Disc, Blu-ray 3D, DVD and digital download on September 25, 2012 in the United States and as early as August 29, 2012 in various international markets.[169][170] Producer Kevin Feige said the Blu-ray features a new Marvel One-Shot titled Item 47 and 'a number of deleted scenes and a few storylines that fell by the wayside during the editing process' including 'a few more scenes with the S.H.I.E.L.D. agent Maria Hill, played by Cobie Smulders' and 'some slightly different versions of Maria Hill and Nick Fury's interaction with the World Security Council'.[171]
The film was also collected in a 10-disc box set titled 'Marvel Cinematic Universe: Phase One – Avengers Assembled' which includes all of the Phase One films in the Marvel Cinematic Universe.[172] It was released on April 2, 2013.[173][174] Walt Disney Studios Home Entertainment released the film on Ultra HD Blu-ray on August 14, 2018.[175]
Some fans have criticized the UK DVD and Blu-ray release for omitting Joss Whedon's audio commentary, and for altering the scene involving Phil Coulson's death from the film's theatrical version.[176] Disney's UK division said the 'less graphic depiction of Agent Coulson's confrontation with Loki' occurred because '[e]ach country has its own compliance issues relative to depictions of violence. Unfortunately, another region's elements were inadvertently used to create the UK in-home release'.[176]
Upon its first week of release on home media in the U.S., the film topped the Nielsen VideoScan First Alert chart, which tracks overall disc sales, as well as the dedicated Blu-ray Disc sales chart with 72% of unit sales coming from Blu-ray, a record for a new release in which both the DVD and Blu-ray formats were released simultaneously.[168]
Reception
Box office
The Avengers grossed $623.4 million in the United States and Canada and $895.5 million in other countries, for a worldwide total of $1.519 billion.[5] It became the third-highest-grossing film worldwide[177] at that time as well as the highest-grossing 2012 film, the highest-grossing comic-book adaptation, the highest-grossing superhero film and the highest-grossing film ever released by Walt Disney Studios, at the time of its release.[178] The film's worldwide opening of $392.5 million was the fourth-largest.[179]The Avengers also became the fifth film distributed by Disney and the twelfth film overall to earn more than $1 billion. It reached this milestone in 19 days, matching the record for speed previously set by Avatar and Deathly Hallows – Part 2.[180][181][182] Its grosses exceeded its estimated $220 million production cost 12 days after its release.[183] It was the first Marvel production to generate $1 billion in ticket sales.[184]
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United States and Canada
The film became the third-highest-grossing film,[177][185] the highest-grossing 2012 film,[186] the highest-grossing film distributed by Disney,[187][188] the highest-grossing superhero film and the highest-grossing film based on comics.[5] It opened Friday, May 4, 2012, on around 11,800 screens across 4,349 theaters, and earned $80.8 million, marking the second-biggest opening and second-biggest single-day gross.[189][190] The film's Friday gross included an $18.7 million midnight run, a record for a superhero film[191][192] Without midnight grosses, the film earned the largest opening-day gross ($62.1 million).[193][194] It also set a Saturday- and Sunday-gross record ($69.6 million and $57.1 million respectively).[195][196][197] In total, it earned a total of $207,438,708 for its debut weekend, setting an opening-weekend record,[198] including an IMAX opening-weekend record of $15.3 million[199][200][201] and a record for opening-weekend grosses originating from 3D showings ($108 million).[197][202] The opening-weekend audience was evenly split among those under and over the age of 25, with 60% of the audience male, 55% couples, 24% families and 21% teenagers.[203] Earning $103.1 million on its second weekend, the film set a record for the largest second-weekend gross.[204] Other records set by the film include the biggest weekend per-theater average for a wide release ($47,698 per theater),[205] the fastest film to reach $100 million and each additional $50 million through $550 million,[204][206][207] and the largest cumulative gross through every day of release until, and including, its forty-third day (with the exception of its first day).[5][208] It remained in first place at the box office for three consecutive weekends.[209] The film set a record for the highest monthly share, with its $532.5 million total (through May 31, 2012) accounting for 52% of the total earnings at the box office during May.[210]
Records
The following are records set by the film upon its theatrical release.
| Record title | Record detail | Reference |
|---|---|---|
| Opening weekend for any film | $207,438,708 | [211] |
| Opening week for any film | $270,019,373 | [212] |
| Opening weekend, adjusted for ticket pricing | $207.4 million | [213] |
| Theater average – wide release | $47,698 | [205] |
| 3D gross during opening weekend | $108 million | [197][202] |
| IMAX gross during opening weekend | $15.3 million | [199] |
| Second weekend for any film | $103,052,274 | [214] |
| Monthly share of domestic earnings | May 2012, 52% | [210] |
| Highest cumulative gross | 2 – 43 days | [215] |
| Days to reach $100*, $150 million | 2 days* | [216] |
| Days to reach $200, $250, $300, $350, $400, $450 million | 3, 6, 9, 10, 14, 17 days respectively | [216] |
| Days to reach $500, $550 million | 23, 31 days | [207][216] |
| May opening | $207,438,708 | [217] |
| Opening weekend for a superhero film | $207,438,708 | [218] |
| Highest-grossing superhero film | $623,357,910 | [219] |
* While eight films have reached $100 million after two days, the film's gross by the end of the second day exceeded all of them.
Other territories
The film became the third-highest-grossing film,[220] the highest-grossing Disney-distributed film,[221] the highest-grossing 2012 film,[222] and the highest-grossing superhero film.[181] It opened Wednesday, April 25, 2012, in 10 countries, earning $17.1 million.[223] It opened in 29 more countries on April 26 and 27, earning $73.1 million in three days.[224] Through Sunday, April 29, it earned an opening-weekend total of $185.1 million from 39 countries.[225] It was in first place at the box office for four consecutive weekends.[226][227][228] The film set opening-day records in New Zealand, Malaysia and Iceland, a single-day record in the Philippines, as well as both single- and opening-day records in Singapore and in Thailand. It also earned the second-highest-grossing opening day in Australia ($6.2 million), behind Deathly Hallows – Part 2, in Mexico, in the Philippines and in Vietnam.[142][223][224][229][230] It set opening-weekend records in many territories, including Mexico, Brazil, Ecuador, Bolivia, Taiwan, the Philippines, Hong Kong, the United Arab Emirates, Argentina,[231] Peru and Central America.[225][232][233][234] It also earned the second largest five-day opening in Australia ($20.2 million).[225][235]
In the UK, Ireland and Malta, the film earned £2.5 million ($4.1 million) on its opening day[236] and £15.8 million ($25.7 million) during the weekend,[237] setting an opening-weekend record for a superhero film.[230][238][239] It became the market's highest-grossing superhero film.[240][241] In Latin America, it became the highest-grossing film ($207 million)[242] and the first film to earn more than $200 million.[243] It also became the highest-grossing film in the Philippines, in Singapore and in Indonesia.[244][245]
Critical response
The review aggregator website Rotten Tomatoes reported a 92% approval rating with an average rating of 8.05/10 based on 342 reviews. The website's consensus reads, 'Thanks to a script that emphasizes its heroes' humanity and a wealth of superpowered set pieces, The Avengers lives up to its hype and raises the bar for Marvel at the movies.'[246] On Metacritic, the film achieved an average score of 69 out of 100 based on 43 reviews, signifying 'generally favorable reviews'.[247] Audiences polled for CinemaScore gave the film a rare 'A+' grade on an 'A+ to F' scale.[248]
Todd McCarthy of The Hollywood Reporter gave a positive review of the film, remarking, 'It's clamorous, the save-the-world story is one everyone's seen time and again, and the characters have been around for more than half a century in 500 comic book issues. But Whedon and his cohorts have managed to stir all the personalities and ingredients together so that the resulting dish, however familiar, is irresistibly tasty again.'[249] To Rolling Stone journalist Peter Travers, the film epitomized an exceptional blockbuster. 'It's also the blockbuster,' Travers said, 'I saw in my head when I imagined a movie that brought together the idols of the Marvel world in one shiny, stupendously exciting package. It's Transformers with a brain, a heart and a working sense of humor.'[250] Justin Chang of Variety wrote, 'Like a superior, state-of-the-art model built from reconstituted parts, Joss Whedon's buoyant, witty and robustly entertaining superhero smash-up is escapism of a sophisticated order, boasting a tonal assurance and rich reserves of humor that offset the potentially lumbering and unavoidably formulaic aspects of this 143-minute team-origin story.'[251]Kenneth Turan of the Los Angeles Times complimented the film's frenetic pace,[252] while Roger Ebert of the Chicago Sun-Times commented that it 'provides its fans with exactly what they desire. Whether it is exactly what they deserve is arguable'.[253] Conversely, A. O. Scott of The New York Times believed that 'while The Avengers is hardly worth raging about, its failures are significant and dispiriting. The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre.'[254]
The performances of several cast members was a frequent topic in the critiques. In particular, Mark Ruffalo's portrayal of Dr. Bruce Banner/the Hulk was well received by commentators. Joe Neumaier opined that his performance was superior to the rest of the cast; 'Ruffalo is the revelation, turning Banner into a wry reservoir of calm ready to become a volcano.'[255] Similarly, The New Yorker'sAnthony Lane proclaimed Ruffalo's acting to be one of the film's highlights—alongside Downey.[256]The Village Voice'sKarina Longworth concluded: 'Ruffalo successfully refreshes the Hulk myth, playing Banner as an adorably bashful nerd-genius who, in contrast to the preening hunks on the team, knows better than to draw attention to himself.'[257] Travers asserted that the actor resonated a 'scruffy warmth and humor' vibe,[250] while Turan felt that he surpassed predecessors Edward Norton and Eric Bana in playing the character.[252] Owen Gleiberman of Entertainment Weekly wrote that 'the smartest thing the filmmakers did was to get Mark Ruffalo to play Bruce Banner as a man so sensitive that he's at war, every moment, with himself. (The film finally solves the Hulk problem: He's a lot more fun in small doses.)'[258]
Referring to Downey, Joe Morgenstein of The Wall Street Journal—despite complimenting Downey's performance—favored his work in Iron Man over his acting in The Avengers: 'His Iron Man is certainly a team player, but Mr. Downey comes to the party with two insuperable superpowers: a character of established sophistication—the industrialist/inventor Tony Stark, a sharp-tongued man of the world—and his own quicksilver presence that finds its finest expression in self-irony.'[259] Neumaier praised Evans, stating that he accurately conveyed his character's internal conflicts.[255]
Commentators appreciated the character development and dialogue. Associated Press reviewer Christy Lemire wrote that the script 'sparkles as brightly as the special effects; these people may be wearing ridiculous costumes but they're well fleshed-out underneath.'[260] Scott suggested that certain parts of the film permeated a charm that he felt was similar to the western film Rio Bravo (1959).[254] Longworth felt that while Whedon's script demonstrated the backstory of the characters, the film does not explore it 'in a substantive way'.[257]
Accolades
The Avengers has garnered numerous awards and nominations, including an Academy Award nomination for Best Visual Effects and a British Academy Film Award nomination for Best Special Visual Effects.[261][262] The film has also been nominated for three Critics' Choice Movie Awards,[263] thirteen People's Choice Awards (winning three),[264] eleven Teen Choice Awards (winning two),[265][266][267] six Saturn Awards (winning four),[268] and six VES Awards (winning two), as well as the 2013 Hugo Award for Best Dramatic Presentation Long Form.[269] In 2017, it was featured as one of the 100 greatest films of all time in Empire magazine's poll of The 100 Greatest Movies.[270]
Sequels
Avengers: Age of Ultron
A sequel, titled Avengers: Age of Ultron,[271] written and directed by Whedon,[272] was released on May 1, 2015.[273] Much of the cast returns, with the addition of Elizabeth Olsen as Scarlet Witch, Aaron Taylor-Johnson as Quicksilver, Paul Bettany as Vision, and James Spader as Ultron.[274]
Avengers: Infinity War
Avengers: Infinity War was directed by Anthony and Joe Russo, from a script by Christopher Markus and Stephen McFeely,[275][276][277] and was released on April 27, 2018.[278] Much of the cast from the first two films return, with additional cast and characters joining from other MCU films, and Josh Brolin appearing as Thanos.[279]
Avengers: Endgame
Avengers: Endgame,[280] again directed by the Russo brothers from a script by Markus and McFeely,[275][276] was released on April 26, 2019.[280]
See also
Notes
- ^ abAs part of the deal transferring the distribution rights of The Avengers and Iron Man 3 from Paramount Pictures to the Walt Disney Studios,[1] Paramount's logo appears in the films' opening titles, promotional materials and merchandise.[2] Nevertheless, Walt Disney Studios Motion Pictures is credited at the end of the film.
- ^Producer Kevin Feige stated that the Tesseract is based on the Cosmic Cube from Marvel comics.[8] After Thor: The Dark World, he stated that it was also the Space Infinity Stone.[9]
- ^Feige confirmed that the 'master' in the post-credits scene is Thanos.[10]
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- ^ abc'Marvel Avengers Assemble'. British Board of Film Classification. Archived from the original on April 20, 2012. Retrieved April 20, 2012.
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At risk is not only the movie's estimated $220 million budget, but also one of the most promising tent pole franchises in Hollywood.
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But as we were working on them we started to keep track of some things that the writers and filmmakers of one movie were doing anyway and we started to track them and realized that we could utilize those later down the line. That's how the Cosmic Cube came about; what started as a little seed would grow and grow and grow to The Avengers.
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It is. I don't know when we'll actually divulge that necessarily, but it's the space stone.
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All you need is one person in the back of the theater to go, 'Oh, it's Thanos!' for people to start going, 'Who's..? Oh, that must mean something, who's that?' and they start to learn and they start to dig deeper.
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Finally I thought, 'I just have to work with human voices.' .. I just started playing combinations and I would give them 10 to 15 variations of roars. And Joss listened to them and came back and said, 'I like this one,' and I went back and I looked at the ingredients of what was in that one. Turned out to be Mark Ruffalo, some Lou Ferrigno and a little bit of me and two people from New Zealand. So I led with that and I started using those combinations but changing it up. But the great thing was that Mark Ruffalo had done an incredible [unintelligible] of variety so I was always blending him in. .. Lou Ferrigno seemed to have a real knack for just who this character was. .. They were always a component of it.
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(from video) At the beginning of The Avengers, he comes to earth to subjugate it and his idea is to rule the human race as their king. And like all the delusional autocrats of human history, he thinks this is a great idea because if everyone is busy worshipping him, there will be no wars so he will create some kind of world peace by ruling them as a tyrant. But he is also kind of deluded in the fact that he thinks unlimited power will give him self-respect so I haven't let go of the fact that he is still motivated by this terrible jealousy and kind of spiritual desolation.
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It's clamorous, the save-the-world story is one everyone's seen time and again, and the characters have been around for more than half a century in 500 comic book issues. But Whedon and his cohorts have managed to stir all the personalities and ingredients together so that the resulting dish, however familiar, is irresistibly tasty again.
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'I'm always angry,' he says at one point, and while 'The Avengers' is hardly worth raging about, its failures are significant and dispiriting. The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre.
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External links
- The Avengers on IMDb
- The Avengers at AllMovie
- The Avengers at The Numbers
- The Avengers at Rotten Tomatoes
- The Battle of New York: An Avengers Oral History at Thrillist